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Korpomuzeum jako typ idealny

Przegląd Kulturoznawczy Pub Date : 2021-12-30 DOI: 10.4467/20843860pk.21.050.14967

Justyna Żak-Szwarc

{"title":"Korpomuzeum jako typ idealny","authors":"Justyna Żak-Szwarc","doi":"10.4467/20843860pk.21.050.14967","DOIUrl":"https://doi.org/10.4467/20843860pk.21.050.14967","url":null,"abstract":"Corpomuseum as an Ideal Type\u0000\u0000The beginning of the 21st century was a time of great museum revolution. Many museums have been created that focus their activities not so much on collecting artefacts as on presenting impressive exhibitions, largely made of media relays. New museums are increasingly moving away from the concern for durable goods that characterizes traditional museums and transfer knowledge to their recipients through modern products and attractive technologies. In connection with the implementation of new and costly solutions regarding architecture, equipment, organizational structure and functioning, they actually need a lot of capital in the form of public finances and “human resources” from the very beginning of their activity. It seems that at present the need to raise this type of capital in a case of creating new institutions is far ahead of the need to collect works of culture that have constituted the essence and sense of museums created in previous centuries. The quality of planned projects also ceases to be related to the significance and reputation of the material culture heritage, and begins to be measured by the scale of the new museum buildings and the number of visitors. Products instead of cultural goods, or even products understood as cultural goods; visitors as engaged customers; capital understood by finance and “human resources”; large size ‒ which covers many issues ‒ ranging from structure, and architecture; modern technologies; political influence; brand strength and promotion ‒ all these aspects resemble the corporate model of organization. They provoke reflection on the functioning of the museum as a corporation, which is the purpose of the ideally typical structure of the “corpomuseum”.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125745428","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Akuzmatyczność filmowych efektów dźwiękowych. Medialna mistyfikacja foley w kontekście sound designu

Przegląd Kulturoznawczy Pub Date : 2021-12-30 DOI: 10.4467/20843860pk.21.049.14966

Szymon Nożyński

{"title":"Akuzmatyczność filmowych efektów dźwiękowych. Medialna mistyfikacja foley w kontekście sound designu","authors":"Szymon Nożyński","doi":"10.4467/20843860pk.21.049.14966","DOIUrl":"https://doi.org/10.4467/20843860pk.21.049.14966","url":null,"abstract":"Acousmaticity of Film Sound Effects: Media Mystification of Foley in the Context of Sound Design\u0000\u0000The text is about the foley profession, an important specialty performed as part of film sound design, at the post-production stage. What’s important here is both, the foley artist’s body, which becomes an instrument, and the ontology of created sounds, which are inserted into the finished film and synchronized with the picture. The author wonders if there is still a place for foley artists in the digital reality and common computerization of work. But the most important issue concerns the nature of sounds themselves, in the context of their production, acousmatics and the ubiquitous sound design.\u0000\u0000What is the sound implemented into the picture, does the picture give credence to the sound, even though the sound is “substituted” because it is produced in the studio? The situation is debatable, in the context of acousmatic listening (i.e. without the context of the source), because the picture provides a substitute context for the sound, and the viewer (listener) accepts this audio-visual relationship without reservation (as long as the sound is prepared well). Especially since by going to the cinema, the viewer agrees to a form of manipulation in the name of entertainment. Usually he or she is not aware of the mystification in the field of sound, which - within the oculocentric perception ‒ for him or her is only a complement to the picture, although, in fact, it plays a fundamental role in understanding what is happening on the screen. Other topics discussed in the text concern the communicativeness of sound and the historical background of the foley profession. Also important are the interrelations between foley and sound design and other areas of sound activity, as part of the preparation of all the audio layers of a film.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126728362","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Stefana Morawskiego krytyka postmodernizmu

Przegląd Kulturoznawczy Pub Date : 2021-12-30 DOI: 10.4467/20843860pk.21.053.14970

Mariusz Oziębłowski

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Stefana Morawskiego wizja sztuki masowej i estetyzacji świata – uwagi krytyczne

Przegląd Kulturoznawczy Pub Date : 2021-12-30 DOI: 10.4467/20843860pk.21.054.14971

Robert Rogoziecki

引用次数: 0

Training for Art and Femininity: Analysis of Life Stories of Contemporary Polish Artists 艺术与女性气质的训练:当代波兰艺术家的生活故事分析

Przegląd Kulturoznawczy Pub Date : 2021-12-30 DOI: 10.4467/20843860pk.21.047.14964

Karolina Sikorska

引用次数: 0

The Sublime Troubles of Postmodernism. A Tribute to S.M. 后现代主义的崇高困境。向S.M.致敬

Przegląd Kulturoznawczy Pub Date : 2021-12-30 DOI: 10.4467/20843860pk.21.052.14969

A. Berleant

引用次数: 0

Wiatr z Północy. Dyskursywne konstruowanie Heimat na przykładzie gmachu dawnej Królewskiej Szkoły Rzemiosł Budowlanych w Katowicach i jego wystroju

Przegląd Kulturoznawczy Pub Date : 2021-12-30 DOI: 10.4467/20843860pk.21.051.14968

J. Gorzelik

{"title":"Wiatr z Północy. Dyskursywne konstruowanie Heimat na przykładzie gmachu dawnej Królewskiej Szkoły Rzemiosł Budowlanych w Katowicach i jego wystroju","authors":"J. Gorzelik","doi":"10.4467/20843860pk.21.051.14968","DOIUrl":"https://doi.org/10.4467/20843860pk.21.051.14968","url":null,"abstract":"Wind from the North: The Discursive Construction of Heimat Exemplified by the Edifice of the Former Royal School of Building Crafts (Königliche Baugerwerkschule) in Katowice and its Decoration\u0000\u0000The paper examines the edifice of the former school of building crafts (Baugewerkschule) in Katowice, Upper Silesia, which opened in 1901, and its decoration. The works of architecture, painting and sculpture were interpreted as carriers of a discourse calculated to construct Heimat, located within the borders of the Prussian Silesian Province. The building’s forms, reminiscent of the brick Gothic of northern Germany, were characteristic of the milieu of the Technische Hochschule in Hannover, where the designers of the edifice were educated. The city’s coat of arms was depicted on the facade, the vaulted ceiling of the auditorium was decorated with dragon and gryphon motifs of Scandinavian origin, and its walls painted with images of St. Hedwig ‒ the patron saint of Silesia, viewed here as a deconfessionalized personification of the land ‒ the Prussian eagle, and four iconic monuments of historic Silesian architecture. Thus, references were made to various levels of identity ‒ local, regional, national, and the mythologised Germanic North. The narrative constructed in this way fits into the cultural nationalism of the educated German bourgeoisie (Bildungsbürgertum), which grows out of the Romantic tradition. At the same time, the emphasis on the opposition of the North and South can be seen as a strategy for overcoming the peripheral status of Silesia in a world organised by the West-East axis. The school’s building in Katowice exemplifies how the elites of the German Empire used visual means to construct modern imagined communities.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121325050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Antropologiczne wędrówki po kulturze Wojciecha J. Burszty

Przegląd Kulturoznawczy Pub Date : 2021-03-17 DOI: 10.4467/20843860pk.21.014.13468

M. Buchowski

{"title":"Antropologiczne wędrówki po kulturze Wojciecha J. Burszty","authors":"M. Buchowski","doi":"10.4467/20843860pk.21.014.13468","DOIUrl":"https://doi.org/10.4467/20843860pk.21.014.13468","url":null,"abstract":"5 lutego 2021 roku, przeżywszy niecałe 64 lata, zmarł po ciężkiej chorobie profesor Wojciech J. Burszta. Urodził się 22 marca 1957 roku w Poznaniu. Był profesorem Uniwersytetu Humanistycznospołecznego SWPS oraz Instytutu Slawistyki Polskiej Akademii Nauk w Warszawie. Był w pełni sił twórczych, właściwie niemal do końca pracował i uczestniczył w życiu naukowym. Przez lata pracy opublikował jedenaście książek autorskich, dziewięć współautorskich. Ponadto zredagował cztery monografie, a dwadzieścia jeden współredagował. Napisał łącznie około czterystu artykułów, esejów, wypowiedzi i opinii. Wychował ponad trzydziestu doktorów i doktorek, napisał około stu recenzji prac doktorskich, habilitacyjnych i profesorskich. Polska humanistyka poniosła niepowetowaną stratę. Wojciech J. Burszta przez 28 lat związany był z Uniwersytetem im. Adama Mickiewicza w Poznaniu1. W 1975 roku rozpoczął studia magisterskie w ówczesnej Katedrze Etnografii, które ukończył w 1979 roku pracą napisaną pod kierunkiem prof. Jerzego Kmity pt. Claude’a Lévi-Straussa koncepcja badań etnograficznych. Praca ta otrzymała nagrodę Wydziału Historycznego UAM. W międzyczasie podjął studia na nowo utworzonym kierunku kulturoznawstwo, którego jednak nie ukończył, niemniej zaliczył trzy lata. Jak twierdził, sens ma studiowanie, a nie „kolekcjonowanie dyplomów”. Po uzyskaniu magisterium podjął natychmiast studia doktoranckie na Wydziale Historycznym UAM, które otwierano wówczas po raz pierwszy. Zwieńczyła je praca zatytułowana Język a kultura w myśli etnologicznej, obroniona w 1984 roku, której promotorem był również Jerzy Kmita. Opublikowana dwa lata","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129441091","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Nowe zarządzanie pieniądzem w epoce antropocenu. Ekologia człowieka Alfa Hornborga

Przegląd Kulturoznawczy Pub Date : 2021-03-17 DOI: 10.4467/20843860pk.21.010.13464

Ewa Bińczyk

引用次数: 0

Social Innovation and Deep Institutional Innovation for Sustainability and Human Development 可持续发展与人类发展的社会创新与深层次制度创新

Przegląd Kulturoznawczy Pub Date : 2021-03-17 DOI: 10.4467/20843860pk.21.011.13465

Markus Glatz-Schmallegger, E. Byrne, G. Mullally, I. Hughes, Connor McGookin, B. Ó. Gallachóir

引用次数: 1