Towards Gender Equality in the Music Industry最新文献

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The Gatekeeper Gap: Searching for Solutions to the UK’s Ongoing Gender Imbalance in Music Creation 看门人差距:寻找解决英国音乐创作中持续的性别失衡的方法
Towards Gender Equality in the Music Industry Pub Date : 2019-12-12 DOI: 10.5040/9781501345531.CH-010
E. Hooper
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引用次数: 0
Engineering a Place for Women: Gendered Experiences of the Music Technology Classroom 为女性设计一个地方:音乐技术课堂的性别体验
Towards Gender Equality in the Music Industry Pub Date : 2019-12-12 DOI: 10.5040/9781501345531.ch-004
E. Hopkins, Pauwke Berkers
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引用次数: 4
Gender and Popular Music Education in North America: We Need to Talk 性别与北美流行音乐教育:我们需要谈谈
Towards Gender Equality in the Music Industry Pub Date : 1900-01-01 DOI: 10.5040/9781501345531.ch-002
R. Wright
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引用次数: 1
Queer(ing) Music Production: Queer Women’s Experiences of Australian Punk Scenes 酷儿音乐制作:酷儿女性在澳大利亚朋克场景中的经历
Towards Gender Equality in the Music Industry Pub Date : 1900-01-01 DOI: 10.5040/9781501345531.ch-015
M. Sharp
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引用次数: 0
Preparing for the ‘Real World’? Exploring Gender Issues in the Music Industry and the Role of Vocational Popular Music Higher Education 为“现实世界”做准备?音乐产业中的性别问题与职业流行音乐高等教育的角色探讨
Towards Gender Equality in the Music Industry Pub Date : 1900-01-01 DOI: 10.5040/9781501345531.ch-003
H. E. Davies
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引用次数: 1
Queer Noise: Sounding the Body of Historical Trauma 奇怪的噪音:探听历史创伤的身体
Towards Gender Equality in the Music Industry Pub Date : 1900-01-01 DOI: 10.5040/9781501345531.ch-011
S. Galloway, J. Sannicandro
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引用次数: 0
South-West England Open Mics: Gender Politics and Pints? 西南英格兰公开麦克风:性别政治和品酒?
Towards Gender Equality in the Music Industry Pub Date : 1900-01-01 DOI: 10.5040/9781501345531.ch-008
Sharon Martin
{"title":"South-West England Open Mics: Gender Politics and Pints?","authors":"Sharon Martin","doi":"10.5040/9781501345531.ch-008","DOIUrl":"https://doi.org/10.5040/9781501345531.ch-008","url":null,"abstract":"","PeriodicalId":167740,"journal":{"name":"Towards Gender Equality in the Music Industry","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130407703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Keychanges at Cheltenham Jazz Festival: Issues of Gender in the UK Jazz Scene 切尔滕纳姆爵士音乐节的关键变化:英国爵士场景中的性别问题
Towards Gender Equality in the Music Industry Pub Date : 1900-01-01 DOI: 10.5040/9781501345531.ch-014
S. Raine
{"title":"Keychanges at Cheltenham Jazz Festival: Issues of Gender in the UK Jazz Scene","authors":"S. Raine","doi":"10.5040/9781501345531.ch-014","DOIUrl":"https://doi.org/10.5040/9781501345531.ch-014","url":null,"abstract":"","PeriodicalId":167740,"journal":{"name":"Towards Gender Equality in the Music Industry","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124102210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
‘There’s No Money in Record Deals and I’m Not Looking to Be Taken Advantage Of’: Princess Nokia and Urban Feminism in a New Era of Hip-Hop “唱片合约没有钱,我不想被利用”:诺基亚公主和嘻哈新时代的都市女权主义
Towards Gender Equality in the Music Industry Pub Date : 1900-01-01 DOI: 10.5040/9781501345531.ch-012
Hodan Omar Elmi
{"title":"‘There’s No Money in Record Deals and I’m Not Looking to Be Taken Advantage Of’: Princess Nokia and Urban Feminism in a New Era of Hip-Hop","authors":"Hodan Omar Elmi","doi":"10.5040/9781501345531.ch-012","DOIUrl":"https://doi.org/10.5040/9781501345531.ch-012","url":null,"abstract":"","PeriodicalId":167740,"journal":{"name":"Towards Gender Equality in the Music Industry","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128211718","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Setting the Stage for Sexual Assault: The Dynamics of Gender, Culture, Space and Sexual Violence at Live Music Events 为性侵犯设置舞台:现场音乐活动中的性别、文化、空间和性暴力的动态
Towards Gender Equality in the Music Industry Pub Date : 1900-01-01 DOI: 10.5040/9781501345531.ch-007
B. Fileborn, Ashleigh Barnes
{"title":"Setting the Stage for Sexual Assault: The Dynamics of Gender, Culture, Space and Sexual Violence at Live Music Events","authors":"B. Fileborn, Ashleigh Barnes","doi":"10.5040/9781501345531.ch-007","DOIUrl":"https://doi.org/10.5040/9781501345531.ch-007","url":null,"abstract":"","PeriodicalId":167740,"journal":{"name":"Towards Gender Equality in the Music Industry","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115513720","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
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