Ulakbilge Dergisi最新文献_第7页

STANLEY WILLIAM HAYTER AND WORKSHOP 17 IN 20TH CENTURY PRINT MAKING 斯坦利威廉海特和车间17在20世纪的版画制作

Ulakbilge Dergisi Pub Date : 2019-10-31 DOI: 10.7816/ulakbilge-07-41-04

Melihat Tuzun

引用次数: 0

THE REFLECTION OF SOCIAL STRUCTURE CHANGING FROM 1970'S TO TODAY A TURKISH COMEDY FILM CHARACTER 反映20世纪70年代至今社会结构变化的一部土耳其喜剧电影人物

Ulakbilge Dergisi Pub Date : 2019-10-31 DOI: 10.7816/ulakbilge-07-41-03

F. Sen

引用次数: 1

RELATIONAL DISCOURSE IN THE WORKS OF JENNY HOLZER AND CINDY SHERMAN IN THE APPROACH OF SIMULATION PERCEPTION AND METAPHOR OF CULT FIGURES 珍妮·霍尔泽和辛迪·谢尔曼作品中的关系话语在偶像形象的模拟、感知和隐喻方面的研究

Ulakbilge Dergisi Pub Date : 2019-10-31 DOI: 10.7816/ulakbilge-07-41-01

Tuba Gultekin, Aşkın Bahadir

引用次数: 0

PALEOLITHIC AGE AND AN EXAMINATION ON AESTHETICAL CHARACTER OF LION PANEL IN THE LAST ROOM OF CHAUVET CAVE 旧石器时代与洞窟最后一室狮子板的美学特征考察

Ulakbilge Dergisi Pub Date : 2019-10-31 DOI: 10.7816/ulakbilge-07-41-05

M. Atalay, E. Sule

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ART PRACTICES IN PUBLIC SPACE, “KUZGUNCUK’LA İÇ İÇE” AKTIVITY 公共空间的艺术实践，“kuzguncuk’la İÇ İÇe”活动

Ulakbilge Dergisi Pub Date : 2019-10-31 DOI: 10.7816/ulakbilge-07-41-06

Muzeyyen Yesim Yorulmaz

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THE USE OF BAMBOO FIBER IN BABY CLOTHING FROM THE POINT OF SUSTAINABILITY AND LIFE-CYCLE PROCESSES 从可持续性和生命周期过程的角度来看，竹纤维在婴儿服装中的使用

Ulakbilge Dergisi Pub Date : 2019-10-31 DOI: 10.7816/ulakbilge-07-41-02

Dilek Cebeci

引用次数: 1

EVALUATION OF THE “CENTER-PERIPHERY” THEORY OF SERIF MARDIN WITHIN THE SCOPE OF HEGELIAN AND MARXIST DIALECTIC 黑格尔与马克思主义辩证法范围内衬线毛线“中心-边缘”理论的评价

Ulakbilge Dergisi Pub Date : 2019-04-30 DOI: 10.7816/ulakbilge-08-35-01

{"title":"EVALUATION OF THE “CENTER-PERIPHERY” THEORY OF SERIF MARDIN WITHIN THE SCOPE OF HEGELIAN AND MARXIST DIALECTIC","authors":"","doi":"10.7816/ulakbilge-08-35-01","DOIUrl":"https://doi.org/10.7816/ulakbilge-08-35-01","url":null,"abstract":"The center-periphery theory, which analyzes the post-19th century modernization process of Turkey, has two main distinguishing features. The first is that the historical process in question is explained using the concepts of “contradiction” and “conflict.” This attitude allows us to see the center-periphery theory in a dialectical method approach. The explanation of Turkish modernization through a dialectical method approach is an original attempt. However, the Mardin’s dialectic is not a Marxist but a Hegelian dialectic. He discusses the contradictions between the low classes and the high bureaucracy in Turkey in terms of culture and tradition. When the social change process in Turkey is evaluated in terms of the center-periphery theory, the cultural-traditional values of the periphery established superiority over the secular politics of the center and made it regress. Although Mardin, in his own theory, makes mention of the triumph of the periphery over the center, this does not necessarily mean that the periphery, which is composed of large segments of the society, establish an economic and class power over the center. Although the low classes made the bureaucracy accept the tradition, they still remained as the low classes. This situation necessitates the center-periphery theory to be discussed through a comparison with Marxist dialectic. The purpose of this study is to discuss the center-periphery theory through a Marxist critique. Keywords: Turkish modernization, Turkish sociologists, Historical Materialism, Social Change, Culture","PeriodicalId":187770,"journal":{"name":"Ulakbilge Dergisi","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124610876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

SHAPING OF LIFE IN TURKISH CULTURAL ASSETS 塑造生活中的土耳其文化资产

Ulakbilge Dergisi Pub Date : 2019-04-30 DOI: 10.7816/ulakbilge-08-35-05

引用次数: 0

Biopolitics of Camp: The Body in Eugenia Ginzburg’s and Varlam Shalamov’s Gulag Testimonies 集中营的生命政治:尤金尼亚·金兹伯格和瓦拉姆·沙拉莫夫的《古拉格证词》中的身体

Ulakbilge Dergisi Pub Date : 2019-04-30 DOI: 10.7816/ulakbilge-08-35-02

引用次数: 0

CONSUMPTION SOCIETY AND THE ART OF PAINTING IN THE DIGITALIZED WORLD 数字化世界中的消费社会与绘画艺术

Ulakbilge Dergisi Pub Date : 2019-04-30 DOI: 10.7816/ulakbilge-08-35-04

{"title":"CONSUMPTION SOCIETY AND THE ART OF PAINTING IN THE DIGITALIZED WORLD","authors":"","doi":"10.7816/ulakbilge-08-35-04","DOIUrl":"https://doi.org/10.7816/ulakbilge-08-35-04","url":null,"abstract":"The term consumption society has started to be talked about during the 1980s. But we see that industrial revolutions played a fundamental role in it when we look at the development process of consumption society. Consumption has been a case to become a necessity as a result of the increase of production with the developing technology and the proliferation of manufactured products. Thus, the emergence of consumption society has begun as a consequence of the interdependent increase of production and consumption. Today, the term consumption society is socially expanded into every area. One of the most valid reasons for that is the brand-new mass media used during the globalization. The access to the Internet that has reached more than the half of the global population is provided by newly-developed and increasingly high-speed communication devices. Furthermore, the number of people accessing to the Internet is increasing every day. The consumption phenomenon, today, has shown so violent leap along with the consuming society that the new steps has started to be taken in terms of industrialization. Among the most important steps is Industry 4.0 with which factories become completely autonomous and AI-driven. Thus, it is aimed that production will become faster and the transferring products to customers quicker. The term consumption society has succeeded to influence art as it has taken control over everything as well. Art, now, has been under the influences of consumption society and started to lose its own essence rather than producing its own unique ideas. Works of art are being branded just as products for consuming and placed into a consumption cycle. Despite of all the limitations and forces imposed by consumption society, it should not be considered art and artist to ignore emerging social defects. During this process of the universal change throughout the world, artist should exert effort to fulfil the criticizing and liberating task of which he is responsible. This is an inherent nature of art. Keywords: Consumption society, Art, Art of painting, Digitalization","PeriodicalId":187770,"journal":{"name":"Ulakbilge Dergisi","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116698839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0