{"title":"Decontextualisation of Street Art","authors":"Peter Bengtsen","doi":"10.1017/9781108563581.004","DOIUrl":null,"url":null,"abstract":"This chapter discusses the increasing tendency to remove street art from its original site for personal gain, It further explores whether/how copyright claims can be an effective means of preventing such extractions.","PeriodicalId":172065,"journal":{"name":"The Cambridge Handbook of Copyright in Street Art and Graffiti","volume":"57 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Cambridge Handbook of Copyright in Street Art and Graffiti","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/9781108563581.004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2
Abstract
This chapter discusses the increasing tendency to remove street art from its original site for personal gain, It further explores whether/how copyright claims can be an effective means of preventing such extractions.