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Authenticity and Restoration: The Benefits of Historical Studies on Re-Examining the Implemented Restorations in Persepolis 真实性与修复:重新审视波斯波利斯实施修复的历史研究的益处
The Artist and Journal of Home Culture Pub Date : 2016-03-04 DOI: 10.3390/ARTS5010002
M. Motamedmanesh
{"title":"Authenticity and Restoration: The Benefits of Historical Studies on Re-Examining the Implemented Restorations in Persepolis","authors":"M. Motamedmanesh","doi":"10.3390/ARTS5010002","DOIUrl":"https://doi.org/10.3390/ARTS5010002","url":null,"abstract":"Preserving the authenticity of historical monuments is an inseparable part of restoration activities that has always been asserted by the international principles of historical preservation. However, the local condition of historical sites may influence such a primitive intention of restorers. While historical documents are appropriate sources which can provide restorers with the real condition of ancient structures in the course of time, investigation through these precious materials is a time-consuming process and the reliability of these old evidences is, itself, a challenging issue. The Italian Institute for Middle and Far East (IsMEO) missioned long-term restoration activities in Persepolis between 1964 and the Islamic Revolution in Iran. Generally, this institute is praised for this series of projects. In this paper, the author questions the historical authenticity of restoration activities missioned by this institute in a structure so-called The Gate of All Nations. Indeed, the restoration of this structure was influenced by the 2500th anniversary of the Persian Empire, which was held in Persepolis in 1971. By tracing the context of historical evidences and presenting a method for obtaining the authenticity of these documents, this paper demonstrates a new perspective towards the arrangement of a stone-made capital, which ornaments the uppermost part of a re-erected ancient column.","PeriodicalId":187290,"journal":{"name":"The Artist and Journal of Home Culture","volume":"63 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-03-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129808322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Sounding Science: Exploring Music in Science and Science in Music 声音科学:探索科学中的音乐和音乐中的科学
The Artist and Journal of Home Culture Pub Date : 2015-12-19 DOI: 10.3390/arts4040121
Ellen Fallowfield
{"title":"Sounding Science: Exploring Music in Science and Science in Music","authors":"Ellen Fallowfield","doi":"10.3390/arts4040121","DOIUrl":"https://doi.org/10.3390/arts4040121","url":null,"abstract":"Musical study has its origins as a branch of philosophy, and has developed historically in conjunction with mathematics and astronomy, etc.[...]","PeriodicalId":187290,"journal":{"name":"The Artist and Journal of Home Culture","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116949816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Manual of Cupule Replication Technology 偶组复制技术手册
The Artist and Journal of Home Culture Pub Date : 2015-09-23 DOI: 10.3390/ARTS4030101
Giriraj Kumar, R. Krishna
{"title":"Manual of Cupule Replication Technology","authors":"Giriraj Kumar, R. Krishna","doi":"10.3390/ARTS4030101","DOIUrl":"https://doi.org/10.3390/ARTS4030101","url":null,"abstract":"Throughout the world, iconic rock art is preceded by non-iconic rock art. Cupules (manmade, roughly semi-hemispherical depressions on rocks) form the major bulk of the early non-iconic rock art globally. The antiquity of cupules extends back to the Lower Paleolithic in Asia and Africa, hundreds of thousand years ago. When one observes these cupules, the inquisitive mind poses so many questions with regard to understanding their technology, reasons for selecting the site, which rocks were used to make the hammer stones used, the skill and cognitive abilities employed to create the different types of cupules, the objective of their creation, their age, and so on. Replication of the cupules can provide satisfactory answers to some of these questions. Comparison of the hammer stones and cupules produced by the replication process with those obtained from excavation can provide support to observations. This paper presents a manual of cupule replication technology based on our experience of cupule replication on hard quartzite rock near Daraki-Chattan in the Chambal Basin, India.","PeriodicalId":187290,"journal":{"name":"The Artist and Journal of Home Culture","volume":"131 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134409157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The Development of Public Art and its Future Passive, Active and Interactive Past, Present and Future 公共艺术的发展及其未来被动的，主动的和互动的过去，现在和未来
The Artist and Journal of Home Culture Pub Date : 2015-07-22 DOI: 10.3390/arts4030093
R. Gschwend
{"title":"The Development of Public Art and its Future Passive, Active and Interactive Past, Present and Future","authors":"R. Gschwend","doi":"10.3390/arts4030093","DOIUrl":"https://doi.org/10.3390/arts4030093","url":null,"abstract":"Never in the history of mankind have fundamental relationships changed so dramatically fast and with such far reaching consequences as in our time—now. [...]","PeriodicalId":187290,"journal":{"name":"The Artist and Journal of Home Culture","volume":"197 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114272449","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Swing Low, Sweet Chariot: Kinetic Sculpture and the Crisis of Western Technocentrism 低摆，甜蜜的战车:动态雕塑与西方技术中心主义的危机
The Artist and Journal of Home Culture Pub Date : 2015-07-07 DOI: 10.3390/ARTS4030075
G. Smith
{"title":"Swing Low, Sweet Chariot: Kinetic Sculpture and the Crisis of Western Technocentrism","authors":"G. Smith","doi":"10.3390/ARTS4030075","DOIUrl":"https://doi.org/10.3390/ARTS4030075","url":null,"abstract":"Beginning with the chariot as an ancient and pan-cultural example of the way in which art has humanized technology, this essay explores the limited role which modern art has thus far played in dealing with the current crisis of technocentrism. It does so by bringing to bear on the subject a newly-promulgated theory of the development of modern art which focuses on the absence therein of an evolved kinetic sculpture.","PeriodicalId":187290,"journal":{"name":"The Artist and Journal of Home Culture","volume":"151 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124208343","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Is It Art or Knowledge? Deconstructing Australian Aboriginal Creative Making 是艺术还是知识?解构澳大利亚土著创意制作
The Artist and Journal of Home Culture Pub Date : 2015-06-12 DOI: 10.3390/ARTS4020068
E. Cameron
{"title":"Is It Art or Knowledge? Deconstructing Australian Aboriginal Creative Making","authors":"E. Cameron","doi":"10.3390/ARTS4020068","DOIUrl":"https://doi.org/10.3390/ARTS4020068","url":null,"abstract":"Australian Aboriginal symbols are visual forms of knowledge that express cultural intellect. Being classified by a Western interpretation of “art” devalues thousands of years of generational knowledge systems, where visual information has been respected, appreciated and valued. This article highlights how Aboriginal creativity has little concept of aesthetical value, but is a cultural display of meaning relating to Creational periods, often labelled as The Dreamings. With over 350 different Aboriginal Nations in Australia, this article focuses of the Dharug Nation, located around the northern Sydney area of New South Wales. The Dharug term for the Creational period is Gunyalungalung—traditional ritualized customary lores (laws). These symbols are permanently located within the environment on open rock surfaces, caves and markings on trees. Whilst some symbols are manmade, others are made by Creational ancestral beings and contain deep story lines of information in sacredness. Therefore, creative imagery engraved or painted on rock surfaces are forms of conscious narratives that emphasise deep insight.","PeriodicalId":187290,"journal":{"name":"The Artist and Journal of Home Culture","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116663395","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 11
Discovering New Rock Paintings at Shmsali and Gorgali Rock Shelters in Kohgiluye and Bouier Ahmad Province, Southern Iran 在伊朗南部Kohgiluye和Bouier Ahmad省的Shmsali和Gorgali岩石避难所发现新的岩画
The Artist and Journal of Home Culture Pub Date : 2015-04-20 DOI: 10.3390/ARTS4020061
Esmail Hemati Azandaryani, Hossein Qolami, Yaghob MohammadiFar, Abass Razmposh
{"title":"Discovering New Rock Paintings at Shmsali and Gorgali Rock Shelters in Kohgiluye and Bouier Ahmad Province, Southern Iran","authors":"Esmail Hemati Azandaryani, Hossein Qolami, Yaghob MohammadiFar, Abass Razmposh","doi":"10.3390/ARTS4020061","DOIUrl":"https://doi.org/10.3390/ARTS4020061","url":null,"abstract":"The Shamsali and Gorgali rock shelters were discovered during an archaeological survey in 2009 at Kohgiluye Bouier Ahmad province, west of Iran. In total, 50 paintings occur at both rock shelters; 21 at Shamsali, and 29 remains at Gorgali rock shelter. The paintings consist of “ibex”, “Predators”, and “riders” in red and black. They are depicted stylistically in singular or plural subjects in profile. In addition, the most numerous images in the Shamsali and Gorgali rock shelters represent “ibex”, comparable with a large numbers of such motifs identified in other regions of Iran. There is no certainty in attributed dates, because we are lacking absolute dating methods.","PeriodicalId":187290,"journal":{"name":"The Artist and Journal of Home Culture","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132611144","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
New Representations of “Chariots” in the Rock Art of Extremadura and Some Considerations of the Archaeological Context “战车”在埃斯特雷马杜拉岩石艺术中的新表现及考古语境的思考
The Artist and Journal of Home Culture Pub Date : 2015-04-13 DOI: 10.3390/ARTS4020049
Hipólito Collado Giraldo
{"title":"New Representations of “Chariots” in the Rock Art of Extremadura and Some Considerations of the Archaeological Context","authors":"Hipólito Collado Giraldo","doi":"10.3390/ARTS4020049","DOIUrl":"https://doi.org/10.3390/ARTS4020049","url":null,"abstract":"Depictions of “chariots” could be considered almost exceptional in the field of schematic rock art of the Iberian Peninsula. Their presence usually generates some discussions among researchers who are dedicated to the study of this artistic cycle to some extent.","PeriodicalId":187290,"journal":{"name":"The Artist and Journal of Home Culture","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131322126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Framing the field: the award for sustainable architecture 框架领域:可持续建筑奖
The Artist and Journal of Home Culture Pub Date : 2015-04-08 DOI: 10.3390/ARTS4020034
Ceridwen Owen, J. Lorrimar-Shanks
{"title":"Framing the field: the award for sustainable architecture","authors":"Ceridwen Owen, J. Lorrimar-Shanks","doi":"10.3390/ARTS4020034","DOIUrl":"https://doi.org/10.3390/ARTS4020034","url":null,"abstract":"In this paper, we explore the effect that the increasingly powerful discourse of sustainability is having on the field of architecture. The term “field” derives from Bourdieu’s conceptualization of fields as dynamic spaces of social relations tending towards transformation or conservation. While the overlapping fields of sustainability and architecture have historically been characterized by resistance, shifts in environmental discourse towards complexity and systems thinking and the inclusion of cultural, social, political and economic concerns within the broader mandate of sustainability signal a more synergistic ideological terrain. We use methods of narrative analysis to explore these shifts through the localized discourse of the award for sustainable architecture within the Australian context and offer a brief comparative analysis of the sustainable architecture awards discourse in Britain and North America. As arguably the most public elucidations of the profession’s ideology, architecture awards are a productive place in which to explore constructions of “sustainable architecture”. The narrative analysis reveals a trajectory towards assimilation supported by the positioning of sustainability as fundamentally a social, as well as an environmental practice. Contentions surrounding the ultimate disappearance of the award, however, reveal a more perverse relationship between sustainability and architecture.","PeriodicalId":187290,"journal":{"name":"The Artist and Journal of Home Culture","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127947799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
The Newly Found Petroglyphs in the Western Kermanshah 克尔曼沙西部新发现的岩画
The Artist and Journal of Home Culture Pub Date : 2015-02-10 DOI: 10.3390/ARTS4010024
Jamal Lahafian
{"title":"The Newly Found Petroglyphs in the Western Kermanshah","authors":"Jamal Lahafian","doi":"10.3390/ARTS4010024","DOIUrl":"https://doi.org/10.3390/ARTS4010024","url":null,"abstract":"Recent field works have shown a great potential of rock art in western Iran, particularly in Kermanshah province. This paper has been prepared based on recent fieldwork, which has resulted in identifying new clusters of petroglyphs at the western part of Kermanshah province. Several rock art sites have been identified in Bi-Ravas, Havar Poinrhis in north of Paveh, the rock art to the west of Paveh and the petroglyphs of Ryjab or Ryjav village. The depictions include anthropomorphs, zoomorphs, geometric forms and cupules. A remarkable characteristic of the rock art in the region is the considerable number of cupules, which were identified in Bi-Ravas, North of Paveh and Ryjab village. Only one specimen of a purported hunting scene has been recognized in Biravas, where a primary chronology could be made with regard to the depiction of a horse-like animal, which has been illustrated with a harness. More fieldwork will be required in order to shed more light on the rock art of western Kermanshah.","PeriodicalId":187290,"journal":{"name":"The Artist and Journal of Home Culture","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124248811","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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