Al-Academy最新文献_第7页

Promoting Physiological Transformations in Cinema 促进电影中的生理转变

Al-Academy Pub Date : 2023-08-15 DOI: 10.35560/jcofarts1221

Salim S. Ghaban

引用次数: 0

Aesthetic relations and their role in achieving sensory excitement between interior and exterior spaces 美学关系及其在室内外空间之间实现感官兴奋的作用

Al-Academy Pub Date : 2023-08-15 DOI: 10.35560/jcofarts1233

Ammar Nema Kazem Hussein

{"title":"Aesthetic relations and their role in achieving sensory excitement between interior and exterior spaces","authors":"Ammar Nema Kazem Hussein","doi":"10.35560/jcofarts1233","DOIUrl":"https://doi.org/10.35560/jcofarts1233","url":null,"abstract":"The current research deals with the study of aesthetic relations in the field of interior design and the extent to which its mechanisms achieve sensory stimulation between the internal and external spaces, to generate a continuous visual connection that is an extension of it, achieving in turn sensory stimulation for the users of those spaces. The internal and external spaces meet the desired purpose of feeling pleasure and beauty.” The current research aims to “discover the nature of aesthetic relations between the internal and external spaces and the extent to which mechanisms can achieve sensory stimulation in residential spaces.” The first topic included the concept of aesthetic relations, sensory excitement, and perception at the level The relationship between the part and the whole on the one hand, and sensory stimulation and the laws of perceptual organization according to the Gestalt laws on the other hand, while the second topic dealt with the concept of external spaces and internal spaces and their borders, leading to the third topic that dealt with the aesthetic relations between the inside and the outside with applications for global internal spaces of the type (outdoor living room ) for the living space in the residential building in a way that secures closeness to the aesthetic completion of relations and arouses in the recipient a sense of pleasure and attraction, which made the designers emphasize working according to this type of space according to modern technologies of our current era and at the level of material and lighting. The research reached a set of conclusions, which It represented an objective analysis of the aesthetic relationships that make sensory excitement achievable in interior design, including:1-Aesthetic relations were embodied through unity and repetition in the use of plants that achieve sensory stimulation at the level of the principle of perceptual organization (gestalt), through the principle of convergence between the external and internal spaces by employing green plants to enhance belonging to each other, as well as the principle of convergence in the employment of environmentally friendly materials in the furnishing elements. to enhance unity.2-Visual equilibrium contributes to achieving sensory excitement through varying the degree of transparency and what it achieves of openness through continuity and an extension of visual penetration between the external and internal spaces and in a smooth manner, by employing transparent materials such as glass in the facades, walls and barriers overlooking the outside in a continuous manner.","PeriodicalId":186518,"journal":{"name":"Al-Academy","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129058930","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Sustainable design in the Iraqi craft industries and ways to develop them 伊拉克工艺工业的可持续设计及其发展方法

Al-Academy Pub Date : 2023-08-15 DOI: 10.35560/jcofarts1239

Muhammad Ali Hussein Al-Qaisi

引用次数: 0

The Technical Mediator in Arab Theater: Their Tools and Skills 阿拉伯地区的技术调解人:他们的工具和技能

Al-Academy Pub Date : 2023-08-15 DOI: 10.35560/jcofarts1231

Soualah Wahiba

引用次数: 0

Government slogans and the reflection of visual identity in their designs 政府口号及在其设计中体现的视觉识别

Al-Academy Pub Date : 2023-08-15 DOI: 10.35560/jcofarts1232

Esam Ibrahim Mohammed, Ammar Sabah Shaker Naji, Wissam Abdul Amir Karim

{"title":"Government slogans and the reflection of visual identity in their designs","authors":"Esam Ibrahim Mohammed, Ammar Sabah Shaker Naji, Wissam Abdul Amir Karim","doi":"10.35560/jcofarts1232","DOIUrl":"https://doi.org/10.35560/jcofarts1232","url":null,"abstract":"There is no doubt that development is a human necessity and an urgent technical imperative that science imposes on all aspects of societal life. Especially in the field of graphic design, as logos are among the most prominent graphic achievements of an interactive nature with the requirements of the technical and functional era to serve the recipient and the continuity of interaction with him through a visual message sent to him constantly to remind him of what he interacted with in advance, which is known as visual identity, and during the process of developing logos especially And by providing designs that suit the contemporary technical and functional development, we often see the logo lose its visual identity. Therefore, the research presented a question that represents a problem that the research tried to solve, and it is as follows: “How can the institutional visual identity be strengthened through the design change of government slogans in accordance with contemporary requirements?The methodological framework included: the importance of research and the need for it, the purpose of the research, the limits of research and the most important terms.The theoretical framework contains two topics: the first topic: the concept of identity, the second topic: the relationship of form and content in designing the logo of the institution, and the indicators of the theoretical framework.The research procedures were: the research community: research models and methods of selection: and analysis of models:The research concluded with the results and conclusion, including:1. The general structure of the Logo Board, which was formed according to the circular body or something close to it in shape, as in Models 1 and 2.2. Logos are based on the shorthand graphic elements and symbols as in Model No. 1,2.3. Diversity of intellectual principles in designing corporate logos, losing the functional purpose of the slogan for the governmental institution","PeriodicalId":186518,"journal":{"name":"Al-Academy","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126122721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The role of digital communication and display in interior design processes 数字通信和显示在室内设计过程中的作用

Al-Academy Pub Date : 2023-08-15 DOI: 10.35560/jcofarts1257

Zahraa Hazem Mohammed, Harith Asaad AbdulRazzaq

{"title":"The role of digital communication and display in interior design processes","authors":"Zahraa Hazem Mohammed, Harith Asaad AbdulRazzaq","doi":"10.35560/jcofarts1257","DOIUrl":"https://doi.org/10.35560/jcofarts1257","url":null,"abstract":"In light of the intellectual and technological progress within the current developments of time, as well as the emergence of digital tools and means of display and communication, which had a major role in the shifts of the time of globalization in various commercial and economic fields, as well as areas of transferring the design image and its stages of development to customers and the convergence of views between the customer and the interior designer, which are the most important pillars of the design process As a whole, and accordingly, there is an urgent need for a process of intellectual balance between them through digital tools from the technical side and through social media from the intellectual side. Customer comments via social media, which facilitates the process of generating feedback for designers. The problem is embodied in the following question: \"How can digital modeling tools and social media be employed in the field of interior design to obtain a contemporary design process?\" And then its objectives, limits, and definition of its terminology, as the research sample was represented by the engineering offices registered with the Iraqi Engineers Association, and after reviewing previous studies and building the theoretical framework, the research dealt with two axes, the first (the concept of the design process and its variables’ connection with the variables of the era and technology), and the second (the role of the customers’ position in the process After building the theoretical framework and reaching a set of indicators, a questionnaire was built to be analyzed in the light of it, and after ensuring the validity and reliability of the tool, a random sample was selected from the number of answers obtained from the research community, and the statistical analysis method was used For the questionnaire, a set of statistical results were reached in order to influence a set of conclusions that can be generalized to the research community, and then a set of recommendations and research proposals.","PeriodicalId":186518,"journal":{"name":"Al-Academy","volume":"591 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125977757","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Aesthetic references for reductive forms in contemporary Iraqi sculpture 当代伊拉克雕塑中还原形式的美学参考

Al-Academy Pub Date : 2023-08-15 DOI: 10.35560/jcofarts1208

Ahmed Jumaa Al Bahadli, Ali Fahim Idan

{"title":"Aesthetic references for reductive forms in contemporary Iraqi sculpture","authors":"Ahmed Jumaa Al Bahadli, Ali Fahim Idan","doi":"10.35560/jcofarts1208","DOIUrl":"https://doi.org/10.35560/jcofarts1208","url":null,"abstract":"Reduction has been linked visually in art since man began making functional and aesthetic forms, and this beginning can be identified with cave paintings. Reduction is one of the clearest indications of intellectual presence in aesthetic experience. Modernism was greatly supported by the great transformations that the intellectual movement witnessed in the world in general and in Europe in particular. There, and their transfer of European artistic experiences, and the reflection of this influence in their aesthetic sculptures, and for this reason the researchers find that the study of the aesthetic references of the reductive forms in the Iraqi sculptural experience represents a great importance in the study of the history of contemporary sculpture, to consider the concept of reduction and its performance applications, so the research includes four chapters The first chapter included the methodological framework for the research, and in it we reviewed the research problem, as we explained in it the plastic art’s dealings in general with the concept of reduction, and then the applications of reduction in the art of European and Iraqi sculpture, starting from this question: What are the references for selection in contemporary Iraqi sculpture? Then we presented the importance of the research and its aim in identifying the working mechanisms of the concept of shorthand and its references in contemporary Iraqi sculpture, and the limits of research between (2003-2023), and we showed a number of definitions of shorthand linguistically, idiomatically and procedurally.Then, in the second chapter marked by the theoretical framework of the research: we presented three topics, the first of which was devoted to the concept of shorthand and its performance applications in the arts of ancient civilizations. The second topic was devoted to the study of reductionism in the arts of European modernity, and in the third topic, we dealt with reductionism in contemporary Iraqi sculpture, and then presented the theoretical framework indicators.In the third chapter tagged: the procedural framework of the research: we presented the research community, which included all the Iraqi artists who worked in the shorthand format in their sculptural works within the limits of the research, and we set a number of conditions for choosing the research sample, and it was chosen in an intentional way, and it included four samples, and we also used the observation tool to collect The research sample information, and the analysis was done according to the descriptive analytical method.The researchers reached a number of results, including: that the act of reduction is a dominant and distinctive feature in the outputs of contemporary Iraqi sculpture, which depends on simplification, pruning and deletion, and also achieved by symbolic abbreviations in the artwork and the concentration and intensification of the significance, as it appeared that the contemporary Iraqi sculptor was influe","PeriodicalId":186518,"journal":{"name":"Al-Academy","volume":"87 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124892659","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The aesthetic effect of vocal recitation in building the theatrical image 声乐朗诵在塑造戏剧形象中的美学作用

Al-Academy Pub Date : 2023-08-15 DOI: 10.35560/jcofarts1253

Kazem Imran Musa

{"title":"The aesthetic effect of vocal recitation in building the theatrical image","authors":"Kazem Imran Musa","doi":"10.35560/jcofarts1253","DOIUrl":"https://doi.org/10.35560/jcofarts1253","url":null,"abstract":"Between the duality of sound and image, the completeness of the actor’s personality at the director comes to announce the birth of the appropriate theatrical role for that character as the basic and inherent element of the artwork, within his working system in the pattern of vocal behavior as well as motor/signal behavior as he searches for aesthetic and skill proficiency at the same time.This is done through the viewer’s relationship with the theatrical event, which the director considers as an area of active creative activity in relation to (the work of the actor) through vocal recitation and the signs it broadcasts in order to fulfill the requirements of the dramatic situation and what it requires of a visual vision drawn in the form of an integrated and clear artistic image of the role with a collective understanding. Therefore, the actor had to master the art of speaking just as he mastered his control of movements and gestures, as well as recitation, chanting, screams and singing accompanied by music.Therefore, this research came to address this study through two important topics, namely:First: the concept of recitation and the study of its theatrical methods.Second: Directorial treatments for diction in building the theatrical image.Through them, the researcher reached several important results that highlighted the most important aesthetic aspects of the theatrical discourse, which the director dealt with in order to fit and harmonize between the vocal aspect and the visual aspect of the theatrical performance.Including: First: The recitation is the extension of the sound in the place, and the artistic expanse it carries that plays the informative mediator between the ideas, desires and motives that the director works to achieve, to produce his dramatic images with different interpretations.And secondly: - The aesthetic effect of vocal recitation in the artwork is represented as a tool for transforming the manifestations of the show and contributing to its visual construction, leading to a social reading that allows decoding the symbols and codes of the theatrical show.Third: - These skills have theoretical foundations and rules that contribute to the completion of the actor who proceeds to continue training on them permanently","PeriodicalId":186518,"journal":{"name":"Al-Academy","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122146257","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The architectural design of the holy shrines 圣坛的建筑设计

Al-Academy Pub Date : 2023-08-15 DOI: 10.35560/jcofarts1228

Sadiq Hashem Hassan Al-Musawi, Muhammad Hashem Fadawi

{"title":"The architectural design of the holy shrines","authors":"Sadiq Hashem Hassan Al-Musawi, Muhammad Hashem Fadawi","doi":"10.35560/jcofarts1228","DOIUrl":"https://doi.org/10.35560/jcofarts1228","url":null,"abstract":"As an architectural philosophical concept, Islamic architecture cannot be considered arches, doors, domes and lighthouses, since Islamic architecture is based on a structural system of religious, mental, philosophical and logical origins and beliefs shared by the arts, technology and the requirements of the surrounding environment. Rather, the architectural designer's distance from it becomes as if it is for people not from this world, and Islamic architecture is not abbreviated on the heritage side as much as it is a renewed \"modern\" state, dealing with the concepts of Islam that are valid for every time and place. This can be seen through the mechanisms that produced heritage architecture and what was built on it, which is not a simulation of forms without contents. Islamic architecture is the result of Islamic thought in the areas it reached, as it was logical that the Islamic architectural characteristics were greatly influenced by the beliefs and adopters of the Islamic religion and the scientific renaissance that followed. The difference between one region and another is based, for example, on the factors of climate, weather and the previous architectural cultural heritage in the areas where Islam has reached. For example, the open courtyard is spread in Iraq, the Levant and the Arabian Peninsula, while it disappeared in Turkey and other northern regions that Islam reached as a result of the cold atmosphere in the first and the architectural heritage in the second. There is no doubt that the impact of natural manifestations and their temporal and spatial requirements for architectural structures has had a great role in the search for the truth inherent in their expressive means through knowledge of architectural manifestations in Islamic countries, because the birth of theories and their adoption in the formation of architectural forms is not due to criticism of previous theories. Rather, due to the urgent need to provide a new diversification in forms compatible with the surrounding environmental diversity, and the outcome of the above, the naturalization of constructive relations in architecture and art starts according to the techniques and methods of achievement, which use the expressive and subjective aspect in reference to the exclusion of the natural phenomenon, a feature that has represented the common denominator of architectural genres over the ages. It is the one that strengthened its internal construction in order to find a visual equivalent based on the architectural geometric form used in mosques and holy shrines","PeriodicalId":186518,"journal":{"name":"Al-Academy","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131106568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Automatic operation of the optical system in the theatrical show 剧场表演中光学系统的自动操作

Al-Academy Pub Date : 2023-08-15 DOI: 10.35560/jcofarts1255

Aqeel Abd Ali Muhammad

{"title":"Automatic operation of the optical system in the theatrical show","authors":"Aqeel Abd Ali Muhammad","doi":"10.35560/jcofarts1255","DOIUrl":"https://doi.org/10.35560/jcofarts1255","url":null,"abstract":"Theatrical techniques took upon themselves the responsibility of building and organizing the theatrical form for the various forms of performances, and it was the important tool that the show makers could rely on in carrying out the various works at the audio-visual level, and lighting is one of the most important elements of the visual formation of the image in the show, as it is related to the visual process and what it can achieve in operations The contrast that constitutes the aesthetic and intellectual values of the theatrical show, especially since the process of adjusting the element of time and the timings for receiving or delivering, moving, and the movement of the actor is what can determine the rhythm of the scene, which in its totality represents the rhythm of the show, and the processes of delay and confusion in the process of implementing various types of effects or techniques and light are the most important element that can Work to raise the aesthetic, artistic and intellectual values of the display in the case of controlling its implementation and control processes. Therefore, the researcher worked to find a simple technical and technical alternative that works to avoid these errors, accompanied by ease in the process of distribution and design of lighting and the shapes of its projections, since most of the workers now in the field of lighting design and implementation are Technicians with different specializations and far from the stage, which makes the percentage of errors received large. This device can avoid these errors that may appear inadvertently or by an executive error. For this, the researcher proposes a process of manufacturing a device that can perform lighting during the theatrical show, as a technical substitute for the lighting port, which calls for a process to reduce the percentage Errors that may occur during the theatrical show, in addition to the ease of programming and controlling it automatically, which contributes to the process of its spread in various types of theaters, even those in which there are no technicians or lighting technicians, and at a simple manufacturing cost that is not comparable to the cost of traditional control devices found in public theaters","PeriodicalId":186518,"journal":{"name":"Al-Academy","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114518447","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0