“印刷的土地”:查尔斯·狄更斯,新闻和小说的模式

Jessica R. Valdez
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引用次数: 0

摘要

本尼迪克特·安德森认为报纸使读者能够想象国家共同体,而查尔斯·狄更斯的作品则关注报纸通过不受控制地生产各种各样的内容和事项来塑造、抑制或分裂共同体的各种方式。这第一章展示了狄更斯在他对连载出版的共同愿景中,对小说和非小说、小说和报纸越来越明显的区分。早期的狄更斯把报纸描绘成一种破坏性的气象力量,一场雷雨威胁着要吞没伦敦城,但却不断地生产以满足公众对更多新闻的无尽需求。在他的职业生涯中,狄更斯尝试了其他隐喻来描述连环叙事及其对读者的影响。从一个讲故事的无形生物到织布机上的织布工,狄更斯鼓励读者看到一个特定的连续输出的实例,随着时间的推移,它与更大的结构联系在一起。在这样做的过程中,他赋予了系列小说培养想象社区的新方式的特权。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘These Acres of Print’: Charles Dickens, the News and the Novel as Pattern
While Benedict Anderson has argued that newspapers enable readers to imagine national community, Charles Dickens’s writings are attentive to the varying ways that the newspaper press might shape, inhibit, or fragment community through its uncontrolled production of miscellaneous content and matter. This first chapter shows the growing distinction that Dickens drew between fiction and nonfiction, novel and newspaper, in his communal visions for serial publication. Early Dickens characterised the newspaper press as a meteorological force of destruction, a thunderstorm threatening to engulf the city of London, yet continually produced to meet the endless public appetite for more news. Over the course of his career, Dickens experimented with other metaphors for the working of serial narrative and its influence on a reading public. From an intangible creature telling stories to a weaver at his loom, Dickens encourages readers to see the instance of a particular serial output linked to its larger structure over time. In doing so, he privileges the power of serial fiction to cultivate new ways of envisioning community.
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