Scientific collections of the Lviv National Music Academy named after M.V. Lysenko最新文献

{"title":"The national nature of Vitaism and Vasily Barvinsky","authors":"L. Nazar","doi":"10.33398/2310-0583.2019.45.152.170","DOIUrl":"https://doi.org/10.33398/2310-0583.2019.45.152.170","url":null,"abstract":"The article raises the problem of one of the dimensions of national modernism in the first half of the twentieth century – Vitaism, which is manifested not only in literature, but also other forms of art, in particular, music. The synthetic nature of Vitaism, the platform of which was outlined by M. Khvylovy, answered the aesthetic requests of the development of the new Ukrainian culture at that time and proved to be in agreement with many of its representatives. Acting in correspondence with the artists of the Dnieper Ukraine, professing the ideas of the uniqueness and unity of Ukrainianness, V. Barvinsky showed vivid and vibrant vitaistic tendencies in his work\u0000The nation-building idea gathers and absorbs all the life processes of the artist, revealing deep mental roots as the basis of vitaism - the heart animation of life. The fusion of ethnogenetic origin (through intense folklorizm) with a historical tradition (broad national and European temporal perspective) occurs at the composer under the denominator of cordocentric lyrical, however, active romanticism. Numerous vectors of neo- (baroque, classicism, romanticism) as one of the centrifugal axes of V. Barvinsky's style, opens a new round of vision and renewal of tradition. Along with the bright, solid pages of the composer's music, there is also a tangible tragedy. Responsible \"heart-universe\" does not avoid darkness, because light and darkness are in the only indivisible heart of a person, who is responsible for the dark first, too, grasping the antithetical and contradictory life.\u0000The main method of the artist is the desire for synaesthetic fusion in the sound matter of play, plasticity, color, symbol and movement (light rhythm). Conceptual modeling based on such a synthesis gives unique Ukrainian pictures of our own poetic image of the world. The rationalism of Vitaism was manifested in the high education and professionalism of the artist, who called for responsibility for the need to build a serious national cultural school, which served as a voluminous critical journalistic and scientific-pedagogical activity.\u0000Barvinsky, as one of the central figures of Galician musical culture of the first half of the twentieth century, reveals an original and unique synthesis of the tendencies of numerous artistic and aesthetic directions of the day. However, the optic ideological axis and active romanticism that shape the composer's stylistic dominance, vital conceptualism in the artistic modeling of the artist's world, make V. Barvinsky one of the brightest representatives of Vitaism.","PeriodicalId":161017,"journal":{"name":"Scientific collections of the Lviv National Music Academy named after M.V. Lysenko","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116997416","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE PERSONALIZATION OF RUSSIAN AGGRESSION IN O. BILASH’S MONO-OPERA “BALLAD OF WAR” IN THE CONTEXT OF THE RECOVERY OF THE UKRAINIAN STATE","authors":"Natalia Toloshnyak, Liudmila Rudenko","doi":"10.32782/2310-0583-2023-49-10","DOIUrl":"https://doi.org/10.32782/2310-0583-2023-49-10","url":null,"abstract":"","PeriodicalId":161017,"journal":{"name":"Scientific collections of the Lviv National Music Academy named after M.V. Lysenko","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134434466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ANTONOVYCH’S BYZANTINE CHOIR IN UKRAINIAN POLITICAL ACTIONS: IMPORTANCE AND RISKS","authors":"Uliana Hrab","doi":"10.32782/2310-0583-2022-48.03","DOIUrl":"https://doi.org/10.32782/2310-0583-2022-48.03","url":null,"abstract":"","PeriodicalId":161017,"journal":{"name":"Scientific collections of the Lviv National Music Academy named after M.V. Lysenko","volume":"82 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133784799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Associative thinking as a leading method for determining intervals by ear","authors":"Anna Utina","doi":"10.33398/2310-0583.2019.45.28.44","DOIUrl":"https://doi.org/10.33398/2310-0583.2019.45.28.44","url":null,"abstract":"The methodology of interval hearing development, proposed by the teacher of The Konstantinovka School of Arts V. M. Sytnikova, and ways of its modern improvement is considered in the article. The methodology is based on the principles of associative thinking, which is based on the ability to find similar elements in different objects and to build relationships between them. It activates the creative abilities of children, stimulates their imagination and acts as a generator of creative activity. A talented musician, choral conductor and solfeggio teacher, V. M. Sytnikova began her research in 1993 with an experiment whereby students at the age of 5-6 who had different musical abilities were recruited to the preparatory group without prior selection. Since children cannot yet operate with abstract concepts at that age, V. M. Sytnikova encouraged them to create musical images and worked on their further fixation in memory. Thus, an associative interval table that summarized students' feelings and images emerged. Being one of the first to study this method, the author of the article, is convinced of its effectiveness. She has continued developing her teacher’s ideas.\u0000Objectives – to characterize the method of development of interval hearing based on associative thinking, proposed by V. M. Sytnikova, and to demonstrate ways of its improvement, found by the author of this article in the process of her own pedagogical activity.\u0000Methods. The methodology of the study is based on theoretical developments and practical work of domestic solfegists, aimed at the development of interval hearing. The most important component is the method of auditory determination of intervals based on associative thinking, developed by V. M. Sytnikova.\u0000Results. The expediency of using halftone as a building cell of intervals is substantiated: firstly, because of the students' better perception of the uniformity of measure units, and secondly, because halftone is the main component of many sound structures in the music of the twentieth century, in particular, symmetrical modes.\u0000The associative table of intervals formed during the pedagogical activity of V. M. Sytnikova is considered, the use of the initial intonations of known songs is noted. The necessity of reorientation in the formation of the \"interval is the initial intonation of the song\" association from Russian songs and Soviet cartoons to Ukrainian songs and methods of sound inheritance are pointed out. The ways of gradual departure from the \"stencils\" in the process of further work on the auditory determination of intervals are described – through listening and analysis of numerous samples of music, comparison of different intonational \"versions\" of intervals, selection of short intonations to each of them.\u0000It is emphasized that reliance on associative thinking, in addition to the practical purpose of determining hearing intervals, should promote the perception of music in unity with other arts. Synthetic communicati","PeriodicalId":161017,"journal":{"name":"Scientific collections of the Lviv National Music Academy named after M.V. Lysenko","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121033379","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"SYMBOLS OF NATURE IN THE EMBODIMENT OF PATRIOTIC FEELINGS (ON THE EXAMPLE OF CHINESE CHAMBER AND VOCAL MUSIC OF THE 20TH – 21ST CENTURIES)","authors":"Song Hang","doi":"10.32782/2310-0583-2023-49-09","DOIUrl":"https://doi.org/10.32782/2310-0583-2023-49-09","url":null,"abstract":"","PeriodicalId":161017,"journal":{"name":"Scientific collections of the Lviv National Music Academy named after M.V. Lysenko","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125107581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Choral with Variations by Vincent Dandy - The Problem of Building a ХХ Century Viola`s Repertoire","authors":"Yaryna Horbachevska","doi":"10.33398/2310-0583.2019.45.211.223","DOIUrl":"https://doi.org/10.33398/2310-0583.2019.45.211.223","url":null,"abstract":"The article explores the Choral with Variations by Vincent d`Endy, a little-known work for the viola by the founder of the French School of Ancient Music neoclassical tendencies, that consisted in a revival and adaptation of wide palette of old polyphony genres that brightly showed up in work of this composer, the viola \"Choral with Variations\" op. 55. On verge of ХІХ-ХХ a century is observed the personal interest of composers by the genres of chaconne, passacalia, choral,by the baroque types of variations of soprano and basso - ostinato, fugues and others like that. As a follower of Cesar Frank and the founder of Schola Cantorum, Vincent d'Endy actively revives ancient genres, especially in instrumental music, completing his viola repertoire.\u0000Summarizing the observations regarding the form, the intonation-semantic content of the music, the timbre properties of the viola, aimed to embodiment of the tragical idea of this work, it should be noted that the composer builds a synthetic dramaturgical-compositional model that detects an alloy of different sources. With the prevalence of the choir basis (choir semantics appeals to choral singing in the spirit of majestic psalms, glorious hymns) there are signs of minor lullabies, monologues, elegies, nocturnes, etc., united under the denominator of baroque-type variations of passacalia. The individualized form of the work combines within the framework of a detailed one-piece composition the principles of strict and free variation, the sign of double variations, solved by late-romantic \"characteristic\" signs, and even the sonata structure with delineated zones exposition, development, and recapitulation.\u0000Difficult, semantically saturated canvas gravitates to the choral organ's timbral of C. Frank and the ancient masters; the psychologically-strained Tristan beginning, incarnate facilities of difficult harmonic vertical line finds out influence R. Wagner, symbolic-landscape soundtracks bring V.d`Endy closer to K. Debussy, which not sounds eclectic . The integrity and dramatic perfection of the composition, the depth of philosophical ideas embodied through the prism of the Chorale genre with variations, make it possible to define this work as one of the vivid examples of alt's polyphonic repertoire.","PeriodicalId":161017,"journal":{"name":"Scientific collections of the Lviv National Music Academy named after M.V. Lysenko","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127516983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE INFRASTRUCTURE OF MODERN MUSICAL LIFE IN THE REGIONAL DIMENSION","authors":"Zoryana Lastovetska-Solanska","doi":"10.32782/2310-0583-2022-48.07","DOIUrl":"https://doi.org/10.32782/2310-0583-2022-48.07","url":null,"abstract":"","PeriodicalId":161017,"journal":{"name":"Scientific collections of the Lviv National Music Academy named after M.V. Lysenko","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125351644","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE VERSATILITY OF HER TALENT (CREATIVE PORTRAIT OF ANNA STANKO)","authors":"Oksana Bassa","doi":"10.32782/2310-0583-2022-48.01","DOIUrl":"https://doi.org/10.32782/2310-0583-2022-48.01","url":null,"abstract":"","PeriodicalId":161017,"journal":{"name":"Scientific collections of the Lviv National Music Academy named after M.V. Lysenko","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125855177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"INTERPRETATION OF SPIRITUAL SYMBOLS IN CANTATAS OF MODERN UKRAINIAN COMPOSERS (AS EXEMPLIFIED BY VICTOR KAMINSKY’S SYMPHONY-CANTATA ‘UKRAINE. THE CRUSADE’)","authors":"V. Koval","doi":"10.32782/2310-0583-2022-48.06","DOIUrl":"https://doi.org/10.32782/2310-0583-2022-48.06","url":null,"abstract":"","PeriodicalId":161017,"journal":{"name":"Scientific collections of the Lviv National Music Academy named after M.V. Lysenko","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126728754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Tan Dung «organic music» concept for the example of fortepian suite «Memories about eight watercolor paintings»","authors":"Cao Shiu","doi":"10.33398/2310-0583.2019.44.166.179","DOIUrl":"https://doi.org/10.33398/2310-0583.2019.44.166.179","url":null,"abstract":"To study the concept of «organic music» Tan Dung, the following tasks\u0000were solved: the factors influencing the formation of his work; A general\u0000analysis of creativity and a suite «Memories of eight watercolor paintings»\u0000was performed; defined styles of creativity; the essence of organic music is\u0000explained and the origin of sources of non-typical sounds for musical art is\u0000systematized; The experimental and innovative approaches of composer in\u0000work on musical works are summed up. A set of methods has been used to\u0000achieve the goal and to solve the set tasks: analytical - in the study of\u0000scientific literature; axiological - that allows to reveal value orientations for\u0000the development of own stylistics; systematization - for determining the\u0000techniques of avant-garde music; musicology - for the analysis of the\u0000composer's suite in the aspect of the essence of «organic music». The example\u0000of the piano suite «Memories of the eight watercolor paintings» identified the\u0000style features of Tan Dung's creativity, the most typical of which is the mixing\u0000of musical traditions of the editors, multimedia and theatrical-ritual imagery.\u0000The essence of organic music and the origin of non-typical sources of sound,\u0000which appeared in the use of natural materials, was clarified. The desire for\u0000experimentation and innovation was manifested in the subtle feeling and\u0000imitation of the sounds of nature («music of water», «paper music», «music stones»); in combination of theatrical imagery and timbre of orchestral\u0000(national and European) musical instruments; in capturing the color of sound\u0000effects; in a combination of traditional national and western avant-garde; in\u0000the individuality of the approach to the use of pointillism. The practical value\u0000of the study is the possibility of using its materials in further research on the\u0000problem of «organic music». Originality - in the lead in the study of this\u0000specific phenomenon.","PeriodicalId":161017,"journal":{"name":"Scientific collections of the Lviv National Music Academy named after M.V. Lysenko","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129040073","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}