Sztuka Ameryki Łacińskiej最新文献

{"title":"Flores del paraíso indiano. Reflexiones sobre los retratos de monjas venerables novohispanas","authors":"D. Peralta","doi":"10.15804/sal201603","DOIUrl":"https://doi.org/10.15804/sal201603","url":null,"abstract":"","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117161777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La barca en La huida a Egipto: segundo caso documentado en la pintura andina","authors":"Martín Isidoro, Clelia Domoñi","doi":"10.15804/sal201304","DOIUrl":"https://doi.org/10.15804/sal201304","url":null,"abstract":"By discovering in the storage of the Prelature of the Juli’s Matriz Church, a second case of the presence of the boat on the Flight into Egypt in the Andean painting, it has been made a tour though several paintings of this theme broadly – present in that church –. They were analyzed with the methodology of “correspondences” of engravings as graphic sources and have been linked with Latin inscriptions. These Juli’s paintings have served to outline timelines and issues of style about collavina school. Collao’s Painting and sculpture were relevant in colonial South American art (especially the Jesuit Juli’s artistic center), but were not methodically made visible as an autonomous whole. This work is part of a broader objective that is in process: to give solid basis to the problem of Collavino style from case studies, relying on the ‘correspondences’ methodology to achieve greater scientific rigor. The enumeration and systematization of the constituent elements of this school seeks, first, the precise determination of the influences of European schools that served as support for the creation and, secondly, to establish what was the real contribution of American natives to international art history.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"236 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114187919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Od świętego wizerunku do dzieła sztuki w sztuce kolumbijskiej od XVI do XX w.","authors":"Olga Isabel Acosta Luna","doi":"10.15804/sal201112","DOIUrl":"https://doi.org/10.15804/sal201112","url":null,"abstract":"Maria’s Images and cult appears In New Grenada Kingdom from the beginning of the new World conquista. Despite of Council of Trent decisions concerning the importance of image in religiuus life revering of miraculous icons of The Blessed Virgin and the cult of these icons were a part of New Grenada’s everyday life. Since the moment the country had become independent from the Spanish government and, most of all, after the enactment of The Church, property nationalization had been executed, the situation of Maria’s images changed. They still have their sacred function but they started to be perceived as objects of historical and artistic value as well. This process is connected with weakening of sacred iconography in aid of laic painting and academic art development that took place in 19th century. Miraculous icons from colonial age have become an object of History of Art studies. The article below concerns the problem of the transformation, basing on Maria’s images from 16th till 20th century from Columbia.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114456700","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Teatro Evangelizador: memoria, repertorios y prácticas culturales en México hacia el siglo XVI. (Actos en/de transferencia)","authors":"C. Dimeo","doi":"10.15804/sal201404","DOIUrl":"https://doi.org/10.15804/sal201404","url":null,"abstract":"Theatricality, performance and religious experience are the foundations and origins of our historical memory as well as legacy and cultural practices dating back to the Colonial Period. Within a short time, an impressive corpus of theatre performances staged by the Jesuit fathers gained in importance and expanded range, which covered our whole continent. Theatre served here to describe and explain how these experiences were born and developed and to show how certain acts of conveyance occurred in the light of identity and cultural markers of the period. Specifying, we will deal with evangelization theatre and its influence on the American continent.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128107973","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Una peruana en Polonia. La presencia de imágenes de Santa Rosa de Lima en los territorios de la antigua Mancomunidad de Polonia-Lituania","authors":"Paweł Drabarczyk","doi":"10.15804/sal201206","DOIUrl":"https://doi.org/10.15804/sal201206","url":null,"abstract":"The popularity of Isabel Flores de Oliva, commonly known as Saint Rose of Lima, in the Latin America iconosphere has endured since the 17th century and is still spectacular. Images of this Third Order of St. Dominic member proliferated soon after her demise (1617), not only in the New World, but also in Europe, multiplied in countless cheap copies. Nevertheless, her person also inspired renowned artists as famous as Bartolomé Esteban Murillo, sevillian Juan de Valdes Leal or cordoban Antonio Palomino. Even before canonisation (1671), the fame of the Peruvian ascetic reached the Polish-Lithuanian Commonwealth, due to the efforts of the Order of Preachers, i.a. Tomasz Tomicki O.P., who translated into Polish the Latin biography of Isabel Flores de Oliva written by Leonard Hansen O.P. Tomicki’s book, which was printed in Cracow in 1666, contains the first known Polish image of the future saint. The year of canonisation is also a date of establishing first devotional paintings for Dominican churches in the major cities of the Polish-Lithuanian Commonwealth. An oil painting attributed to Tomasz Muszyński in Warsaw St. Hyacinth’s Church presents St. Rose among other Dominicans active in the New World: Martin de Porres, John Macías and Vicente Bernedo. Paintings for an altar in St. Nicholas church in Gdańsk (“Saint Rose with the Child Jesus” and “The Vision of Saint Rose”) were made by Andreas Stech, a popular artist active in this city. Apart from that, we know quite a numerous range of anonymous devotional images of St. Rose of Lima – or at least pieces passing for her images. “The Catalogues of Art Monuments in Poland” – an inventory published by the Polish Academy of Science Institute of Art – enumerate over a dozen paintings and sculptures devoted to the ascetic from Peru, which can be found in various places within the present borders of Poland: i.a. Brześć Kujawski, Hrubieszów, Klimontów, Kraków, Kraśnik, Mokobody, Markowice, Niwiski, Piaski, Sandomierz, Staszów, Turobin, Zaręby Kościelne. However, not all art historians agree with such recognition; there are arguments that in some cases we are faced with images of St. Catherine of Siena rather than St. Rose. In spite of these doubts, it is proved that Isabel Flores de Oliva gained her own place in the iconography of Polish Dominicans and played a significant role in their efforts to promote certain forms of spirituality.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"08 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125731913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Przedstawienia dzieciństwa Meszików w kodeksach Płaskowyżu Centralnego Mezoameryki","authors":"Alejandro Díaz Barriga Cuevas","doi":"10.15804/sal201102","DOIUrl":"https://doi.org/10.15804/sal201102","url":null,"abstract":"Before their birth, Mexica children were already important in their society because they occupied a key role in the economic, social and religious systems of the group. Children were integrated, since young ages, into the daily life of their parents where they assisted in economic and household activities. This paper analyses some of the ways in which the Mexican represented the children graphically in a series of codices. The work takes into account the conceptualization of children, the age groups into which childhood has been divided, as well the different ways in which children interacted with the other members of the family and the group to which they belonged to.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115819914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Mant’o: pinturas rupestres en un lugar de tránsito y transición en los Andes amazónicos del Cusco","authors":"Rainer Hostnig","doi":"10.15804/sal201301","DOIUrl":"https://doi.org/10.15804/sal201301","url":null,"abstract":"An article which discusses the exceptional paintings of Mant’o in the Calca, province of Department Cusco, Peru. After outlining a geographical and historical context of the area and refering to the state of research into the paintings, the author presents a detailed and illustrated description of each of the six subsites of Mant’o, concluding with a synthesis concerning the distribution of motifs, iconographic and stylistic particularities and an approximation of chronology, function and meaning of the paintings.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"285 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132368282","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Art Déco en la arquitectura Colonia Hipódromo Condesa, Cd. de México–Ciudad de Puebla: estudio comparativo","authors":"M. C. V. Nochebuena, Jorge Sosa Oliver, Julia Judith Mundo Hernández","doi":"10.15804/sal201208","DOIUrl":"https://doi.org/10.15804/sal201208","url":null,"abstract":"Art Deco was the largest decorative style of the 1920’s and perfect expression of extravagant Paris during that decade. It emerged as a force opposing the historicist academic trend, both in architectural and industrial design that expanded globally and despite the opinions and being ignored by researchers and architecture historians. This paper aims to show through comparative photographic coincidences and discrepancies in two different geographic locations in Mexico, and the features demonstrated in Art Deco style in architecture as a response to meet the needs of architectural spaces, emphasizing housing (among others) for the middle class that developed in that historical moment, as a result of questioning about what strategy would meet its formal characteristics. Formally structured according to the following content: Introduction, background, Art Deco architecture in Mexico, in the Colonia Hipordromo-Condesa and in the city of Puebla concluding with the photographic comparison showing the similarities regarding this style.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128943067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Związki artystyczne i handlowe pomiędzy Flandrią i Meksykiem od XVI do XVIII w.","authors":"Cesar Manrique","doi":"10.15804/sal201110","DOIUrl":"https://doi.org/10.15804/sal201110","url":null,"abstract":"The presence and circulation of Southern Netherlands’ values is a fascinating subject with a lot of possibilities for the researchers: Graphic material – printed or manuscript – books, stamps and engravings, as well as paintings, tapestries, sculptures and textiles exported from Antwerp found their way to the New World or even further, via Seville – the gateway to America. Today many examples of Southern Netherland’s books and artistic objects can still be admired in Latin American and from Goa to Manila. The shifting character of exchange in Antwerp affected also its market in luxury goods; this was booming in the 16th century with the international patterns of trade established in the city that facilitated the export of locally-made items to markets abroad. The exportation of luxury goods through Spain was orientated not only to the privileged social levels, but was now distributed on a much larger scale including the Spanish monarchy and the middle classes who displayed a strong taste for Flemish art. All these Flemish works were sold in fairs such as the one of Medina del Campo, Barcelona, Valencia and Seville, and from this great Atlantic Metropolis were sent to America or further.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133658164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Más allá del Pacífico. Piezas de Oriente en los templos de Cundinamarca, Boyacá y Santander (Colombia)","authors":"G. Sánchez","doi":"10.15804/sal201203","DOIUrl":"https://doi.org/10.15804/sal201203","url":null,"abstract":"The article presents the research on oriental elements of church furnishing, which constitute the heritage of missionary and evangelization churches (iglesiasdoctrineras) in New Granada of the early 17th century. Thanks to extensive archival sources stored in Archivo General de la Nación de Colombia (Colombia, Bogota) as well as Archivo General de Indias (Spain, Seville) it is possible to demonstrate the existence of numerous objects of oriental origins. Oriental objects came to the area of Tierra Firmevia a sea route connecting Seville with territories belonging to the Spanish crown in America (Carrera de Indias), which was used yearly by an Indian fleet, and owing to a transpacific route connecting Spanish dominions in Asia with territories of New Spain. The latter route was called Galeón de Manila, Nao de China or Galeón de Acapulco. Twice a year, ships chose it to travel across the Pacific, ensuring communication between Spanish East Indies and American dominions of the crown. Oriental products and objects spread over the area of New Granada. Some of them became furnishing elements of modest missionary churches situated far from big colonial cities. Among the most important objects, one may find silk textiles, but there are also other objects (particularly fabric) of diverse character, whose presence in researched temples is confirmed by archival sources.","PeriodicalId":176895,"journal":{"name":"Sztuka Ameryki Łacińskiej","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132571632","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}