{"title":"Graffiti, Street Art, Walls, and the Public in Canadian Copyright Law","authors":"P. Chapdelaine","doi":"10.1017/9781108563581.009","DOIUrl":"https://doi.org/10.1017/9781108563581.009","url":null,"abstract":"","PeriodicalId":172065,"journal":{"name":"The Cambridge Handbook of Copyright in Street Art and Graffiti","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130719087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Street Art, Graffiti and Copyright: A German Perspective","authors":"M. Mimler","doi":"10.1017/9781108563581.013","DOIUrl":"https://doi.org/10.1017/9781108563581.013","url":null,"abstract":"","PeriodicalId":172065,"journal":{"name":"The Cambridge Handbook of Copyright in Street Art and Graffiti","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123212884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Works and Walls: Graffiti Writing and Street Art at the Intersection of Copyright and Land Law","authors":"Marta Iljadica","doi":"10.1017/9781108563581.007","DOIUrl":"https://doi.org/10.1017/9781108563581.007","url":null,"abstract":"","PeriodicalId":172065,"journal":{"name":"The Cambridge Handbook of Copyright in Street Art and Graffiti","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131151163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Copyright in Street Art and Graffiti in the Netherlands","authors":"A. Moerland, Stephanie De Potter","doi":"10.1017/9781108563581.015","DOIUrl":"https://doi.org/10.1017/9781108563581.015","url":null,"abstract":"","PeriodicalId":172065,"journal":{"name":"The Cambridge Handbook of Copyright in Street Art and Graffiti","volume":"228 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132493955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Graffiti and Street Art under South African Copyright Law","authors":"Tobias Schonwetter, Bram van Wiele","doi":"10.1017/9781108563581.017","DOIUrl":"https://doi.org/10.1017/9781108563581.017","url":null,"abstract":"","PeriodicalId":172065,"journal":{"name":"The Cambridge Handbook of Copyright in Street Art and Graffiti","volume":"93 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134276792","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Copyright in Street Art and Graffiti: An Australian Perspective","authors":"M. Davison","doi":"10.1017/9781108563581.019","DOIUrl":"https://doi.org/10.1017/9781108563581.019","url":null,"abstract":"","PeriodicalId":172065,"journal":{"name":"The Cambridge Handbook of Copyright in Street Art and Graffiti","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122386656","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Decontextualisation of Street Art","authors":"Peter Bengtsen","doi":"10.1017/9781108563581.004","DOIUrl":"https://doi.org/10.1017/9781108563581.004","url":null,"abstract":"This chapter discusses the increasing tendency to remove street art from its original site for personal gain, It further explores whether/how copyright claims can be an effective means of preventing such extractions.","PeriodicalId":172065,"journal":{"name":"The Cambridge Handbook of Copyright in Street Art and Graffiti","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132333180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Graffiti and Street Art: Creative Practices Amid “Corporatization” and “Corporate Appropriation”","authors":"Ronald C. Kramer","doi":"10.1017/9781108563581.003","DOIUrl":"https://doi.org/10.1017/9781108563581.003","url":null,"abstract":"","PeriodicalId":172065,"journal":{"name":"The Cambridge Handbook of Copyright in Street Art and Graffiti","volume":"146 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123778941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Copyright Protection of Illegal Street and Graffiti Artworks","authors":"P. Westenberger","doi":"10.1017/9781108563581.005","DOIUrl":"https://doi.org/10.1017/9781108563581.005","url":null,"abstract":"","PeriodicalId":172065,"journal":{"name":"The Cambridge Handbook of Copyright in Street Art and Graffiti","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132521774","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Copyright Protection of Street Art and Graffiti in Greece: Intellectual Property and Personal Property in Conflict?","authors":"Stavroula Karapapa","doi":"10.1017/9781108563581.016","DOIUrl":"https://doi.org/10.1017/9781108563581.016","url":null,"abstract":"This piece offers legal analysis on the legal situation governing graffiti works under Greek law. It focuses on situations where unauthorized graffiti qualifies as an artistic work and may be destroyed by the owners of the material support. This brings to light the conflict between two property rights: intellectual property rights on the work and property rights on the material support. The chapter focuses on this conflict, offering insights on the legal protection available under copyright law, the confines of the so-called intergrity right as a moral right of artists, and the criminal law remedies that are available.","PeriodicalId":172065,"journal":{"name":"The Cambridge Handbook of Copyright in Street Art and Graffiti","volume":"56 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123225343","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}