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Bulletin of Contemporary Hispanic Studies最新文献

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Desideologizaciones y apropiaciones de poesías de Miguel Hernández en la canción flamenca 米格尔hernandez在弗拉门戈歌曲中的诗歌去意识形态化和挪用
Bulletin of Contemporary Hispanic Studies Pub Date : 2021-05-01 DOI: 10.3828/bchs.2021.6
Rocío Ortuño Casanova
{"title":"Desideologizaciones y apropiaciones de poesías de Miguel Hernández en la canción flamenca","authors":"Rocío Ortuño Casanova","doi":"10.3828/bchs.2021.6","DOIUrl":"https://doi.org/10.3828/bchs.2021.6","url":null,"abstract":"\u0000Este artículo se aproxima a las razones por las que a pesar de la explícita posición ideológica del poeta Miguel Hernández (1910-1942), en el siglo XXI varias de las personas encargadas de musicalizar sus poemas al flamenco los desideologizan en sus declaraciones a la prensa. Se hace un recorrido por las circunstancias históricas y la evolución de la recepción de los poemas hernandianos desde la Guerra Civil hasta el siglo XXI y se ubica su poesía y la de otros poetas del 27 en cuanto a su evolución dentro del campo cultural, pasando de ser poetas marginales consumidos por un público de izquierdas con un alto capital intelectual y bajo capital económico durante el franquismo, a canonizarse y establecerse como la convencionalidad de la democracia, cuando pasan a ser consumidos por un público de ideología más central al que se dirigen algunos de los artistas flamencos estudiados. Esta evolución está entrelazada con la historia paralela de los orígenes marginales del flamenco y su canonización y domesticación de su carácter beligerante en los siglos XX y XXI.","PeriodicalId":188413,"journal":{"name":"Bulletin of Contemporary Hispanic Studies","volume":"9 4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124956145","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Intertextualidad e intermedialidad poético-musical: formas de pervivencia de san Juan de la Cruz en la canción popular actual 互文性和诗意音乐的中介性:当前流行歌曲中圣胡安·德拉·克鲁兹的生存形式
Bulletin of Contemporary Hispanic Studies Pub Date : 2021-05-01 DOI: 10.3828/bchs.2021.5
Rocío Badía Fumaz
{"title":"Intertextualidad e intermedialidad poético-musical: formas de pervivencia de san Juan de la Cruz en la canción popular actual","authors":"Rocío Badía Fumaz","doi":"10.3828/bchs.2021.5","DOIUrl":"https://doi.org/10.3828/bchs.2021.5","url":null,"abstract":"\u0000Este trabajo aborda la pervivencia de la obra de san Juan de la Cruz en la canción popular española actual. A partir de los acercamientos metodológicos propios de la intermedialidad y la intertextualidad, se analizan canciones de Los Planetas, Silvio Fernández Melgarejo, Pájaro, Amancio Prada, Kiko Veneno, Enrique Morente y Rosalía para después proponer una tipología preliminar basada en la mayor o menor presencia del texto fuente, fundamentalmente en el nivel de la letra de la canción. Por último, se propone un acercamiento a la cuestión de la autoría en las musicalizaciones y las versiones (covers) desde los recientes Estudios Autoriales.","PeriodicalId":188413,"journal":{"name":"Bulletin of Contemporary Hispanic Studies","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117004017","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Versos al paso de Madrid: antología posmoderna de poesía y música
Bulletin of Contemporary Hispanic Studies Pub Date : 2021-05-01 DOI: 10.3828/bchs.2021.7
Guillermo Laín Corona
{"title":"Versos al paso de Madrid: antología posmoderna de poesía y música","authors":"Guillermo Laín Corona","doi":"10.3828/bchs.2021.7","DOIUrl":"https://doi.org/10.3828/bchs.2021.7","url":null,"abstract":"\u0000En 2018, el Ayuntamiento de Madrid amparó la iniciativa artística de Versos al paso, consistente en la inscripción de textos breves en un buen número de pasos de peatones de la ciudad. El proyecto surgió de una idea original del colectivo Boa Mistura, que se encargó de la dirección artística. Este artículo deja de lado su naturaleza de arte urbano y se centra en el estudio de Versos al paso como antología de poesía. Además, aborda su relación con la sociedad posmoderna y de consumo y con la industria cultural, especialmente la música popular.","PeriodicalId":188413,"journal":{"name":"Bulletin of Contemporary Hispanic Studies","volume":"68 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133301255","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
La lírica hispánica romance medieval y la música de la escena oscura 西班牙抒情中世纪浪漫和黑暗场景音乐
Bulletin of Contemporary Hispanic Studies Pub Date : 2021-05-01 DOI: 10.3828/bchs.2021.4
Amaranta Saguar García
{"title":"La lírica hispánica romance medieval y la música de la escena oscura","authors":"Amaranta Saguar García","doi":"10.3828/bchs.2021.4","DOIUrl":"https://doi.org/10.3828/bchs.2021.4","url":null,"abstract":"\u0000La lírica hispánica romance medieval está bien representada en la música de la llamada ‘escena oscura’. Este artículo explora las razones estéticas y musicales por las que la lírica hispánica romance medieval es capaz de superar las barreras cronológicas, geográficas y lingüísticas para llegar al público contemporáneo, internacional y en su mayoría no hispanoparlante de la escena oscura.","PeriodicalId":188413,"journal":{"name":"Bulletin of Contemporary Hispanic Studies","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122769846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Teorías y prácticas en la comparación música-literatura: el caso de la música popular en español 音乐文学比较的理论与实践:以西班牙流行音乐为例
Bulletin of Contemporary Hispanic Studies Pub Date : 2021-05-01 DOI: 10.3828/bchs.2021.2
Carlos Martínez Domingo
{"title":"Teorías y prácticas en la comparación música-literatura: el caso de la música popular en español","authors":"Carlos Martínez Domingo","doi":"10.3828/bchs.2021.2","DOIUrl":"https://doi.org/10.3828/bchs.2021.2","url":null,"abstract":"\u0000Los fenómenos interartísticos son una constante en la historia de los productos culturales que ofrece innumerables ejemplos de la coexistencia de medios artísticos diferentes en una misma obra. En particular, es especialmente intenso el caso de las relaciones entre música y literatura. Así, este artículo ofrece una panorámica de las distintas disciplinas y perspectivas teóricas que se han ocupado del análisis de los fenómenos interartísticos literario-musicales. En concreto, fija la atención en las vías comparatista y semiótica para, más adelante, observar a qué tendencias pueden adscribirse los estudios que, dentro del ámbito hispánico y de la música popular, se interesan por este tipo de productos. Finalmente, se formulan unas reflexiones donde, de manera preliminar, se constata la pervivencia del enfoque de la literatura comparada y una acusada tendencia a centrarse en la parte literaria, obviando la musical.","PeriodicalId":188413,"journal":{"name":"Bulletin of Contemporary Hispanic Studies","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121448816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bulletin of Contemporary Hispanic Studies: Volume 2, Issue 2 当代西班牙研究公报:第二卷，第2期
Bulletin of Contemporary Hispanic Studies Pub Date : 2020-11-01 DOI: 10.3828/bchs.2020.2.issue-2
{"title":"Bulletin of Contemporary Hispanic Studies: Volume 2, Issue 2","authors":"","doi":"10.3828/bchs.2020.2.issue-2","DOIUrl":"https://doi.org/10.3828/bchs.2020.2.issue-2","url":null,"abstract":"","PeriodicalId":188413,"journal":{"name":"Bulletin of Contemporary Hispanic Studies","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127222770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Theatre and/as Preservation: Rafael Alberti’s Noche de Guerra en el Museo del Prado (1956) 戏剧与保存:拉斐尔·阿尔贝蒂在普拉多博物馆的战争之夜(1956)
Bulletin of Contemporary Hispanic Studies Pub Date : 2019-11-12 DOI: 10.3828/bchs.2019.10
F. Vázquez
{"title":"Theatre and/as Preservation: Rafael Alberti’s Noche de Guerra en el Museo del Prado (1956)","authors":"F. Vázquez","doi":"10.3828/bchs.2019.10","DOIUrl":"https://doi.org/10.3828/bchs.2019.10","url":null,"abstract":"This article proposes a contextual analysis of Rafael Alberti’s Noche de guerra en el Museo del Prado (1956). Set during the Spanish Civil War, the play culminates with the hanging of a Generalisimo. Taking into consideration Alberti’s Communist militancy, this article enquires into why he wrote a play that insisted on wartime rhetoric and proposed a violent overthrow of the dictator in 1956, the same year that the Communist Party of Spain disallowed these disruptive measures. The new strategy was to leave behind bellicose rhetoric and replace it with self-imposed tactical amnesia and the construction of a peaceful transition to a democratic regime. Instead, Alberti rejected the possibility of forgetting, and presented theatre and artistic heritage as pedagogical tools and rituals of collective memory. Noche de guerra contends that a conscious society cannot and must not be amnesic. Theatre and artistic heritage foster militant forms of remembrance.","PeriodicalId":188413,"journal":{"name":"Bulletin of Contemporary Hispanic Studies","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133773919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Story of Ferdinand: censura, identidad y tauromaquia en España
Bulletin of Contemporary Hispanic Studies Pub Date : 2019-11-12 DOI: 10.3828/bchs.2019.7
A. Aragoneses, Jaume Claret
{"title":"The Story of Ferdinand: censura, identidad y tauromaquia en España","authors":"A. Aragoneses, Jaume Claret","doi":"10.3828/bchs.2019.7","DOIUrl":"https://doi.org/10.3828/bchs.2019.7","url":null,"abstract":"The Story of Ferdinand (1936) de Munro Leaf y Robert Lawson es hoy un clasico de la literatura infantil. Walt Disney hizo de esta historia un cortometraje animado, Ferdinand the Bull, de exito en 1...","PeriodicalId":188413,"journal":{"name":"Bulletin of Contemporary Hispanic Studies","volume":"126 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128003296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Releasing Nationalistic Tensions: Humour and Politics in Manuel Vázquez Montalbán’sEl hombre de mi vidaand Carme Riera’sCon ojos americanos 释放民族主义紧张局势:曼纽尔vazquez montalban 'sEl hombre de mi vida和卡梅·里埃拉的美国眼睛中的幽默和政治
Bulletin of Contemporary Hispanic Studies Pub Date : 2019-11-12 DOI: 10.3828/bchs.2019.8
Ernest Carranza Castelo
{"title":"Releasing Nationalistic Tensions: Humour and Politics in Manuel Vázquez Montalbán’sEl hombre de mi vidaand Carme Riera’sCon ojos americanos","authors":"Ernest Carranza Castelo","doi":"10.3828/bchs.2019.8","DOIUrl":"https://doi.org/10.3828/bchs.2019.8","url":null,"abstract":"The increasing tension between Catalan and Spanish nationalisms since the 2000s has caused the topic to be the object of exploration in novels written by Catalan authors, either of Catalan or Spani...","PeriodicalId":188413,"journal":{"name":"Bulletin of Contemporary Hispanic Studies","volume":"74 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127353396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘No nos representan’: Political Imagination in Gran Hotel Abismo (2016) by Marcos Prior and David Rubín “不代表”:阿比斯莫大酒店的政治想象(2016)，作者:马科斯·普莱和大卫Rubín
Bulletin of Contemporary Hispanic Studies Pub Date : 2019-11-12 DOI: 10.3828/bchs.2019.9
X. Dapena
{"title":"‘No nos representan’: Political Imagination in Gran Hotel Abismo (2016) by Marcos Prior and David Rubín","authors":"X. Dapena","doi":"10.3828/bchs.2019.9","DOIUrl":"https://doi.org/10.3828/bchs.2019.9","url":null,"abstract":"In a time of popular uprisings such as 15M and the Indignados movement, the Spanish cartoonists Marcos Prior and David Rubin visually recuperate Gyorgy Lukacs’s ‘ideological construct’, the ‘Grand Abyss Hotel’ (1984), in their graphic novel Gran Hotel Abismo (2016) to criticize similar contradictions and forms of exploitation that Lukacs addresses, but in the context of contemporary neoliberal Spain. In this article I address the political imagination in the graphic production of contemporary Spain and, particularly, in the graphic novel Gran Hotel Abismo by Prior y Rubin. In this sense I examine how the political shapes visual devices and cultural artifacts, and how the political repertoire of images, symbols and metaphors expresses three processes: precarization, memorialization and legitimation, and how these processes, as forms of politicization, are respectively articulated. Ultimately, I aim to analyse how political imagination affects graphic narratives such as Gran Hotel Abismo and how these narratives ‘interpellate’ readers and share a repertoire of the social movements in contemporary Spain that are used as tools of politicization in our society.","PeriodicalId":188413,"journal":{"name":"Bulletin of Contemporary Hispanic Studies","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129678660","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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