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Voltaire, Derrida et les ruses de la raison 伏尔泰，德里达和理性的诡计
IF 0.1 4区 文学
Nottingham French Studies Pub Date : 2023-03-01 DOI: 10.3366/nfs.2023.0367
Bruno Penteado
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引用次数: 0
‘Les objets plus ou moins déformés’: Émile Zola’s Screen Theory of Representation and the Rougon-Macquart Cycle “或多或少扭曲的物体”：埃米尔·左拉的表现屏幕理论和鲁贡·麦克夸特循环
IF 0.1 4区 文学
Nottingham French Studies Pub Date : 2023-03-01 DOI: 10.3366/nfs.2023.0368
Eddy Troy
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引用次数: 0
Les Écrivaines qui font recettes: discours critique par le livre pratique 制作食谱的作家:实用书中的批判性话语
IF 0.1 4区 文学
Nottingham French Studies Pub Date : 2023-03-01 DOI: 10.3366/nfs.2023.0371
M. Brun
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引用次数: 0
Front matter 前页
4区 文学
Nottingham French Studies Pub Date : 2023-03-01 DOI: 10.3366/nfs.2023.0364
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引用次数: 0
Notes on Contributors 投稿人说明
4区 文学
Nottingham French Studies Pub Date : 2023-03-01 DOI: 10.3366/nfs.2023.0372
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引用次数: 0
Le Roman graphique face aux tragédies contemporaines: le cas de Lamia Ziadé et de Zeina Abirached 面对当代悲剧的漫画小说：Lamia Ziadé和Zeina Abirached的案例
IF 0.1 4区 文学
Nottingham French Studies Pub Date : 2023-03-01 DOI: 10.3366/nfs.2023.0366
Isabelle Bernard
{"title":"Le Roman graphique face aux tragédies contemporaines: le cas de Lamia Ziadé et de Zeina Abirached","authors":"Isabelle Bernard","doi":"10.3366/nfs.2023.0366","DOIUrl":"https://doi.org/10.3366/nfs.2023.0366","url":null,"abstract":"This article explores the theme of war in the main graphic novels of Lamia Ziadé and Zeina Abirached, two Franco-Lebanese artists. Following a tripartite plan, it scrutinizes the pictorial and scriptural aesthetics of the artists in Bye Bye Babylond (2010), Ô nuit, Ô mes yeux (2015) and Ma très grande mélancolie arabe (2017) by Ziadé and in Le Jeu des hirondelles: mourir partir revenir (2007), Je souviens: Beirut (2008) and Prendre refuge (2018) by Abirached. The article examines each author’s approach to the history of the Middle East, especially that of Lebanon, as well as the impact of the so-called ‘duty of memory’ on bandes dessinés that manifest a clear autobiographical temptation.","PeriodicalId":19182,"journal":{"name":"Nottingham French Studies","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46810178","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Réinventer le toucher dans La Démangeaison de Laurence Nobécourt 劳伦斯·诺贝科特（Laurence Nobécourt）在《瘙痒中重塑触感》
IF 0.1 4区 文学
Nottingham French Studies Pub Date : 2023-03-01 DOI: 10.3366/nfs.2023.0370
Dominique Carlini Versini
{"title":"Réinventer le toucher dans La Démangeaison de Laurence Nobécourt","authors":"Dominique Carlini Versini","doi":"10.3366/nfs.2023.0370","DOIUrl":"https://doi.org/10.3366/nfs.2023.0370","url":null,"abstract":"This article examines the question of touch in Laurence Nobécourt's La Démengeaison. It seeks to connect Nobécourt's text to recent research on the tactile and more broadly the haptic function of literature. In this article, I will show that skin forms a border in the text, which prevents touch and contact with the world. I will discuss firstly the ways in which the surface/depth paradigm is applied to the untouchable skin of the narrator, excluding her from humanity. Thus, in the second part of my analysis, I will reflect on the ways in which the skin's touchability is reconfigured through the narrator's compulsive itching, and particularly through the exploration of the skin's erogenous dimension. Although this reconfiguration fails in the diegesis and leads only to violence, I will argue that the text succeeds in its haptic aesthetics, and its attempt to touch the reader.","PeriodicalId":19182,"journal":{"name":"Nottingham French Studies","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48062684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
« Exposer les tabous au grand jour » – théâtre politique (?) de Céline Delbecq “在大日子里揭露禁忌”-Céline Delbecq的政治剧院（？）
IF 0.1 4区 文学
Nottingham French Studies Pub Date : 2023-03-01 DOI: 10.3366/nfs.2023.0365
Judyta Niedokos
{"title":"« Exposer les tabous au grand jour » – théâtre politique (?) de Céline Delbecq","authors":"Judyta Niedokos","doi":"10.3366/nfs.2023.0365","DOIUrl":"https://doi.org/10.3366/nfs.2023.0365","url":null,"abstract":"The objective of the article is to analyse the creative output of the Belgian author Celine Delbecq in order to resolve the issue of whether, and to what extent, her theatre can be termed a political theatre. To this end, the notion of cité, adapted to the field of theatre by Bérénice Hamidi-Kim, has been invoked. The analysis demonstrates that the theatre of the Belgian author draws on three types of cité. First, it is inspired by the political ecumenical theatre, revealing social injustices, giving rise to a democratic debate on them, as well as highlighting the socially engaged stance of the artist herself. Second, Delbecq’s plays aspire to restore the theatrical and political community. Third, it is a theatre of political struggle that is based on recording the facts, informing the audience of these, while dispensing justice, all in a form of epic theatre that employs parables.","PeriodicalId":19182,"journal":{"name":"Nottingham French Studies","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47097786","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sex Workers, Thinkers and Activists in France Today: A ‘Real’ Feminist Vanguard 今天法国的性工作者、思想家和活动家:一个“真正的”女权先锋
IF 0.1 4区 文学
Nottingham French Studies Pub Date : 2022-12-01 DOI: 10.3366/nfs.2022.0360
Polly Galis
{"title":"Sex Workers, Thinkers and Activists in France Today: A ‘Real’ Feminist Vanguard","authors":"Polly Galis","doi":"10.3366/nfs.2022.0360","DOIUrl":"https://doi.org/10.3366/nfs.2022.0360","url":null,"abstract":"This paper explores three manifestoes by contemporary French sex workers, which combine personal memoir with theoretical and political writing: Libérez le féminisme by Morgane Merteuil (2012), Fières d’être putes by Maîtresse Nikita and Thierry Schaffauser (2007), and Porno manifesto by Ovidie (2002). I examine the complaints and demands they make of French feminists today, who frequently impede rather than support the aims of sex workers. I then outline these authors’ vision for a future feminism which could incorporate and learn from sex workers’ thought and activism, and which would be properly inclusive and radical. For these reasons, we will see why this envisaged feminism is deemed a ‘real’ feminism by some, to signify a surpassing or enhancement of earlier feminisms. Connections with a variety of feminisms will be considered, including postfeminism, sex positive feminism, and feminism in its second and fourth waves.","PeriodicalId":19182,"journal":{"name":"Nottingham French Studies","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49242817","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Women’s Fiction in Postfeminist France: Léonora Miano, Camille Laurens, and Chick-Lit or Romances urbaines 后女权主义法国的女性小说：莱诺拉·米亚诺、卡米尔·劳伦斯与城市浪漫主义
IF 0.1 4区 文学
Nottingham French Studies Pub Date : 2022-12-01 DOI: 10.3366/nfs.2022.0361
D. Holmes
{"title":"Women’s Fiction in Postfeminist France: Léonora Miano, Camille Laurens, and Chick-Lit or Romances urbaines","authors":"D. Holmes","doi":"10.3366/nfs.2022.0361","DOIUrl":"https://doi.org/10.3366/nfs.2022.0361","url":null,"abstract":"Women make up a significant majority of fiction readers, in France as elsewhere, and the novel has long been – and remains – a widely shared medium that both reflects and reflects on gender norms and their effects on women’s lives. My paper examines three contemporary female-authored novels covering the spectrum from ‘literary’ to popular fiction, each of which might be described as a postfeminist story for a postfeminist France. The texts are: Camille Laurens’ Celle que vous croyez (2016); Marie Vareille’s Je peux très bien me passer de toi (2015); Léonora Miano’s Blues pour Élise (2010). My analysis asks in what ways the contemporary ‘women’s novel’ reflects postfeminist culture, in its negative sense as a market-oriented co-optation of feminist aims and achievements but also in its more positive sense, as a new stage in feminist struggles. To what extent can pleasurable fictions not only acknowledge the realities of a postfeminist climate, but also question and challenge them?","PeriodicalId":19182,"journal":{"name":"Nottingham French Studies","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41907578","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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