{"title":"Walking Together","authors":"Donna Rietschlin","doi":"10.5406/j.ctvpj7gwx.8","DOIUrl":"https://doi.org/10.5406/j.ctvpj7gwx.8","url":null,"abstract":"Death, aging, illness – these realities in our lives can cause us to rise to a higher ground or can drop us into old patterns. Usually such stressors cause both to happen and the responses come in waves. It happens to everyone involved: the Core Member1, the friends of the person, the team supporting the Core Member in community and the family of the Core Member. How do we walk together in these blessed, fragile and sometimes explosive moments?","PeriodicalId":165164,"journal":{"name":"Hungry Translations","volume":"86 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123592228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"One More Time","authors":"S. V. Duh","doi":"10.5406/j.ctvpj7gwx.17","DOIUrl":"https://doi.org/10.5406/j.ctvpj7gwx.17","url":null,"abstract":"One More Time, curated by Anne Robinson, Senior Lecturer in Film at London Met, brought together several contemporary artists engaged with ideas about spatialiazing and marking time through a range of art practices. The performances, films, photographs, installations and art pieces in the One More Time exhibition were on show for three days, from October 20th - 22nd in the Libeskind Graduate Centre and the Old Boilerhouse at London Metropolitan University. On Friday 21st October, there was an artists’ symposium on Friday 20th October with presentations from all of the participating artists: Steve Farrer, Rachel Gomme, Rona Lee, Leibniz (Helen Spackman and Ernst Fischer), Laura Malacart, Paul St George, William Raban, and Claire Zakiewicz. The show and symposium focused on practice-led research in contemporary art and on experimental film practices. This event was and jointly supported by JCAMD and The Facility Research Centre in FSSH.","PeriodicalId":165164,"journal":{"name":"Hungry Translations","volume":" 5","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120833352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Closing Notes:","authors":"Siddharth Bharath, Sara J. Musaifer, R. Nagar","doi":"10.5406/j.ctvpj7gwx.22","DOIUrl":"https://doi.org/10.5406/j.ctvpj7gwx.22","url":null,"abstract":"","PeriodicalId":165164,"journal":{"name":"Hungry Translations","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115824451","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nourishment","authors":"J. Slater","doi":"10.5406/j.ctvpj7gwx.11","DOIUrl":"https://doi.org/10.5406/j.ctvpj7gwx.11","url":null,"abstract":"First-century Christians struggled with the dietary laws of Moses, food sacrificed to idols, and Gnostic notions about what should and should not be eaten. Paul warned the young preacher Timothy of the trouble false teacher would stir up over these and other issues. The bottom line was this: “every creature of God is good, and nothing is to be refused if it is received with thanksgiving; for it is sanctified (made holy) by the word of God and prayer” (1 Tim. 4:4-5).","PeriodicalId":165164,"journal":{"name":"Hungry Translations","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115144955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Aalaap","authors":"Richa Nagar, Sangtin Kisan Mazdoor Sangathan, Parakh Theatre","doi":"10.5406/j.ctvpj7gwx.6","DOIUrl":"https://doi.org/10.5406/j.ctvpj7gwx.6","url":null,"abstract":"This opening section conveys, in the form of a bilingual poem (in English and Hindustani), the intellectual and political aspirations and commitments of the book while also introducing the reader to its blended and multilingual genre. The poem registers protest through metaphors and materialities of hunger, theatre, and manual labor. The refrain, \"translation, no italics\" underscores the manner in which the translations are forever shifting and evolving as a part of ongoing journeys; they cannot be fixed and reduced to their italicized equivalents.","PeriodicalId":165164,"journal":{"name":"Hungry Translations","volume":"259 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132612494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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