Культура и искусство最新文献_第4页

Flat design as visualization of flat ontologies 平面设计是平面本体的可视化

Культура и искусство Pub Date : 2023-07-01 DOI: 10.7256/2454-0625.2023.7.43587

A. Pankratova

{"title":"Flat design as visualization of flat ontologies","authors":"A. Pankratova","doi":"10.7256/2454-0625.2023.7.43587","DOIUrl":"https://doi.org/10.7256/2454-0625.2023.7.43587","url":null,"abstract":"\u0000 The object of this research is design as a semiotic embodiment of the modern worldview, the quintessence of which are flat ontologies. The subject of the study is parallelism in the philosophy of flat ontologies and modern flat design. The purpose of this study is to explicate the philosophical problem of modern design, which is a consequence of the unconscious expression by designers of the philosophy of flat ontologies. The philosophy of flat ontologies struggles with anthropocentrism, insisting that a person should not have a privileged ontological status compared to other objects. In the philosophy of flat ontologies, a machine or a neural network are agents of action in the same way as a person. Modern flat design is an expression of this position, since the modern visual information environment is less and less adapted to human organs of perception, more and more transhumanistic. Both flat design and flat ontologies are a consequence of the horizontally oriented, materialistic line of philosophy, which forms the worldview of modern society. Thanks to the explication of the problem of flat design, it can be understood that the horizontally oriented line of philosophy is problematic for the further existence of man. The main conclusion of the study is that the horizontally oriented line in philosophy – materialism and positivism – in their logical development lead to the philosophy of flat ontologies, which postulates the same ontological status for human and non-human agents. Such a position is antihuman and transhumanistic, and this becomes evident in the philosophical analysis of modern design. The main stylistics of modern design is a flat design, which uses fourth-order simulacra as the main type of signs. The use of simulacrum signs in design creates an environment that is increasingly less adapted to human organs of perception, a transhumanistic environment.\u0000","PeriodicalId":184304,"journal":{"name":"Культура и искусство","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123866754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

The Russian tradition of religious tolerance perception in the works of Russian thinkers of the XIX-XX centuries and modern realities 十九至二十世纪俄国思想家作品中的宗教宽容观念与现代现实

Культура и искусство Pub Date : 2023-07-01 DOI: 10.7256/2454-0625.2023.7.43513

Evgeniia Mikhaylovna Zhukova

{"title":"The Russian tradition of religious tolerance perception in the works of Russian thinkers of the XIX-XX centuries and modern realities","authors":"Evgeniia Mikhaylovna Zhukova","doi":"10.7256/2454-0625.2023.7.43513","DOIUrl":"https://doi.org/10.7256/2454-0625.2023.7.43513","url":null,"abstract":"\u0000 The subject of the study is the ethical principle of religious tolerance. The aim was to study the Russian tradition of perception of the principle of religious tolerance and to build a theoretical model of religious tolerance, reflecting both historical experience and ideas. The work uses ethical, culturological and logical-methodological approaches. The first two allow us to consider religious tolerance as an ethical principle and as one of the important components of a person's spiritual life. The latter contributes to the disclosure of the principle of religious tolerance in its entirety. The scientific novelty consists in the fact that an ethical and cultural approach to the study of the principle of religious tolerance is proposed; the Russian tradition of perception of religious tolerance is revealed, a theoretical model of religious tolerance is built; a logical and methodological analysis of religious tolerance as an ethical principle is carried out, which allowed to reveal its structure and interrelated elements; the dynamics of the appeal of domestic authors to the topic of religious tolerance is demonstrated on the materials of the National Corpus of Russian language. The results of the study coincide with the scientific novelty. The relevance of the study is due to the possibility of its use in the development of the national idea of Russia. The practical significance lies in the possibility of applying the results in the field of education and socio-humanities, in legislative, as well as internal and foreign policy activities of Russia.\u0000","PeriodicalId":184304,"journal":{"name":"Культура и искусство","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121486939","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Reception of Soviet painting in the art of mainland China in the first half of the 20th century 20世纪上半叶中国大陆艺术对苏联绘画的接受

Культура и искусство Pub Date : 2023-07-01 DOI: 10.7256/2454-0625.2023.7.43570

Jieru Bai

引用次数: 0

The theme of the family in Soviet and Chinese woodcuts of the 1930s-1950s. 20世纪30年代至50年代苏联和中国木刻作品中的家庭主题。

Культура и искусство Pub Date : 2023-07-01 DOI: 10.7256/2454-0625.2023.7.43628

Guanwen Wu

{"title":"The theme of the family in Soviet and Chinese woodcuts of the 1930s-1950s.","authors":"Guanwen Wu","doi":"10.7256/2454-0625.2023.7.43628","DOIUrl":"https://doi.org/10.7256/2454-0625.2023.7.43628","url":null,"abstract":"\u0000 The article examines the features of the image of the family theme in the woodcuts of China and the USSR of the 1930s-1950s. The subject of the study are Soviet and Chinese woodcuts of the 1930s-1950s. The focus is on the analysis of the processes of interaction and mutual influence of graphic art of the two countries, special attention is paid to the study of expressive means and techniques used by artists to convey images of people within the family theme. The reasons for the appeal of the masters of engraving of the time under consideration to the theme of family, the embodiment of eternal universal values in the works, which became a common feature and trend of graphic art of the two countries in the middle of the twentieth century, are revealed. The scientific novelty lies in the introduction into scientific circulation and analysis of the works of woodcut of Russia and China, the identification of common and different features in the subject of Chinese woodcut and Soviet engravings of the 1930s-1950s. The study shows and substantiates the significant influence of Soviet realistic art on the work of Chinese masters, reveals the patterns of development of Chinese woodcut art in the period under review. In conclusion, the gradual appeal of Chinese artists to their own national heritage and the strengthening of the national identity of Chinese art in the middle of the twentieth century is noted, the causes of these processes in the artistic life of the country are revealed.\u0000","PeriodicalId":184304,"journal":{"name":"Культура и искусство","volume":"74 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127281340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Comments on S.G.Semenova's introductory article "Russian Cosmism" (changing the optics of comprehension) 评谢苗诺娃的导论文章《俄罗斯宇宙主义》(改变理解的光学)

Культура и искусство Pub Date : 2023-07-01 DOI: 10.7256/2454-0625.2023.7.43621

V. Rozin

{"title":"Comments on S.G.Semenova's introductory article \"Russian Cosmism\" (changing the optics of comprehension)","authors":"V. Rozin","doi":"10.7256/2454-0625.2023.7.43621","DOIUrl":"https://doi.org/10.7256/2454-0625.2023.7.43621","url":null,"abstract":"\u0000 The article discusses two main topics: Russian cosmism and the attitude towards it of Svetlana Semenova, who wrote the introductory article to the book \"Russian Cosmism\". Interesting considerations are given regarding the Russian cosmism of the philosopher A.P. Ogurtsov. The author problematizes the statements of Semenova, who distances herself from the views of cosmists and shares these views. He sees a similar ambivalent attitude in the polemic of I. Kant with the great scientist and esotericist of the XVIII century Emanuel Swedenborg. An analysis of the esoteric Christian teaching and the personality of the latter shows that Swedenborg simultaneously accepted two realities of spirit and nature, removing contradictions, bringing them into line with each other; at the same time, his psyche changed under the influence of work confirming the new picture of the world he had built. The author suggests that, like Swedenborg, cosmists and Semenova built a reality in which their dreams, intentions and actions received a place and meaning. He believes that in order to properly understand this type of creativity, a turn is needed to the problems and aspirations of the individual, to the built reality in which these problems are resolved (albeit in virtual terms for now), to the historical tradition of thinking. In his opinion, cosmists, Semenova and some modern ideologists like A. Dugin or Yu. Gromyko continue to move in line with the Russian tradition, outlined by Chaadaev, Dostoevsky and Russian religious philosophers. Another tradition characteristic of the creativity of these thinkers is esoteric, which allows you to create realities, omitting the problems of realization, following one ‒ constructing the world for your own personality.\u0000","PeriodicalId":184304,"journal":{"name":"Культура и искусство","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128605761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Masters of decorative and applied art of the Spassky Factory of artistic ceramics in search of a unique style 斯帕斯基艺术陶瓷工厂的装饰和应用艺术大师在寻找一种独特的风格

Культура и искусство Pub Date : 2023-06-01 DOI: 10.7256/2454-0625.2023.6.38189

A. Chernova, E. Vasileva, N. Fedorovskaya

{"title":"Masters of decorative and applied art of the Spassky Factory of artistic ceramics in search of a unique style","authors":"A. Chernova, E. Vasileva, N. Fedorovskaya","doi":"10.7256/2454-0625.2023.6.38189","DOIUrl":"https://doi.org/10.7256/2454-0625.2023.6.38189","url":null,"abstract":"\u0000 The significance and artistic results of the Far Eastern ceramic productions launched in the second half of the XX century and liquidated at the beginning of the XXI century, as well as the creativity of the masters and artists who worked for them, are currently insufficiently studied In the Primorsky Territory, this is largely due to the general decline of the industry, the complexity of collecting primary information, the lack of reliable data, the problem of attribution of products etc. The subject of the study is the activity of master artists who worked at the art ceramics factory in the city of Spassk-Dalny, Primorsky Krai. The research was carried out using a set of theoretical and empirical methods, including comparative-historical, biographical, formal-stylistic, as well as interview methods and included observation, which allowed to identify the key figures of the masters who influenced the formation of their own unique style characteristic of this plant. As a result of the study, it was found that the formation of the creative team was carried out both from visiting specialists with specialized education and from local artists. Among the most significant masters of the Spassky Art Ceramics Factory are E. E. Skurikhin, A. I. Gornich, S. V. Danilyuk, Z. H. Zhelandinova, V. A. Lavrenova, A. A. Lupey, N. B. Ovchinnikova, L. Y. Skrynnikova, O. Timofeeva. These artists have made a significant contribution to the improvement of molding technologies and decoration of utilitarian and highly artistic products. The results of the activity of master ceramists led to a significant evolution of the forms and types of decoration of the products of the Spassky Art Ceramics Factory, creating their own style based on ethnic and regional flavor. The presented information can be used for attribution of ceramic products, studying the specifics of the author's artistic ceramics of the XX – XXI centuries, forming a general picture of the evolution of Russian decorative and applied art.\u0000","PeriodicalId":184304,"journal":{"name":"Культура и искусство","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125731280","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The role of women in Chinese society and culture 女性在中国社会和文化中的角色

Культура и искусство Pub Date : 2023-06-01 DOI: 10.7256/2454-0625.2023.6.40983

D. N. Belova

{"title":"The role of women in Chinese society and culture","authors":"D. N. Belova","doi":"10.7256/2454-0625.2023.6.40983","DOIUrl":"https://doi.org/10.7256/2454-0625.2023.6.40983","url":null,"abstract":"\u0000 The author analyzes various aspects of the role of women in the society and culture of China of the late XX-early XXI centuries, a special place is occupied by the analysis of family relations, education and artistic creativity of women. The subject of the study is women, the transformation of their status in society and culture, in particular, in the modern pictorial art of China. It is emphasized that at the end of the XX century there is a reassessment of values, the motivation of young people in the family sphere changes, the traditional importance of the family is lost due to state regulation of family relations. Comparative historical and iconographic research methods based on culturological, philosophical and art-historical scientific materials were used. The relevance of the topic is due to the increased interest in Chinese culture and the changing attitude towards women in society and culture. The novelty of the study is an attempt to trace the impact of modernization on the status of Chinese women, taking into account the availability of higher education, gender imbalance in society and culture. It is concluded that obtaining higher education, career development, personal freedom, participation in business, in the socio-political and cultural life of society, becomes a priority for a woman, putting marriage and family values at risk. It is revealed that the negative influence of mass culture leads to the decline of morals, psychological disorders, social infantilism. In contemporary art, Chinese female artists use unconventional artistic techniques to express their \"I\" in painting, but innovative methods of self-expression are less recognized than those of male artists, as well as defending their point of view and philosophy. The intertwining of cultural heritage and modern values have shaped the path of development of Chinese women's art.\u0000","PeriodicalId":184304,"journal":{"name":"Культура и искусство","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131442666","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

M. RAVEL'S SPANISH RHAPSODY: TO THE QUESTION OF THE GENRE ORIGINALITY OF THE COMPOSITION 拉威尔的西班牙狂想曲:论作曲的体裁独创性问题

Культура и искусство Pub Date : 2023-06-01 DOI: 10.7256/2454-0625.2023.6.40565

G. Cheremnykh, Svetlana Ivanovna Miagkova

{"title":"M. RAVEL'S SPANISH RHAPSODY: TO THE QUESTION OF THE GENRE ORIGINALITY OF THE COMPOSITION","authors":"G. Cheremnykh, Svetlana Ivanovna Miagkova","doi":"10.7256/2454-0625.2023.6.40565","DOIUrl":"https://doi.org/10.7256/2454-0625.2023.6.40565","url":null,"abstract":"\u0000 The subject of the study is Maurice Ravel's \"Spanish Rhapsody\" arranged for two pianos. The purpose of this article is to consider the genre features of the work, based on the refraction of the principles of rhapsody and suite. The performing means used by the composer in the implementation of the program idea of the work are also of research interest. The methodology of this study was made up of holistic and comparative approaches to the study of a musical composition. The novelty of the article lies in the fact that the study generalizes and concretizes the features of form formation in the work, which contributes to the study of the composer's creative method, the study of his peculiarities of working with cyclic forms. In the course of the study, the author comes to the conclusion that in M. Ravel's \"Spanish Rhapsody\" the features of directly rhapsody are reflected, expressed as a comparison of contrasting folklore layers in a single whole, features of suite, expressed in a generalized interpretation of Spanish imagery on the one hand and the composer's appeal to the genre models of a baroque dance suite, on the other. In addition, the suite principle in the structure of the form of the work is embodied in a specific impressionistic refraction of the genre features of Spanish dance folklore in each of the parts of the form. The obtained results of the work will contribute to the conscious interpretation of M. Ravel's \"Spanish Rhapsody\" arranged for two pianos from the point of view of the principles and laws of shaping and pianistic means of impressionistic expressiveness in the expression of Spanish images in music.\u0000","PeriodicalId":184304,"journal":{"name":"Культура и искусство","volume":"63 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121404718","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Music as an existential phenomenon and the main trends of its understanding in the history of culture 音乐作为一种存在现象及其在文化史上理解的主要趋势

Культура и искусство Pub Date : 2023-06-01 DOI: 10.7256/2454-0625.2023.6.40836

Darya Dmitrievna Odintsova

{"title":"Music as an existential phenomenon and the main trends of its understanding in the history of culture","authors":"Darya Dmitrievna Odintsova","doi":"10.7256/2454-0625.2023.6.40836","DOIUrl":"https://doi.org/10.7256/2454-0625.2023.6.40836","url":null,"abstract":"\u0000 The article outlines two directions of comprehension of the existential phenomenon of musical art (cataphatic and apophatic) throughout the history of culture within the framework of the Christian-Eurocentric tradition. The basis of methodological research includes Christian-idealistic and Christian-anthropological positions. These provisions of objective idealism contain a part of the Creator's Plan in the realization of his Image. The presentation of the main trends is presented in a contrasting ratio, which is characteristic of musical compositional thinking. The discourse of the problem is expressed in a cataphatic-preaching form. In the process of considering this phenomenon, the method of synthesis of ideas about music was applied as a reflection of the human being of such domestic thinkers as A. S. Klyuev, A. F. Losev, V. V. Medushevsky, M.O. Orlov, O.V. Leontieva and foreign philosophers R. Ingarden, A. Schopenhauer, F. England, D. Turner. The author makes an attempt to update the musical discourse from the perspective of Eurocentric Christian traditions by including the language of theology in it. Research in a given direction reveals the deep foundations of musical creativity, which arouse interest in the social significance of the master creator, leveled by post-industrial society. The scientific novelty of the research is contained in the choice of sources that reveal the European understanding of the existential essence of musical art as a historically formed part of the musicological discourse. According to the results of the study, it can be concluded that, unlike other types of art, music remains irreconcilably resistant to various forms of evaluation and paraphrasing, explanation and description. The essence of human existence is fully reflected in the musical art.\u0000","PeriodicalId":184304,"journal":{"name":"Культура и искусство","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124012350","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Design concept of the exhibition space of the Henan State Museum (China) 河南国家博物馆(中国)展览空间设计构想

Культура и искусство Pub Date : 2023-06-01 DOI: 10.7256/2454-0625.2023.6.38496

I. Abbasov, Ifei Du

{"title":"Design concept of the exhibition space of the Henan State Museum (China)","authors":"I. Abbasov, Ifei Du","doi":"10.7256/2454-0625.2023.6.38496","DOIUrl":"https://doi.org/10.7256/2454-0625.2023.6.38496","url":null,"abstract":"The Henan Museum is one of the first museums in China which requires modernization of its design. This work is devoted to the development of a new design concept for the Henan Museum space, the hall of musical instruments of the Great Silk Road, in order to develop recommendations for further brand promotion in the field of tourist attractiveness and the development of the local economy. The object of the study is the museum of Henan Province, China, the subject is the influence of the museum brand on the popularization of ancient Chinese culture. The analysis of some Asian museums is given, the stages of the museum's formation are described, the elements of rebranding are developed: logo, booklet, poster, website, advertising products of the museum. The concept of the design of the exhibition hall \"Musical Instruments of the Great Silk Road\" was proposed, visualizations were made and a video flight of the hall was created, with a visual representation of the exhibits for remote access and viewing. A situational approach to the organization of the environment was used when developing the design of the museum space. The scientific novelty and theoretical significance of the research lies in the rebranding of the Museum of Culture, in the development of a new concept for the design of the exhibition hall of the museum space of the Henan Museum. Some modern trends in the development of museum space design on the example of domestic and foreign museums are discussed.","PeriodicalId":184304,"journal":{"name":"Культура и искусство","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124147216","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0