Plotting the News in the Victorian Novel最新文献

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Arrested Development: Characterisation, the Newspaper and Anthony Trollope 发展受阻:人物塑造,报纸和安东尼·特罗洛普
Plotting the News in the Victorian Novel Pub Date : 2020-07-01 DOI: 10.3366/edinburgh/9781474474344.003.0003
Jessica R. Valdez
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引用次数: 0
‘These Acres of Print’: Charles Dickens, the News and the Novel as Pattern “印刷的土地”:查尔斯·狄更斯,新闻和小说的模式
Plotting the News in the Victorian Novel Pub Date : 2020-07-01 DOI: 10.3366/edinburgh/9781474474344.003.0002
Jessica R. Valdez
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引用次数: 0
‘The End is No Longer Hidden’: News, Fate and the Sensation Novel 《结局不再隐藏》:新闻、命运与轰动小说
Plotting the News in the Victorian Novel Pub Date : 2020-07-01 DOI: 10.3366/edinburgh/9781474474344.003.0004
Jessica R. Valdez
{"title":"‘The End is No Longer Hidden’: News, Fate and the Sensation Novel","authors":"Jessica R. Valdez","doi":"10.3366/edinburgh/9781474474344.003.0004","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474474344.003.0004","url":null,"abstract":"Victorian commentators saw the sensation novel--a sub-genre known for fast-paced plots drawn from real life--as symptomatic of the newspaper’s growing influence on the reading public. In a famous 1860 review, H. L. Mansel conflated this new novelistic form—which he called ‘The Newspaper Novel’--with crime news. This chapter argues, however, that the sensation novel makes the newspaper into a source of superstition and exclusion, one that problematises similar exclusions practiced by Dickens and Trollope. By experimenting with newspaper time and form, as well as the temporal structure of narrative, these sensation novels highlight characters whose experience of time and community is not presentist, as Anderson suggests, but rather more akin to dynastic time and a sense of history beyond the nation. Throughout Wilkie Collins’s and Mary Elizabeth Braddon’s sensation novels, the newspaper becomes a part of the mysterious, the uncanny, and ‘atmospheric menace’ for which the sensation novel is so famous. Rather than drawing upon newspapers for a sense of realism, as critics have argued, these novels make their newspapers integral to their providential plots.","PeriodicalId":158642,"journal":{"name":"Plotting the News in the Victorian Novel","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130861430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Israel Zangwill, or ‘The Jewish Dickens’: Representing Minority Communities in Novel and Newspaper Israel Zangwill,或“犹太狄更斯”:在小说和报纸中代表少数民族社区
Plotting the News in the Victorian Novel Pub Date : 2020-07-01 DOI: 10.3366/edinburgh/9781474474344.003.0005
Jessica R. Valdez
{"title":"Israel Zangwill, or ‘The Jewish Dickens’: Representing Minority Communities in Novel and Newspaper","authors":"Jessica R. Valdez","doi":"10.3366/edinburgh/9781474474344.003.0005","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474474344.003.0005","url":null,"abstract":"This chapter examines how the newspaper participates in novelistic depictions of late nineteenth-century Anglo-Jewishness, with a focus on Israel Zangwill’s 1892 novel, Children of the Ghetto: A Study of a Peculiar People (1892) and George Eliot’s Daniel Deronda (1876). The dominant nineteenth-century Jewish newspaper, The Jewish Chronicle, sought to accommodate its readers and to represent a unified Jewish community to the larger national public; however, Jewish print culture more broadly was politically, culturally, and linguistically diverse. Acknowledging the centrality of newspapers to the Jewish community Zangwill dramatises the limitations of newspaper form and function to the cultivation of a broader affective attachment. In Children of the Ghetto, Zangwill contrasts the representative potential of novelistic realism with the English-language Orthodox newspaper, The Flag of Judah, which only imperfectly fosters an Anglo-Jewish community. The newspaper’s regularity and routinised labor dull its editor’s sense of time and weakens his affective attachment to other members of his community. In contrast, novelistic realism enables Zangwill to convey the complex feelings that the Jewish ghetto elicits in the protagonist and novelist Esther Ansell. The newspaper looks like a form conducive to affective connections only when it is repurposed by readers and made to work more like a novel.\u0000This chapter also argues that Israel Zangwill reworks Eliot’s novelistic approaches to community in Children of the Ghetto. Whereas Daniel Deronda concludes with Deronda’s yearning towards Palestine and a nation for his people, Children of the Ghetto valorises the idea of the Jewish ghetto as a place of nostalgia, a setting that fosters affective attachment based not in anonymous communal imaginings but in lived and material proximity. Zangwill’s novel dramatises the difficulties in creating a minor community within a larger national community, and the extent to which form matters in how that community is envisioned.","PeriodicalId":158642,"journal":{"name":"Plotting the News in the Victorian Novel","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114147100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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