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Journal of New Music Research最新文献

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Testing a hybrid hardware quantum multi-agent system architecture that utilizes the quantum speed advantage for interactive computer music 测试一种混合硬件量子多智能体系统架构，该架构利用量子速度优势进行交互式计算机音乐
IF 1.1 4区 计算机科学
Journal of New Music Research Pub Date : 2020-04-13 DOI: 10.1080/09298215.2020.1749672
Alexis Kirke
{"title":"Testing a hybrid hardware quantum multi-agent system architecture that utilizes the quantum speed advantage for interactive computer music","authors":"Alexis Kirke","doi":"10.1080/09298215.2020.1749672","DOIUrl":"https://doi.org/10.1080/09298215.2020.1749672","url":null,"abstract":"This paper introduces MIq (Multi-Agent Interactive qgMuse), which builds on the single agent quantum system qgMuse using teleportation. MIq is the first attempt at a real-time interactive quantum computer music algorithm that utilises the quantum advantage. Previous interactive or real-time quantum music algorithms running on quantum computers have been mappings of classical computing algorithms, with no quantum advantage obtained. MIq provides a quadratic speed-up over classical methods. It is a Quantum Hybrid Multi-agent System architecture implemented on 5 and 14 qubit quantum hardware. Classical agents and quantum agents connect via a classical/quantum hybrid agent that enables communication using quantum teleportation.","PeriodicalId":16553,"journal":{"name":"Journal of New Music Research","volume":null,"pages":null},"PeriodicalIF":1.1,"publicationDate":"2020-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09298215.2020.1749672","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47327385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Hearing tetrachords in an atonal context 在无调性语境中听四和弦
IF 1.1 4区 计算机科学
Journal of New Music Research Pub Date : 2020-04-13 DOI: 10.1080/09298215.2020.1749285
J. Brown, Nathan Cornelius
{"title":"Hearing tetrachords in an atonal context","authors":"J. Brown, Nathan Cornelius","doi":"10.1080/09298215.2020.1749285","DOIUrl":"https://doi.org/10.1080/09298215.2020.1749285","url":null,"abstract":"This study examines the perception of tetrachords. Musicians were divided into four groups. One group heard a Bartók composition predominated by [0167]; other groups heard it recomposed with any instance of [0167] replaced with [0148], [0268], or [0257]. Analysis of ratings before and after familiarisation suggests that participants recognized the tetrachord from familiarisation, no matter which set-class was prominent in familiarisation and despite confounds of hearing real music. Tetrachords with similar intervals to the motive were also rated higher after familiarisation. Notably, participants demonstrated ability to generalise from a melodic presentation in familiarisation to a harmonic presentation in ratings phases.","PeriodicalId":16553,"journal":{"name":"Journal of New Music Research","volume":null,"pages":null},"PeriodicalIF":1.1,"publicationDate":"2020-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09298215.2020.1749285","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46826958","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sound mass, auditory perception, and ‘post-tone’ music 声音质量、听觉感知和“后音”音乐
IF 1.1 4区 计算机科学
Journal of New Music Research Pub Date : 2020-04-13 DOI: 10.1080/09298215.2020.1749673
Jason Noble, S. McAdams
{"title":"Sound mass, auditory perception, and ‘post-tone’ music","authors":"Jason Noble, S. McAdams","doi":"10.1080/09298215.2020.1749673","DOIUrl":"https://doi.org/10.1080/09298215.2020.1749673","url":null,"abstract":"The term ‘post-tonal’ embodies a broad distinction between musical explorations of new combinations of tones (‘post-tonality’) and explorations of sonic resources other than tones (‘post-tone’). A significant turning-point in post-tone thinking occurred when some composers replaced notes with masses of notes, or sound masses, as musical units. Existing definitions of sound mass are reviewed and a new definition drawing on empirical evidence is offered. The perceptual principles that are involved in the perception of polyphonic music are demonstrated to also ground sound mass perception, with opposite aesthetic goals achieved through radically different musical organisation.","PeriodicalId":16553,"journal":{"name":"Journal of New Music Research","volume":null,"pages":null},"PeriodicalIF":1.1,"publicationDate":"2020-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09298215.2020.1749673","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43456508","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
Large-scale audience participation in live music using smartphones. 使用智能手机的大规模观众参与现场音乐。
IF 1.1 4区 计算机科学
Journal of New Music Research Pub Date : 2020-02-09 eCollection Date: 2020-01-01 DOI: 10.1080/09298215.2020.1722181
Oliver Hödl, Christoph Bartmann, Fares Kayali, Christian Löw, Peter Purgathofer
{"title":"Large-scale audience participation in live music using smartphones.","authors":"Oliver Hödl,&nbsp;Christoph Bartmann,&nbsp;Fares Kayali,&nbsp;Christian Löw,&nbsp;Peter Purgathofer","doi":"10.1080/09298215.2020.1722181","DOIUrl":"https://doi.org/10.1080/09298215.2020.1722181","url":null,"abstract":"<p><p>We present a study and reflection about the role and use of smartphone technology for a large-scale musical performance involving audience participation. We evaluated a full design and development process from initial ideation to a final performance concept. We found that the smartphone became the design tool, the technical device and the musical instrument at the same time. As a technical device that uses ultrasound communication as interaction technique, the smartphone became inspirational for the artist's creative work. In aiming to support the artist, we observed pervasive importance of retaining artistic control to realise artistic intent. This concerns the co-design process and the resulting concept of audience participation and supports recommendations for such participatory work.</p>","PeriodicalId":16553,"journal":{"name":"Journal of New Music Research","volume":null,"pages":null},"PeriodicalIF":1.1,"publicationDate":"2020-02-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09298215.2020.1722181","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"37807892","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 13
From acceleration to rhythmicity: Smartphone-assessed movement predicts properties of music 从加速到节奏：智能手机评估的动作预测音乐的特性
IF 1.1 4区 计算机科学
Journal of New Music Research Pub Date : 2020-01-30 DOI: 10.1080/09298215.2020.1715447
M. Irrgang, J. Steffens, Hauke Egermann
{"title":"From acceleration to rhythmicity: Smartphone-assessed movement predicts properties of music","authors":"M. Irrgang, J. Steffens, Hauke Egermann","doi":"10.1080/09298215.2020.1715447","DOIUrl":"https://doi.org/10.1080/09298215.2020.1715447","url":null,"abstract":"ABSTRACT Querying music is still a disembodied process in Music Information Retrieval. Thus, the goal of the presented study was to explore how free and spontaneous movement captured by smartphone accelerometer data can be related to musical properties. Motion features related to tempo, smoothness, size, and regularity were extracted and shown to predict the musical qualities ‘rhythmicity’ (R² = .45), ‘pitch level + range’ (R² = .06) and ‘complexity (R² = .15). We conclude that (rhythmic) music properties can be predicted from movement, and that an embodied approach to MIR is feasible.","PeriodicalId":16553,"journal":{"name":"Journal of New Music Research","volume":null,"pages":null},"PeriodicalIF":1.1,"publicationDate":"2020-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09298215.2020.1715447","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46160146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Explaining harmonic inter-annotator disagreement using Hugo Riemann's theory of ‘harmonic function’ 用Hugo Riemann的“调和函数”理论解释调和注释者之间的分歧
IF 1.1 4区 计算机科学
Journal of New Music Research Pub Date : 2020-01-29 DOI: 10.1080/09298215.2020.1716811
Anna Selway, Hendrik Vincent Koops, A. Volk, D. Bretherton, Nicholas Gibbins, R. Polfreman
{"title":"Explaining harmonic inter-annotator disagreement using Hugo Riemann's theory of ‘harmonic function’","authors":"Anna Selway, Hendrik Vincent Koops, A. Volk, D. Bretherton, Nicholas Gibbins, R. Polfreman","doi":"10.1080/09298215.2020.1716811","DOIUrl":"https://doi.org/10.1080/09298215.2020.1716811","url":null,"abstract":"ABSTRACT Harmonic transcriptions by ear rely heavily on subjective perceptions, which can lead to disagreement between annotators. The current computational metrics employed to measure annotator disagreement are useful for determining similarity on a pitch-class level, but are agnostic to the functional properties of chords. In contrast, music theories like Hugo Riemann's theory of ‘harmonic function’ acknowledge the similarity between chords currently unrecognised by computational metrics. This paper, utilises Riemann's theory to explain the harmonic annotator disagreements in the Chordify Annotator Subjectivity Dataset. This theory allows us to explain 82% of the dataset, compared to the 66% explained using pitch-class based methods alone. This new interdisiplinary application of Riemann's theory increases our understanding of harmonic disagreement and introduces a method for improving harmonic evaluation metrics that takes into account the function of a chord in relation to a tonal centre.","PeriodicalId":16553,"journal":{"name":"Journal of New Music Research","volume":null,"pages":null},"PeriodicalIF":1.1,"publicationDate":"2020-01-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09298215.2020.1716811","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46547520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
A comparative study of verbal descriptions of emotions induced by music between adults with and without visual impairments 有视觉障碍和无视觉障碍的成年人对音乐引起的情感的言语描述的比较研究
IF 1.1 4区 计算机科学
Journal of New Music Research Pub Date : 2020-01-27 DOI: 10.1080/09298215.2020.1717544
H. Park, S. Lee, H. Chong
{"title":"A comparative study of verbal descriptions of emotions induced by music between adults with and without visual impairments","authors":"H. Park, S. Lee, H. Chong","doi":"10.1080/09298215.2020.1717544","DOIUrl":"https://doi.org/10.1080/09298215.2020.1717544","url":null,"abstract":"ABSTRACT This study aimed to investigate the differences in verbal descriptions of emotions induced by music between adults who are visually impaired (VI) and adults who have normal vision (NV). Thirty participants (15 VI, 15 NV) listened to music excerpts and were interviewed. A content analysis and a syntactic analysis were performed. Among the VI group, contextual verbalism was more highly observed compared to media or educational verbalism and a high ratio of affective words, expressions and descriptions via senses other than vision was found. The VI more frequently employed situational descriptions while the NV more often described episodic memories.","PeriodicalId":16553,"journal":{"name":"Journal of New Music Research","volume":null,"pages":null},"PeriodicalIF":1.1,"publicationDate":"2020-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09298215.2020.1717544","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43434575","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Creative autonomy in a simple interactive music system 一个简单的交互式音乐系统中的创造性自主
IF 1.1 4区 计算机科学
Journal of New Music Research Pub Date : 2020-01-21 DOI: 10.1080/09298215.2019.1709510
Fabio Paolizzo, Colin G. Johnson
{"title":"Creative autonomy in a simple interactive music system","authors":"Fabio Paolizzo, Colin G. Johnson","doi":"10.1080/09298215.2019.1709510","DOIUrl":"https://doi.org/10.1080/09298215.2019.1709510","url":null,"abstract":"ABSTRACT Can autonomous systems be musically creative without musical knowledge? Assumptions from interdisciplinary studies on self-reflection are evaluated using Video Interactive VST Orchestra, a system that generates music from audio and video inputs through an analysis of video motion and simultaneous sound processing. The system is able to generate material that is primary, novel and contextual. A case study provides evidence that these three simple features allow the system to identify musical salience in the material that it is generating, and for the system to act as an autonomous musical agent.","PeriodicalId":16553,"journal":{"name":"Journal of New Music Research","volume":null,"pages":null},"PeriodicalIF":1.1,"publicationDate":"2020-01-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09298215.2019.1709510","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43165199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
The influence of the vocal tract on the attack transients in clarinet playing. 单簧管演奏中声道对进攻瞬变的影响。
IF 1.1 4区 计算机科学
Journal of New Music Research Pub Date : 2020-01-20 eCollection Date: 2020-01-01 DOI: 10.1080/09298215.2019.1708412
Montserrat Pàmies-Vilà, Alex Hofmann, Vasileios Chatziioannou
{"title":"The influence of the vocal tract on the attack transients in clarinet playing.","authors":"Montserrat Pàmies-Vilà,&nbsp;Alex Hofmann,&nbsp;Vasileios Chatziioannou","doi":"10.1080/09298215.2019.1708412","DOIUrl":"https://doi.org/10.1080/09298215.2019.1708412","url":null,"abstract":"<p><p>When playing single-reed woodwind instruments, players can modulate the spectral content of the airflow in their vocal tract, upstream of the vibrating reed. In an empirical study with professional clarinettists ( <math> <msub><mrow><mi>N</mi></mrow> <mrow><mrow><mi>p</mi></mrow> </mrow> </msub> <mo>=</mo> <mn>11</mn></math> ), blowing pressure and mouthpiece pressure were measured during the performance of Clarinet Concerto excerpts. By comparing mouth pressure and mouthpiece pressure signals in the time domain, a method to detect instances of vocal tract adjustments was established. Results showed that players tuned their vocal tract in both clarion and altissimo registers. Furthermore, the analysis revealed that vocal tract adjustments support shorter attack transients and help to avoid lower bore resonances.</p>","PeriodicalId":16553,"journal":{"name":"Journal of New Music Research","volume":null,"pages":null},"PeriodicalIF":1.1,"publicationDate":"2020-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09298215.2019.1708412","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"37807891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Dance to your own drum: Identification of musical genre and individual dancer from motion capture using machine learning 跟着自己的鼓跳舞：使用机器学习从动作捕捉中识别音乐类型和舞者个体
IF 1.1 4区 计算机科学
Journal of New Music Research Pub Date : 2020-01-13 DOI: 10.1080/09298215.2020.1711778
Emily Carlson, Pasi Saari, Birgitta Burger, P. Toiviainen
{"title":"Dance to your own drum: Identification of musical genre and individual dancer from motion capture using machine learning","authors":"Emily Carlson, Pasi Saari, Birgitta Burger, P. Toiviainen","doi":"10.1080/09298215.2020.1711778","DOIUrl":"https://doi.org/10.1080/09298215.2020.1711778","url":null,"abstract":"ABSTRACT Machine learning has been used to accurately classify musical genre using features derived from audio signals. Musical genre, as well as lower-level audio features of music, have also been shown to influence music-induced movement, however, the degree to which such movements are genre-specific has not been explored. The current paper addresses this using motion capture data from participants dancing freely to eight genres. Using a Support Vector Machine model, data were classified by genre and by individual dancer. Against expectations, individual classification was notably more accurate than genre classification. Results are discussed in terms of embodied cognition and culture.","PeriodicalId":16553,"journal":{"name":"Journal of New Music Research","volume":null,"pages":null},"PeriodicalIF":1.1,"publicationDate":"2020-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09298215.2020.1711778","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42187939","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 23
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