丁尼生的“海梦”:海岸和财政边界

R. Ebbatson
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引用次数: 2

摘要

阿尔弗雷德·丁尼生(Alfred Tennyson)的《海梦》(Sea Dreams, 1860)以抒情和戏剧性的方式再现了这位诗人在19世纪40年代初进行的一笔命运多舛的投资。在这一章中,丁尼生的诗通过参考19世纪文学人物“自信的人”来语境化,这首诗以海岸风景的共鸣唤起了关于金融不当交易的婚姻对话。george Simmel提出的社会学“金钱哲学”和benjamian的“暂停”概念影响了这种阅读,同时人们也注意到这首诗对地方的唤起,因为它与丁尼生对怀特岛当地沿海特征的反应产生了共鸣。作者认为,这篇被忽视的文章的特点是Angela Leighton更普遍地描述为丁尼森“淹没的地方,洞穴和溪流,谣言,呻吟和旋律”——这些地方提供了强有力的对应物,与诗歌的整体主题财政不当和富有同情心的宽恕相对应。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tennyson’s ‘Sea Dreams’: Coastal and Fiscal Boundaries
Alfred Tennyson’s ‘Sea Dreams’ (1860) offers a lyrical and dramatic re-inflection of an ill-fated investment made by the poet in the early 1840s. In this chapter, Tennyson’s poem, which frames a marital colloquy about financial misdealings with a resonant evocation of coastal scenery, is contextualised by reference to the nineteenth-century literary figure of the ‘confidence man’. The sociological ‘philosophy of money’ propounded by Georg Simmel and the Benjaminian concept of ‘caesura’ inflect this reading, while attention is also paid to the poem’s evocation of place as resonating with Tennyson’s response to the local coastal features of the Isle of Wight. This neglected text, the author suggests, is marked by what Angela Leighton more generally characterises as those Tennysonian ‘drowning places, of cavern and stream, of rumours, moans and melodies’ – places which offer a potent counterpoint to the poem’s overall theme of fiscal impropriety and compassionate forgiveness.
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