Returning the Gaze: Robotic Installation for Milan Fashion Week

Behnaz Farahi
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Abstract

Industrial robots have long been used for manufacturing and research purposes around the world. More recently they have also been used in the fields of art, performance, dance, and interaction design, where they have served as a collaborator, autonomous agent, and, in some cases, as an extension of the artist. This project explores how a robotic extension could engage with the critical feminist issue of "the male gaze." In doing so, it provides a brief theoretical context to the notion of the gaze in the context of visual culture and feminism. Finally, it illustrates the application of such a critical concept through the example of a robotic installation developed by the author for Milan Fashion Week in collaboration with Universal Robots. It engages with ways in which robots might extend the gaze through to discourses of resistance, whereby the gaze could be used to empower those who typically face discrimination.
回归目光:米兰时装周机器人装置
工业机器人长期以来一直用于世界各地的制造和研究目的。最近,它们也被用于艺术、表演、舞蹈和交互设计领域,在这些领域,它们作为合作者、自主代理,在某些情况下,作为艺术家的延伸。这个项目探索了一个机器人扩展如何与“男性凝视”这一关键的女权主义问题联系起来。在此过程中,它为视觉文化和女权主义背景下的凝视概念提供了一个简短的理论背景。最后,通过作者与Universal Robots合作为米兰时装周开发的机器人装置的例子,说明了这样一个关键概念的应用。它研究了机器人将凝视延伸到抵抗话语的方式,通过这种方式,凝视可以用来赋予那些通常面临歧视的人权力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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