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Coastal Cultures of the Long Nineteenth Century最新文献

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‘Unconscious of her own double appearance’: Fanny Burney’s Brighton “没有意识到自己的双重形象”:范妮·伯尼饰演的布莱顿
Coastal Cultures of the Long Nineteenth Century Pub Date : 2018-11-01 DOI: 10.3366/EDINBURGH/9781474435734.003.0002
Leya Landau
{"title":"‘Unconscious of her own double appearance’: Fanny Burney’s Brighton","authors":"Leya Landau","doi":"10.3366/EDINBURGH/9781474435734.003.0002","DOIUrl":"https://doi.org/10.3366/EDINBURGH/9781474435734.003.0002","url":null,"abstract":"Better known for her literary representations of Georgian London, Fanny Burney’s final, post-revolutionary novel, The Wanderer (1814), extends a more complex and radical geography than her earlier works. Opening on a rough sea off the coast of France, the mysterious protagonist, Ellis/Juliet, feels the gravitational pull of Brighthelmstone (Brighton), the celebrated Regency seaside town that provides the setting for most of the novel. This chapter examines the representation of Brighton in The Wanderer, a novel in which the inhabitants of Brighthelmstone quite literally turn their back on the ocean, alongside Burney’s descriptions of the town in her private writings over a number of decades. What emerges from these different genres is a double vision of Brighton that counters contemporary and popular depictions of the town in the late eighteenth and early nineteenth centuries.","PeriodicalId":162264,"journal":{"name":"Coastal Cultures of the Long Nineteenth Century","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133890209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Battle of Torquay: The Late Victorian Resort as Social Experiment 托基战役:维多利亚晚期的度假胜地作为社会实验
Coastal Cultures of the Long Nineteenth Century Pub Date : 2018-11-01 DOI: 10.3366/EDINBURGH/9781474435734.003.0005
J. Kneale
{"title":"The Battle of Torquay: The Late Victorian Resort as Social Experiment","authors":"J. Kneale","doi":"10.3366/EDINBURGH/9781474435734.003.0005","DOIUrl":"https://doi.org/10.3366/EDINBURGH/9781474435734.003.0005","url":null,"abstract":"This chapter considers drink and temperance in Victorian ports and resorts. Where there was drink there would invariably be temperance; the visibility of drunkenness in the major British ports made them the focus of temperance reform. Temperance also figured in smaller towns, becoming one aspect of polite society in fashionable resorts and even financing public works. But was there anything specific about drink and temperance on the coast? Rob Shields once suggested that such ‘places on the margin’ might allow heterotopic reworkings of social order. The ‘Battle of Torquay’ between well-heeled Torquay society and working-class Salvation Army members suggests the coast as a site of transformation, but also that social control could be turned on abstainers as well as drinkers, producing less progressive places on the coast as well as more liberal ones.","PeriodicalId":162264,"journal":{"name":"Coastal Cultures of the Long Nineteenth Century","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130909460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Symons at the Seaside 海边的西蒙斯
Coastal Cultures of the Long Nineteenth Century Pub Date : 2018-11-01 DOI: 10.3366/edinburgh/9781474435734.003.0014
N. Freeman
{"title":"Symons at the Seaside","authors":"N. Freeman","doi":"10.3366/edinburgh/9781474435734.003.0014","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474435734.003.0014","url":null,"abstract":"The poet, critic and short story writer Arthur Symons (1865–1945) was an inveterate traveller who wrote frequently about the Channel and the North Cornish coasts in poetry and prose. During the 1890s and 1900s, he was at the forefront of the pre-modernist avant-garde, and was an important conduit for the dissemination of decadent and impressionist art in England. As a landscape writer, he blended the quasi-Impressionist methods of painters such as Whistler with the decadent’s concern with the privileged subjectivity of the artist. This chapter examines the implications of such practices for his treatment of Cornwall, Sussex and Dieppe – including in neglected later writings such as ‘Sea Magic’ (1920).","PeriodicalId":162264,"journal":{"name":"Coastal Cultures of the Long Nineteenth Century","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125668912","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Breath of Fresh Air: Constable and the Coast 呼吸新鲜空气:康斯特布尔和海岸
Coastal Cultures of the Long Nineteenth Century Pub Date : 2018-11-01 DOI: 10.3366/edinburgh/9781474435734.003.0003
Christiana Payne
{"title":"A Breath of Fresh Air: Constable and the Coast","authors":"Christiana Payne","doi":"10.3366/edinburgh/9781474435734.003.0003","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474435734.003.0003","url":null,"abstract":"John Constable is often thought of as a painter of trees, canals and meadows; country labourers and wagons. His coastal paintings are considered a somewhat peripheral part of his output. Yet they are central to his concerns with light, atmosphere and weather. This chapter looks at Constable’s studies of the coast in relation to three important meanings it held for him and for many others of this time. The sea seen from the coast was a metaphor for life, death, immortality and the power of a benevolent Creator; the sea and shore together constituted a boundary which protected Britain from enemy invasion; and the coastal region was a place of fresh breezes, a source of easy breathing and life-giving fecundity.","PeriodicalId":162264,"journal":{"name":"Coastal Cultures of the Long Nineteenth Century","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128635091","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Developing Fluid: Precision, Vagueness and Gustave Le Gray’s Photographic Beachscapes 发展流体:精确，模糊和古斯塔夫·勒·格雷的摄影海滩景观
Coastal Cultures of the Long Nineteenth Century Pub Date : 2018-11-01 DOI: 10.3366/EDINBURGH/9781474435734.003.0012
Matthew P. M. Kerr
{"title":"Developing Fluid: Precision, Vagueness and Gustave Le Gray’s Photographic Beachscapes","authors":"Matthew P. M. Kerr","doi":"10.3366/EDINBURGH/9781474435734.003.0012","DOIUrl":"https://doi.org/10.3366/EDINBURGH/9781474435734.003.0012","url":null,"abstract":"In 1856, Gustave Le Gray’s photographs were included in the fourth annual exhibition of the Photographic Society in London. They caused an immediate sensation. La Revue photographique observed: ‘This time, Le Gray has gone beyond the limits of what could be achieved’. Taking as a starting point Philip Hamerton’s famous claim that photography ‘is not capable of giving two truths at once’, this chapter investigates Le Gray’s repeated depiction of sea and sky in order to suggest a coastal photography that was technically and thematically at home with limits, thresholds and margins.","PeriodicalId":162264,"journal":{"name":"Coastal Cultures of the Long Nineteenth Century","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122599295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Beyond the View: Reframing the Early Commercial Seaside Photograph 视野之外:重构早期商业海边照片
Coastal Cultures of the Long Nineteenth Century Pub Date : 2018-11-01 DOI: 10.3366/edinburgh/9781474435734.003.0013
K. Shepherdson
{"title":"Beyond the View: Reframing the Early Commercial Seaside Photograph","authors":"K. Shepherdson","doi":"10.3366/edinburgh/9781474435734.003.0013","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474435734.003.0013","url":null,"abstract":"This chapter provides insight into an overlooked form of demotic photography, revealing rich seams of imagery and offering fresh perspectives on Victorian coastal representations. Shepherdson examines commercial seaside photographic practice from 1860 to 1920, offering a visual exposition of the British seaside through the refracted lens of the itinerant beach photographer. Despite their humble means of production, the photographs discussed are frequently evocative, drawing the viewer into a nostalgic past shaped by visual half-truths. Photographic half-truths too readily can become amplified from a view to the view and to the experience. This chapter examines the conventions, expectations and mythologisation of what seaside portrait photography of this period should present, and how these inevitably provide a highly mediated view of the actual Victorian seaside experience.","PeriodicalId":162264,"journal":{"name":"Coastal Cultures of the Long Nineteenth Century","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131462634","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Encounters with Capitalism on R. L. Stevenson’s Early Coasts r.l.史蒂文森早期海岸的资本主义遭遇
Coastal Cultures of the Long Nineteenth Century Pub Date : 2018-11-01 DOI: 10.3366/edinburgh/9781474435734.003.0006
D. Sergeant
{"title":"Encounters with Capitalism on R. L. Stevenson’s Early Coasts","authors":"D. Sergeant","doi":"10.3366/edinburgh/9781474435734.003.0006","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474435734.003.0006","url":null,"abstract":"This chapter pursues imaginative continuities in R. L. Stevenson’s writing of the coast across different locations, times and genres – from essays to fiction, from Scotland to California to the South Seas. In doing so it approaches the historical specificities of Stevenson’s shorelines via a back-way route, through the imaginative landscape of his prose – a route that might bring together topics more often neatly demarcated. The influence of Stevenson’s chronic ill health on his writing of the shore is considered, along with his disturbed and hostile attitude to late-Victorian capitalist modernity. The chapter touches on works including ‘On the Enjoyment of Unpleasant Places’ (1874), ‘The Old Pacific Capital’ (1880), ‘The Merry Men’ (1882), Treasure Island (1883) and The Wrecker (1892).","PeriodicalId":162264,"journal":{"name":"Coastal Cultures of the Long Nineteenth Century","volume":"97 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133534584","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Marine Bizarrerie: The Imaginative Biology of the Underwater Frontier 奇异的海洋:水下前沿的想象生物学
Coastal Cultures of the Long Nineteenth Century Pub Date : 2018-11-01 DOI: 10.3366/EDINBURGH/9781474435734.003.0010
Margaret E. Cohen
{"title":"Marine Bizarrerie: The Imaginative Biology of the Underwater Frontier","authors":"Margaret E. Cohen","doi":"10.3366/EDINBURGH/9781474435734.003.0010","DOIUrl":"https://doi.org/10.3366/EDINBURGH/9781474435734.003.0010","url":null,"abstract":"The great variety and radical metamorphoses of aquatic life forms attracted huge fascination during the nineteenth century, in part because they defied familiar paradigms of development and progress. In this chapter, Cohen explores how writers were inspired by such marine life-cycles to try out experiments in narrative prose, focusing in particular on the influence of marine variety on the depiction of psychological experience. Starting with Charles Kingsley’s Glaucus (1855), Cohen argues that Kingsley uses the life forms of the underwater kingdom to re-energise the poetic figure of metamorphosis, which, in his treatment, depends more upon natural science than myth. Cohen then shows how Kingsley translates marine metamorphosis into narrative experiment in The Water-Babies (1862), and creates an account of psychological experience that is more hallucinatory and phantasmagorical than developmental. Cohen finally suggests that marine metamorphosis has a similar impact on other authors, including Gustave Flaubert, Victor Hugo and Jules Michelet, all of whom stress the disturbing and disruptive possibilities of a psychological prose inspired by aquatic biology.","PeriodicalId":162264,"journal":{"name":"Coastal Cultures of the Long Nineteenth Century","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117143936","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tennyson’s ‘Sea Dreams’: Coastal and Fiscal Boundaries 丁尼生的“海梦”:海岸和财政边界
Coastal Cultures of the Long Nineteenth Century Pub Date : 2018-11-01 DOI: 10.3366/edinburgh/9781474435734.003.0008
R. Ebbatson
{"title":"Tennyson’s ‘Sea Dreams’: Coastal and Fiscal Boundaries","authors":"R. Ebbatson","doi":"10.3366/edinburgh/9781474435734.003.0008","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474435734.003.0008","url":null,"abstract":"Alfred Tennyson’s ‘Sea Dreams’ (1860) offers a lyrical and dramatic re-inflection of an ill-fated investment made by the poet in the early 1840s. In this chapter, Tennyson’s poem, which frames a marital colloquy about financial misdealings with a resonant evocation of coastal scenery, is contextualised by reference to the nineteenth-century literary figure of the ‘confidence man’. The sociological ‘philosophy of money’ propounded by Georg Simmel and the Benjaminian concept of ‘caesura’ inflect this reading, while attention is also paid to the poem’s evocation of place as resonating with Tennyson’s response to the local coastal features of the Isle of Wight. This neglected text, the author suggests, is marked by what Angela Leighton more generally characterises as those Tennysonian ‘drowning places, of cavern and stream, of rumours, moans and melodies’ – places which offer a potent counterpoint to the poem’s overall theme of fiscal impropriety and compassionate forgiveness.","PeriodicalId":162264,"journal":{"name":"Coastal Cultures of the Long Nineteenth Century","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128224214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Epilogue: Unravelling 后记:解体
Coastal Cultures of the Long Nineteenth Century Pub Date : 2018-11-01 DOI: 10.3366/edinburgh/9781474435734.003.0015
P. Hoare
{"title":"Epilogue: Unravelling","authors":"P. Hoare","doi":"10.3366/edinburgh/9781474435734.003.0015","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474435734.003.0015","url":null,"abstract":"As we sailed down the River Itchen towards the sea on that grey, drizzly June afternoon, unaccountably cool and wet after a prolonged episode of intense heat, we passed boats moored in midstream, patched and appropriated from their former uses to create ad hoc homes, afloat, neither part of the land nor yet of the open water. They constituted an aquatic ...","PeriodicalId":162264,"journal":{"name":"Coastal Cultures of the Long Nineteenth Century","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117036280","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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