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Yoknapatawpha’s Rhyming Events 约克纳帕塔法的韵文活动
The Faulkner Journal Pub Date : 2020-03-01 DOI: 10.1353/fau.2020.a918222
Stephen Railton
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引用次数: 0
Abbreviations for Texts to be Cited in The Faulkner Journal 福克纳期刊》中要引用的文本缩写
The Faulkner Journal Pub Date : 2020-03-01 DOI: 10.1353/fau.2020.a918226
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引用次数: 0
The Past: In Tribute to William Faulkner 往事:向威廉-福克纳致敬
The Faulkner Journal Pub Date : 2020-03-01 DOI: 10.1353/fau.2020.a918218
Father Gerard Garrigan
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引用次数: 0
Faulkner, Aviation, and Modern War by Michael Zeitlin (review) 福克纳、航空与现代战争》,作者 Michael Zeitlin(评论)
The Faulkner Journal Pub Date : 2020-03-01 DOI: 10.1353/fau.2020.a918223
Donald M. Kartiganer
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引用次数: 0
Narrative Order in William Faulkner 威廉-福克纳的叙事顺序
The Faulkner Journal Pub Date : 2020-03-01 DOI: 10.1353/fau.2020.a918221
William Nelles, Linda Williams
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引用次数: 0
Debts of Honor, Narrative Authority, and Southern Manhood in “Knight’s Gambit” 骑士的赌博》中的荣誉之债、叙事权威和南方男子气概
The Faulkner Journal Pub Date : 2020-03-01 DOI: 10.1353/fau.2020.a918219
John N. Duvall
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引用次数: 0
On Faulkner, Racism, and Life in (the) Ruins 论福克纳、种族主义与废墟中的生活
The Faulkner Journal Pub Date : 2019-09-01 DOI: 10.1353/fau.2019.0025
A. Abdur-Rahman
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引用次数: 0
"Free to Be Me": Reformulating Blackness in Absalom, Absalom!, Remembering the Legacy of Sr. Thea Bowman in Faulkner Studies “自由地做我”:《押沙龙,押沙龙!》在福克纳研究中铭记老希亚·鲍曼的遗产
The Faulkner Journal Pub Date : 2019-09-01 DOI: 10.1353/fau.2019.0027
Riché Richardson
{"title":"\"Free to Be Me\": Reformulating Blackness in Absalom, Absalom!, Remembering the Legacy of Sr. Thea Bowman in Faulkner Studies","authors":"Riché Richardson","doi":"10.1353/fau.2019.0027","DOIUrl":"https://doi.org/10.1353/fau.2019.0027","url":null,"abstract":"You ask why I, a black woman from Mississippi, am interested in William Faulkner? Faulkner has helped me understand my state. And it is my state. My people, as Faulkner records, helped build it, clearing wilderness, tilling land, building with brick and wood and water. And raising those children, and not just the black children. Faulkner has helped me to appreciate my state, both the glory and the shame of it. Faulkner also helped me to understand white folks, their ways of thinking and feeling and responding. And as a black child born in Mississippi, and as a black woman living in America, or anywhere, I need to understand white folks.","PeriodicalId":208802,"journal":{"name":"The Faulkner Journal","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130342369","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lucas Beauchamp's Black Modernity: Agonistic Identities and the Ethics of Sympathy in Intruder in the Dust 卢卡斯·比彻姆的黑人现代性:《尘埃中的入侵者》中的斗争身份与同情伦理
The Faulkner Journal Pub Date : 2019-09-01 DOI: 10.1353/fau.2019.0021
Bernard Joy
{"title":"Lucas Beauchamp's Black Modernity: Agonistic Identities and the Ethics of Sympathy in Intruder in the Dust","authors":"Bernard Joy","doi":"10.1353/fau.2019.0021","DOIUrl":"https://doi.org/10.1353/fau.2019.0021","url":null,"abstract":"Faulkner’s heroes take many forms. We see an archetype of an adventurous, ruggedly individualist, though ambiguous, nineteenth-century heroism in the Sartoris family. There are also the Bundrens who, to lesser and greater degrees, struggle to maintain contact with the land and their poor white traditions when the modernity of the big town beckons, and Ike McCaslin, who rejects his corrupt patrimony. There is heroic nobility in Joe Christmas’s attempts to forge a personal identity outside the racist social norms that seek to delimit and dehumanize his being, in Tomey’s Turl’s intransigent rebellion against plantocracy codes, and in Eunice’s valiant suicide. However, Lucas Beauchamp epitomizes a particularly Faulknerian vision of heroism and nobility. Lucas provides, I argue, the closest thing to a consummation of the emancipatory labors of his Black predecessors. His success derives from the way he draws upon and activates his Black modernity, the traditions preceding him out of what Paul Gilroy has named the Black Atlantic that work to reveal the plurality of his own agonistic identity together with that of the society he inhabits. Lucas as a figure shines a light on the constructed nature of racial identity, on the irreducible pluralities that materially constitute persons and geographies. Once revealed, these perspectives entirely belie the myth of unitary essence and so, in bringing them to light, Lucas discomforts the white societies of his time. The simple evidence of his plurality unseats the racial hierarchies and the codes of white belonging upon which those societies are based and in defense of which they are willing to reinforce Black subjugation and white supremacy via ritualized acts of violence. Not despite but because of the white discomfort Lucas inspires, in those white people less invested in racial supremacy and their own whiteness he is also able to trigger an investment in an ethics of sympathy by which charac-","PeriodicalId":208802,"journal":{"name":"The Faulkner Journal","volume":"77 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122971422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"(Obvious now)": Forgetting How Race Works in Requiem for a Nun “现在(明显的)”:《修女的安魂曲》中忘记种族是如何起作用的
The Faulkner Journal Pub Date : 2019-09-01 DOI: 10.1353/fau.2019.0022
Garrett Bridger Gilmore
{"title":"\"(Obvious now)\": Forgetting How Race Works in Requiem for a Nun","authors":"Garrett Bridger Gilmore","doi":"10.1353/fau.2019.0022","DOIUrl":"https://doi.org/10.1353/fau.2019.0022","url":null,"abstract":"Two recent volumes of Faulkner scholarship, Michael Gorra’s monograph The Saddest Words and the edited collection Faulkner and Slavery, have relatively little to say about Requiem for a Nun. To those familiar with Faulkner studies this is likely not a surprising state of affairs, as Requiem is typically regarded as a curious dud of an attempt at narrative experimentation. Many of the extended critical accounts of the relationship between slavery, race, and Faulkner’s fiction that I find most fruitful, Thadious Davis’s Faulkner’s Negro, Richard Godden’s Fictions of Labor and An Economy of Complex Words, Edouard Glissant’s Faulkner, Mississippi, and the smattering of references to Faulkner contained across Hortense Spillers’s writing as collected in Black, White and In Color, likewise have little or nothing to say about Requiem for a Nun. Further complicating matters, most extended discussions of Requiem for a Nun have little to say about slavery. Noel Polk, for example, calls slavery’s presence in Jefferson “ominous” without much elaboration (44). These silences strike me as odd given the fact that Requiem contains perhaps the single most comprehensive account of the political and economic history of Yoknapatawpha County and one of Faulkner’s most straightforward attempts to do legibly racially liberal work by confronting and undermining, “demystifying” in Deborah Barker’s account, the racist cultural trope of the Mammy in his depiction of Nancy Mannigoe (71). One might conclude from the preponderance of critical attention that Requiem is not particularly suited for thinking slavery, and therefore not fit for a certain contemporary iteration of “the work of anti-racism.” In this essay I read Requiem as an anxious and regressive rewriting of the historical contradictions contained under what Hortense Spillers calls “the sign of race” previously worked through in Faulkner’s earlier and more critically prominent novels (348). “‘Race’ alone bears no inherent meaning,” Spillers writes, “even though it reifies in personality, but gains its","PeriodicalId":208802,"journal":{"name":"The Faulkner Journal","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126033018","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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