{"title":"Plato and Hume’s Philosophy of Art","authors":"Bernard D. Freydberg","doi":"10.1515/9783110585575-014","DOIUrl":"https://doi.org/10.1515/9783110585575-014","url":null,"abstract":"","PeriodicalId":171262,"journal":{"name":"Reading David Hume’s 'Of the Standard of Taste'","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114163978","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Frontmatter","authors":"","doi":"10.1515/9783110585575-fm","DOIUrl":"https://doi.org/10.1515/9783110585575-fm","url":null,"abstract":"","PeriodicalId":171262,"journal":{"name":"Reading David Hume’s 'Of the Standard of Taste'","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121914848","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Signatures and Taste: Hume’s Mortal Leavings and Lucian","authors":"Babette Babich","doi":"10.1515/9783110585575-002","DOIUrl":"https://doi.org/10.1515/9783110585575-002","url":null,"abstract":"In his introduction to his collection of David Hume’s essays, Alasdair MacIntyre writes what surely wins the palm for an introductory first sentence to a book collection: “An introduction should introduce.”2 The point is elegant and MacIntyre is compelled to explain: “It should not be an attempt at a substitute for the book it is introducing.” In the essayistic case of David Hume’s essays, and collections of the same, of which there are a number, Hume’s essays speak for themselves, that is to say, apart from an ’advertisement,’ without an editor’s introduction. Additionally, there is a tradition of scholarly reflection on Hume’s essays as such. The current collection adds to this and hopes to inspire reflection on what is arguably the most exceptional of Hume’s essays. “Of the Standard of Taste” was written to avoid damages threatened in response to the planned publication of Hume’s Five Dissertations (a book including: “The Natural History of Religion,” “Of the Passions,” “Of Tragedy,” “Of Suicide,” and “Of the Immortality of the Soul”). The threats were promised by William Warburton (1698– 1779), the influential theologian who subsequently","PeriodicalId":171262,"journal":{"name":"Reading David Hume’s 'Of the Standard of Taste'","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130772981","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Taste and Civil Society","authors":"H. Caygill","doi":"10.1515/9783110585575-011","DOIUrl":"https://doi.org/10.1515/9783110585575-011","url":null,"abstract":"","PeriodicalId":171262,"journal":{"name":"Reading David Hume’s 'Of the Standard of Taste'","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124035754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hume and the Causal Theory of Taste","authors":"R. Shiner","doi":"10.2307/431625","DOIUrl":"https://doi.org/10.2307/431625","url":null,"abstract":"This paper has two aims. The first is the purely philosophical aim of exposing as untenable the Causal Theory of Taste. The second is the interpretive aim of reading David Hume's famous essay \"On the Standard of Taste\" as defending a version of such a causal theory. The two aims are pursued in parallel, in that the main source of raw material for criticizing the causal theory of taste will be passages drawn from Hume's essay. Before we reach the text of the essay, however, some stage-setting is needed. Consider the following two lines of thought which might occur in philosophical reflection about aesthetic taste. First, in thinking about judgments of taste, one may be struck by the elusiveness of the properties which are the targets of judgments of taste, in comparison with the steadfastness of many other kinds of property and objects. This elusiveness is well expressed thus: \"no sentiment of taste represents what is really in the object ... beauty is no quality in things in themselves: it exists merely in the mind which contemplates them.\"1 We might think that the impression we have of elegance-that slice of our mental life-reveals to us the property of an object. But, this first line of thought says, we would be wrong in so thinking. There is no such property; there is only our impression. Second, in thinking about judgments of taste, one may also be struck both by the fact that persons seem to differ in the degree to which they possess the capacity to make judgments of taste, and moreover that among those who seemingly are more experienced and skilled at judgments of taste there is some convergence at a fairly general level in such judgments. For instance, if at first I do not see the elegance my friend sees in a sculpture or a dance, my friend can say, \"Look at this line; see how these lines complement each other; see how the piece would be different if this curve were more concave or more convex. Look at how this variation in the arm or leg movement would change the character of the dance altogether.\" And thus I come to see that the sculpture or the dance is indeed elegant. These thoughts are well summarized thus: \"amidst all the variety and caprice of taste, there are certain general principles of approbation or blame.... Persons of taste may be distinguished by the soundness of their understanding\" (p. 243). Much of philosophical interest in judgments of taste has to do with a tension between these two lines of thought and with possibilities for its resolution. Let us first investigate the tension. The first line of thought seems to locate the ground of judgments of taste, not in some object which is the target of the judgment, but in the maker of the judgment. If someone says that he finds a dance elegant and powerful, or a soloist's musical interpretation fractured, this first line of thought implies that ground for the judgment of elegance is to be found, not in the dance, but in the speaker. As Hume puts it, in describing this line of ","PeriodicalId":171262,"journal":{"name":"Reading David Hume’s 'Of the Standard of Taste'","volume":"98 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124081207","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Of the Standard of Taste","authors":"David Hume","doi":"10.4324/9781315303673-97","DOIUrl":"https://doi.org/10.4324/9781315303673-97","url":null,"abstract":"#1. The great variety of Taste, as well as of opinion, which prevails in the world, is too obvious not to have fallen under every one’s observation. Men of the most confined knowledge are able to remark a difference of taste in the narrow circle of their acquaintance, even where the persons have been educated under the same government, and have early imbibed the same prejudices. But those, who can enlarge their view to contemplate distant nations and remote ages, are still more surprised at the great inconsistence and contrariety. We are apt to call barbarous whatever departs widely from our own taste and apprehension: But soon find the epithet of reproach retorted on us. And the highest arrogance and self-conceit is at last startled, on observing an equal assurance on all sides, and scruples, amidst such a contest of sentiment, to pronounce positively in its own favour.","PeriodicalId":171262,"journal":{"name":"Reading David Hume’s 'Of the Standard of Taste'","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126572569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}