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Editorial: Games in a Time of Crisis? 评论:危机时期的游戏?

Przegląd Kulturoznawczy Pub Date : 2022-12-30 DOI: 10.4467/20843860pk.22.035.17089

Justyna Janik, Daniel Vella

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Recenzja książki Andrzeja Pitrusa, Przebłyski piękna. Spotkania z Jonasem Mekasem

Przegląd Kulturoznawczy Pub Date : 2022-12-30 DOI: 10.4467/20843860pk.22.043.17097

B. Kita

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Avant-Garde, Emergency, and Digital Games Discourse 前卫、紧急和数字游戏论述

Przegląd Kulturoznawczy Pub Date : 2022-12-30 DOI: 10.4467/20843860pk.22.038.17092

A. Prokopek

{"title":"Avant-Garde, Emergency, and Digital Games Discourse","authors":"A. Prokopek","doi":"10.4467/20843860pk.22.038.17092","DOIUrl":"https://doi.org/10.4467/20843860pk.22.038.17092","url":null,"abstract":"What may be considered as the greatest emergency in the contemporary world is the lack of a sense of emergency; the prevailing feeling that everything is fine, that, despite ongoing crises, we live in the only acceptable system, and it is impossible to imagine any alternative to it. Mainstream digital games, by offering repetitive, standardised, and predictable forms of gameplay, by focusing on technological advancement, and by exploiting workers in large corporations, became a part of that emergency. According to Santiago Zabala, what is needed to recover the sense of emergency and to break through contemporary complacency, is an “aesthetic force,” a disruptive artistic shock. What is proposed in this article is the possibility of considering the avant-garde as an aesthetical force in the field of videogames; a force that shocks the player and demands something more than a simple contemplation. As presented by game scholars, avant- -garde videogames (through formal experimentation and political intervention) open the medium, and propose games that object to standardised, mindless repetition. Avant-garde games proclaim new ways of playing, accept diversity that opposes the stereotypical image of a player as a white, heterosexual male, and propose new kinds of engagement with the outside world. They tend to “remove the automatism of the perception” by disrupting players’ engagement and through disclosure of the system. To achieve that, avant-garde videogames break through the category of flow, problematize notions of videogame hermeneutic and interrupt the feeling of immersion.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129628226","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Creating Climate Conscious Players: Final Fantasy VII’s Ecoactivist Fan Communities 培养有气候意识的玩家:《最终幻想7》的环保粉丝社区

Przegląd Kulturoznawczy Pub Date : 2022-12-30 DOI: 10.4467/20843860pk.22.041.17095

Andrew Barton

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Płeć, sprawczość, siostrzeństwo: dwie wizje „Solidarności” kobiet w dokumentach filmowych. Analiza feministyczna

Przegląd Kulturoznawczy Pub Date : 2022-12-30 DOI: 10.4467/20843860pk.22.040.17094

Sandra Frydrysiak, K. Sikorska

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Dyskursy naukowe jak VR-owa impreza? Recenzja książki Joanny Walewskiej-Choptiany Cyfrowa dekada. Związki sztuki i technologii w latach 1960–1975

Przegląd Kulturoznawczy Pub Date : 2022-12-30 DOI: 10.4467/20843860pk.22.034.16623

E. Jarosz

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“Tedious by Design.” Institutionalized Labor of Content Creators in the Game as a Service Model: The Path of Exile Case Study “设计的乏味。”游戏中内容创造者的制度化劳动作为一种服务模式:流放之路案例研究

Przegląd Kulturoznawczy Pub Date : 2022-12-30 DOI: 10.4467/20843860pk.22.036.17090

M. Felczak

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Writing of Light or Writing of Shade? Jacques Derrida on Photography 书写光明还是书写阴影?雅克·德里达谈摄影

Przegląd Kulturoznawczy Pub Date : 2022-12-14 DOI: 10.4467/20843860pk.22.028.16617

P. Zawojski

{"title":"Writing of Light or Writing of Shade? Jacques Derrida on Photography","authors":"P. Zawojski","doi":"10.4467/20843860pk.22.028.16617","DOIUrl":"https://doi.org/10.4467/20843860pk.22.028.16617","url":null,"abstract":"The article presents Jacques Derrida’s reflections on photography. Although the philosopher himself declared his “lack of competence” in matters concerning visual arts and, more broadly, the image because his domain was word/text, he often spoke/wrote about the nature of the image, including the photographic one, as he was often provoked/invited to make such statements. Derrida did not create a coherent theory of the photographic image and it was never his ambition. However, scattered in several texts, his original reflections on the essence of photography – not in the commonly accepted thinking about this medium as the phenomenon of “writing of light,” but rather a medium that uses a kind of “writing of shade” (or sciagraphy) – force us to reflect and think critically. This article presents analyses and interpretations of Derrida’s texts in which the problem of photography is merely a context for broader philosophical considerations (The Postcard, Memoirs of the Blind, Aletheia, Rights of Inspection), as well as those in which photography becomes the basic material of reflection (The Deaths of Roland Barthes, Copy, Archive, Signature, Athens, Still Remains). Derrida’s thinking (even in darkness) turns out to be worth considering as reading his “amateur” texts on photography proves that his voice can be inspiring in this field as well.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125443045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Introduction: Technology between Empowerment and Exclusion 导论:技术在授权和排斥之间

Przegląd Kulturoznawczy Pub Date : 2022-12-14 DOI: 10.4467/20843860pk.22.023.16612

Ewelina Twardoch-Raś, M. Zdrodowska

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Liberackość książek dla dzieci

Przegląd Kulturoznawczy Pub Date : 2022-12-14 DOI: 10.4467/20843860pk.22.032.16621

Kamil Wrzeszcz

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