偶组复制技术手册

Giriraj Kumar, R. Krishna
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引用次数: 2

摘要

在世界范围内,标志性岩石艺术先于非标志性岩石艺术。丘坑(人造的,岩石上大约半球形的洼地)形成了全球早期非标志性岩石艺术的主要部分。cuple的历史可以追溯到几十万年前的亚洲和非洲的旧石器时代晚期。当一个人观察这些石柱时,好奇的头脑会提出很多问题,比如了解它们的技术、选择地点的原因、用来制造锤子的石头的岩石、制造不同类型石柱的技能和认知能力、创造它们的目的、它们的年龄等等。这些偶体的复制可以为其中一些问题提供令人满意的答案。将复制过程中产生的锤石和锤体与挖掘过程中获得的锤石和锤体进行比较,可以为观察提供支持。本文根据在印度昌巴尔盆地Daraki-Chattan附近的硬石英岩上进行叠体复制的经验,介绍了叠体复制技术手册。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Manual of Cupule Replication Technology
Throughout the world, iconic rock art is preceded by non-iconic rock art. Cupules (manmade, roughly semi-hemispherical depressions on rocks) form the major bulk of the early non-iconic rock art globally. The antiquity of cupules extends back to the Lower Paleolithic in Asia and Africa, hundreds of thousand years ago. When one observes these cupules, the inquisitive mind poses so many questions with regard to understanding their technology, reasons for selecting the site, which rocks were used to make the hammer stones used, the skill and cognitive abilities employed to create the different types of cupules, the objective of their creation, their age, and so on. Replication of the cupules can provide satisfactory answers to some of these questions. Comparison of the hammer stones and cupules produced by the replication process with those obtained from excavation can provide support to observations. This paper presents a manual of cupule replication technology based on our experience of cupule replication on hard quartzite rock near Daraki-Chattan in the Chambal Basin, India.
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