{"title":"Re:collection","authors":"Weidi Zhang, Jieliang Luo","doi":"10.1145/3588428.3593820","DOIUrl":"https://doi.org/10.1145/3588428.3593820","url":null,"abstract":"Re:collection is an interactive AI art installation that assembles synthetic collective visual memories based on language input, blurring the boundaries between remembrance and imagination through intelligent system design and experimental visualization.","PeriodicalId":191850,"journal":{"name":"ACM SIGGRAPH 2023 Art Gallery","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114094074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Returning the Gaze: Robotic Installation for Milan Fashion Week","authors":"Behnaz Farahi","doi":"10.1145/3588428.3593824","DOIUrl":"https://doi.org/10.1145/3588428.3593824","url":null,"abstract":"Industrial robots have long been used for manufacturing and research purposes around the world. More recently they have also been used in the fields of art, performance, dance, and interaction design, where they have served as a collaborator, autonomous agent, and, in some cases, as an extension of the artist. This project explores how a robotic extension could engage with the critical feminist issue of \"the male gaze.\" In doing so, it provides a brief theoretical context to the notion of the gaze in the context of visual culture and feminism. Finally, it illustrates the application of such a critical concept through the example of a robotic installation developed by the author for Milan Fashion Week in collaboration with Universal Robots. It engages with ways in which robots might extend the gaze through to discourses of resistance, whereby the gaze could be used to empower those who typically face discrimination.","PeriodicalId":191850,"journal":{"name":"ACM SIGGRAPH 2023 Art Gallery","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114968229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"An Empty Room","authors":"Casey Reas","doi":"10.1145/3588428.3603522","DOIUrl":"https://doi.org/10.1145/3588428.3603522","url":null,"abstract":"In conjunction with Coded: Art Enters the ComputerAge, 1952-1982, LACMA's Art + Technology Lab presents a two-part digital work by Casey Reas: a simulation of and an homage to Victor Vasarely's unrealized proposal for LACMA's Art and Technology Program (1967-71). Vasarely was interested in cybernetics and permutation during this period, and he envisioned a machine composed of lights arranged in a grid that would generate millions of different visual patterns related to his paintings (such as the one on view in Coded). Estimated at the time to cost two million dollars to fabricate, the project was deemed prohibitively expensive and was left unrealized.","PeriodicalId":191850,"journal":{"name":"ACM SIGGRAPH 2023 Art Gallery","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129886749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Prasanth Kunasilan, Alexandra Arguelles, Yu. D. Klebanov, S. Y. A. Chow, Huaruo Hu, Tomoya Duenki, Atsuhiro Nabeta, Y. Ikeuchi, Miles Pennington, Hyunjung Kim
{"title":"Talking with Neurons","authors":"Prasanth Kunasilan, Alexandra Arguelles, Yu. D. Klebanov, S. Y. A. Chow, Huaruo Hu, Tomoya Duenki, Atsuhiro Nabeta, Y. Ikeuchi, Miles Pennington, Hyunjung Kim","doi":"10.1145/3588428.3593825","DOIUrl":"https://doi.org/10.1145/3588428.3593825","url":null,"abstract":"\"Talking with Neurons\" is an interactive installation that enables people to remotely connect with live neural tissues that mimic our nervous system. Audiences activate lab-grown neural circuits called neural organoids in an off-site lab through their vocal cues. The neurons respond to this stimulation by exhibiting patterns of activity that are subsequently translated into audiovisual representations. Essentially, people talk to the neurons, which then promptly respond to the audience.","PeriodicalId":191850,"journal":{"name":"ACM SIGGRAPH 2023 Art Gallery","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116759885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Chthulucene","authors":"Jiabao Li","doi":"10.1145/3588428.3593823","DOIUrl":"https://doi.org/10.1145/3588428.3593823","url":null,"abstract":"Since the beginning of the British Industrial Revolution, Humans have become an important force affecting the evolution of the environment. Scientists call it the \"Anthropocene\", which summarizes the geological changes from this period. But after realizing the role of mankind, we once again placed ourselves at the center of the world. In this project, we try to imagine a world where human beings are not the only important actors in the world. Diverse species are intertwined and react upon each other.","PeriodicalId":191850,"journal":{"name":"ACM SIGGRAPH 2023 Art Gallery","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130236271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Time to Snow","authors":"Myeongseong Kim, Sunwoo Baek, Woohun Lee","doi":"10.1145/3588428.3593822","DOIUrl":"https://doi.org/10.1145/3588428.3593822","url":null,"abstract":"\"Time to Snow\" is an interactive installation that showcases the current time using tiny Styrofoam grains resembling snow. The installation highlights the aesthetic allure and ephemeral nature of snow. The title not only evokes \"displaying time with snow\", but it also bears a double entendre, the enchanting moment of \"when snowing\". Viewers can playfully interact with the Styrofoam grains, using hand gestures to immerse themselves in the installation. It presents the sensation of engaging with snow in natural environment.","PeriodicalId":191850,"journal":{"name":"ACM SIGGRAPH 2023 Art Gallery","volume":"259 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127366111","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Mario Klingemann, Simon Hudson, Julia Pryde Thompson
{"title":"Cluster #069","authors":"Mario Klingemann, Simon Hudson, Julia Pryde Thompson","doi":"10.1145/3588428.3593818","DOIUrl":"https://doi.org/10.1145/3588428.3593818","url":null,"abstract":"Botto project is an experiment in creating a decentralized autonomous artist that generates art based on community feedback. Every week, Botto creates and sells artwork via a series of models and crowd-sourced evaluations of over 9,000 people who also decide how to manage the artist and its sales. Over the centuries, the idea of autonomous entities with creative or co-creative abilities has captivated the human imagination. From early literary examples [Kantosalo et al., 2021] to today's text-to-image models like Stable Diffusion and Midjourney, which can generate realistic imagery in seconds, the notion of machines as artistic agents has gained prominence.","PeriodicalId":191850,"journal":{"name":"ACM SIGGRAPH 2023 Art Gallery","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127887992","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reinventing the Spindle: Politics of Craft in Space","authors":"Ebru Kurbak","doi":"10.1145/3588428.3593828","DOIUrl":"https://doi.org/10.1145/3588428.3593828","url":null,"abstract":"Reinventing the Spindle is a research-based art project that explores textile crafting in microgravity environments. The project aims to open a broader conversation about the ramifications of near-space exploration and the politics of science and technology research in general.","PeriodicalId":191850,"journal":{"name":"ACM SIGGRAPH 2023 Art Gallery","volume":"211 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133261591","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Conservation of Shadows","authors":"H. Ji, Graham Wakefield","doi":"10.1145/3588428.3593826","DOIUrl":"https://doi.org/10.1145/3588428.3593826","url":null,"abstract":"Time is instantaneously crystallized in space to form glistening trails of you and other creatures within this interactive mixed reality installation, with rustling sounds and mingling shadows as shared physical connections between the visible and invisible realms of a bio-inspired computational ecosystem.","PeriodicalId":191850,"journal":{"name":"ACM SIGGRAPH 2023 Art Gallery","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130169843","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"RGB Peg Mirror","authors":"Daniel Rozin","doi":"10.1145/3588428.3593821","DOIUrl":"https://doi.org/10.1145/3588428.3593821","url":null,"abstract":"In SIGGRAPH 2000 I debuted my piece Wooden Mirror. Over the past 23 years I have been expanding my series of Mechanical Mirrors to include tens of pieces utilizing various materials and techniques to examine the creation and perception of images and computer graphic concepts in a physical, interactive manner. Recently I have introduced color to my Mechanical Mirrors, the piece RGB Peg Mirror is my first piece that reproduces a full color reflection of the viewer by mechanically controlling 1555 motorized Red, Green, Blue aluminum pegs. I thought it would be appropriate to show this milestone piece where the series began. RGB Peg Mirror has two modes of operation and those change every two minutes: The first mode is the interactive reflective mode where the viewer is reflected on the piece in real time. The second mode is the generative mode, in this mode the piece displays various animations that were designed to take advantage of the colorful/ dynamic nature of the piece.","PeriodicalId":191850,"journal":{"name":"ACM SIGGRAPH 2023 Art Gallery","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124014380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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