‘No nos representan’: Political Imagination in Gran Hotel Abismo (2016) by Marcos Prior and David Rubín

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X. Dapena
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引用次数: 1

Abstract

In a time of popular uprisings such as 15M and the Indignados movement, the Spanish cartoonists Marcos Prior and David Rubin visually recuperate Gyorgy Lukacs’s ‘ideological construct’, the ‘Grand Abyss Hotel’ (1984), in their graphic novel Gran Hotel Abismo (2016) to criticize similar contradictions and forms of exploitation that Lukacs addresses, but in the context of contemporary neoliberal Spain. In this article I address the political imagination in the graphic production of contemporary Spain and, particularly, in the graphic novel Gran Hotel Abismo by Prior y Rubin. In this sense I examine how the political shapes visual devices and cultural artifacts, and how the political repertoire of images, symbols and metaphors expresses three processes: precarization, memorialization and legitimation, and how these processes, as forms of politicization, are respectively articulated. Ultimately, I aim to analyse how political imagination affects graphic narratives such as Gran Hotel Abismo and how these narratives ‘interpellate’ readers and share a repertoire of the social movements in contemporary Spain that are used as tools of politicization in our society.
“不代表”:阿比斯莫大酒店的政治想象(2016),作者:马科斯·普莱和大卫Rubín
在15M和愤怒运动等民众起义的时代,西班牙漫画家马科斯·普瑞尔和大卫·鲁宾在他们的图画小说《阿比斯莫大饭店》(2016)中,从视觉上恢复了乔治·卢卡奇的“意识形态结构”,即“大深渊饭店”(1984),以批评卢卡奇提出的类似矛盾和剥削形式,但却是在当代新自由主义西班牙的背景下。在这篇文章中,我讨论了当代西班牙图形制作中的政治想象,特别是在Prior y Rubin的图形小说《阿比斯莫大酒店》中。在这个意义上,我研究了政治是如何塑造视觉设备和文化文物的,以及图像、符号和隐喻的政治储备如何表达三个过程:不稳定化、纪念化和合法化,以及这些过程作为政治化的形式是如何分别表达的。最后,我的目标是分析政治想象力如何影响阿比斯莫大酒店(Gran Hotel Abismo)等图形叙事,以及这些叙事如何“询问”读者,并分享当代西班牙社会运动的全部内容,这些运动被用作我们社会政治化的工具。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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