A computational model for predicting perceived musical expression in branding scenarios

IF 1.1 4区 计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS
Steffen Lepa, Martin Herzog, J. Steffens, Andreas Schoenrock, Hauke Egermann
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引用次数: 3

Abstract

We describe the development of a computational model predicting listener-perceived expressions of music in branding contexts. Representative ground truth from multi-national online listening experiments was combined with machine learning of music branding expert knowledge, and audio signal analysis toolbox outputs. A mixture of random forest and traditional regression models is able to predict average ratings of perceived brand image on four dimensions. Resulting cross-validated prediction accuracy (R²) was Arousal: 61%, Valence: 44%, Authenticity: 55%, and Timeliness: 74%. Audio descriptors for rhythm, instrumentation, and musical style contributed most. Adaptive sub-models for different marketing target groups further increase prediction accuracy.
一个预测品牌场景中感知音乐表达的计算模型
我们描述了一个计算模型的发展,该模型预测了在品牌语境中听众感知的音乐表达。多国在线听力实验的代表性基本事实与音乐品牌专家知识的机器学习和音频信号分析工具箱输出相结合。随机森林和传统回归模型的混合能够在四个维度上预测感知品牌形象的平均评级。结果交叉验证的预测准确率(R²)为唤醒:61%,价:44%,真实性:55%,及时性:74%。节奏、乐器和音乐风格的音频描述符贡献最大。针对不同营销目标群体的自适应子模型进一步提高了预测准确性。
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来源期刊
Journal of New Music Research
Journal of New Music Research 工程技术-计算机:跨学科应用
CiteScore
3.20
自引率
0.00%
发文量
5
审稿时长
>12 weeks
期刊介绍: The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.
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