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Journal of korean theatre studies association最新文献

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A Study on British Verbatim Theatre - Focused on the Dramaturgy of Tribunal Theatre The Colour of Justice 英国逐字剧场研究——以《法庭剧场:正义的色彩》为例
Journal of korean theatre studies association Pub Date : 2017-05-01 DOI: 10.18396/KTSA.2017.1.62.004
Ji-Hyun Nam
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引用次数: 0
A Study on Methodology and Aesthetics for Devised Theatre 设计戏剧的方法论与美学研究
Journal of korean theatre studies association Pub Date : 2017-05-01 DOI: 10.18396/KTSA.2017.1.62.003
Young-joo Choi
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引用次数: 0
Ōta Shōgo’s Forms of Theatrical Expression in Tale of Komachi Told by the Wind Ōta Shōgo《风讲的小町记》的戏剧表现形式
Journal of korean theatre studies association Pub Date : 2017-02-01 DOI: 10.18396/KTSA.2017.1.61.003
Shim Jiyeon
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引用次数: 0
A Study on Comic Catharsis in Sarah Ruhl’s The Clean House 莎拉·鲁尔《清洁之家》中的喜剧宣泄研究
Journal of korean theatre studies association Pub Date : 2017-02-01 DOI: 10.18396/KTSA.2017.1.61.004
S. Choi, Jisun Kim
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引用次数: 0
Recreating B-Boying in Contemporary Korean Context - Expression Crew’s The Marionette as an Intercultural Performance 在当代韩国语境下再造b - boy——表达剧团的跨文化演出《木偶》
Journal of korean theatre studies association Pub Date : 2017-02-01 DOI: 10.18396/ktsa.2017.1.61.007
Choi Seok Hun
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引用次数: 0
A Study on the Patterns of Monologue in Jon Fosse’s Dramas - Comparison with Samuel Beckett 乔恩·福斯戏剧中的独白模式研究——与塞缪尔·贝克特的比较
Journal of korean theatre studies association Pub Date : 2017-02-01 DOI: 10.18396/KTSA.2017.1.61.006
송선호
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引用次数: 0
남은 자와 떠난 자, 관찰자가 말하는 톈안먼사건의 기억- 연극에 반영된 문화기억을 중심으로 剩下的人和离开的人，观察者所说的天安门事件的记忆——以话剧中反映的文化记忆为中心
Journal of korean theatre studies association Pub Date : 2017-02-01 DOI: 10.18396/ktsa.2017.1.61.002
장희재
{"title":"남은 자와 떠난 자, 관찰자가 말하는 톈안먼사건의 기억- 연극에 반영된 문화기억을 중심으로","authors":"장희재","doi":"10.18396/ktsa.2017.1.61.002","DOIUrl":"https://doi.org/10.18396/ktsa.2017.1.61.002","url":null,"abstract":"본 논문은 연극에 담긴 톈안먼의 기억이라는 주제 하에 다양한 기억주체들의 작품에 대한 비교ㆍ분석을 시도하였다. `남은 자`로 명명한 중국 본토연극에서는 멍징후이의 와 머우썬의 을 분석하였다. 이들 개개인은 그 자체로 생생한 기억을 갖고 있는 매개체이지만, 강력한 억압에 직접 노출되어 있었으며, 개인의 기억은 사회적 네트워크를 통해 타인의 기억과 연결되지 못하였다. 이로 인해 기억은 강박과 해체의 기억증후군으로 드러났다. 멍징후이의 에는 억압된 기억에 대한 해소로서의 텔링을 전면에 내세웠으며, 일방적 말하기인 선언의 방식을 차용하여 `침묵이 드리운 현실에 맞선 제2의 톈안먼시위`를 구현하였다. 머우썬의 에서는 `억압요소와의 대결` 구도 속에 말에 대한 강박이 표출된다. 이를 통해 개인의 기억이 억압되는 근본적인 삶에 대한 저항을 읽어낼 수 있었다. 둘째, `떠난 자`로 명명한 해외 체류자의 연극으로는 가오싱젠의 을 분석하고, 중간자적 작가의 정체성이 투영되어 기억과 망각을 통해 정체성 탐색으로 이어지는 기억양상을 파악하였다. 그는 기억공간으로 설정한 창고를 통해 톈안먼사건에 대한 기억을 서사로 풀어낸 후, 물의 심상을 통해 기억공간에서 심리공간으로의 전환을 의도한다. 이 과정에서 가오싱젠은 정치투쟁에 반발한 자아투쟁을 전개한다. 그는 기억과 망각의 변증적 과정을 통해 성찰과 사유로 통하는 자아 탐색의 길을 대안적 길로 제시하였다. 마지막으로 `관찰자`로 명명한 해외극으로 루시 커크우드의 를 분석하였다. 이 작품은 관찰자로서 거리감이 생긴 기억으로 톈안먼사건을 담아낸다. 기억의 메타포에 초점을 맞춰, 기억에 작용하는 국가 간 이해관계를 조망해 냈다. 루시 커크우드는 중국 정부의 탄압을 고발하는 동시에 정의로 포장된 미국의 속물성을 꼬집는다. 루시 커크우드는 진실을 막고 있는 다양한 기억주체의 얽히고설킨 이해관계를 지적하는데 그치지 않고 기억주체 간의 상호이해와 소통을 시도한다. 이들 맹목성에 대한 경계와 소통이 바로 관찰자로서의 작가가 꿈꾸는 대안적 기억이라 볼 수 있다.","PeriodicalId":162501,"journal":{"name":"Journal of korean theatre studies association","volume":"133 1-2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129394929","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bernard-Marie Koltès’ Roberto Zucco and The Ethics of Evil 贝尔纳-玛丽·科特里斯的《罗伯托·祖科》和《邪恶的伦理》
Journal of korean theatre studies association Pub Date : 2017-02-01 DOI: 10.18396/KTSA.2017.1.61.005
ko haejong
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引用次数: 0
Actor, Actor’s Body in Theater - Directing Aesthetics of Lee Kyung-Sung and His Theater Group ‘Creative VaQi’ 戏剧中的演员、演员的身体——李景成及其剧团“创意瓦齐”的导演美学
Journal of korean theatre studies association Pub Date : 2017-02-01 DOI: 10.18396/KTSA.2017.1.61.001
Kyungmi Lee
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引用次数: 0
An analysis of Oh Tae Suk's early texts adapted from narrative of Samkookyusa - Focused on the Queen and the Weird Monk 吴泰锡早期作品分析——以《三国异草》为例——以《皇后与怪僧》为中心
Journal of korean theatre studies association Pub Date : 2016-12-01 DOI: 10.18396/KTSA.2016.1.60.005
Mido Kim
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引用次数: 1
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