Revista Eviterna最新文献

{"title":"Más allá de Europa: el expresionismo en la obra de Oswaldo Guayasamín, un análisis comparativo","authors":"C. Campos","doi":"10.24310/eviternare.v0i4.8184","DOIUrl":"https://doi.org/10.24310/eviternare.v0i4.8184","url":null,"abstract":"Expressionism is a universal movement that can be placed in different contexts throughout art history, but it can’t be merely reduced to an Avant-garde movement. This paper seeks to show how this reality can flourish in any age and in any place, in which can be found similar features. To achieve this goal, I will perform a comparative analysis of the German Expressionism and the Latin American Modern Art: similarities between them, the aesthetics and the purpose of art itself. The main focuses of this work are Kathe Kollwitz, George Grosz and Otto Dix, German artists, and, as the paradigm of this movement in the Latin American ambit, the Ecuadorian artist Oswaldo Guayasamin.","PeriodicalId":155872,"journal":{"name":"Revista Eviterna","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121861075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Ser Decadente","authors":"","doi":"10.24310/eviternare.v0i4.8187","DOIUrl":"https://doi.org/10.24310/eviternare.v0i4.8187","url":null,"abstract":"","PeriodicalId":155872,"journal":{"name":"Revista Eviterna","volume":"119 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123389970","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El Boticario del siglo XVIII ante la Inquisición","authors":"Marisa Mundina","doi":"10.24310/eviternare.v0i4.8186","DOIUrl":"https://doi.org/10.24310/eviternare.v0i4.8186","url":null,"abstract":"espanolLas fuerzas vivas, segun Leibnitz (s. XVII), son aquellas fuerzas que producen movimiento y cambio frente a las fuerzas muertas, que no lo producen. Posteriormente, esta misma expresion se aplico a las personas influyentes de un lugar que actuan en beneficio del mismo: el alcalde, el maestro, el cura y el boticario eran las fuerzas vivas en los pueblos y barrios de ciudades del siglo XVIII. Sus opiniones eran consideradas y muchas veces aceptadas ciegamente por la colectividad. En este trabajo se pretende ver cual era la posicion del boticario del XVIII ante la Inquisicion y la fe catolica y la influencia de la Ilustracion en esta postura. EnglishThe living forces, according to Leibnitz (17th century), are those forces that produce movement and change in the face of dead forces, which do not produce it. Subsequently, this same expression was applied to the influential people of a place that act for the benefit of the same: the mayor, the teacher, the priest and the apothecary were the living forces in the towns and neighborhoods of eighteenth-century cities. Their opinions were considered and often blindly accepted by the community. In this work we try to see what was the position of the apothecary of the XVIII before the Inquisition and the Catholic faith and the influence of the Enlightenment in this position.","PeriodicalId":155872,"journal":{"name":"Revista Eviterna","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131209599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La libertad sacrificada. La pintura de los Ambulantes en la Rusia prerrevolucionaria","authors":"Rosa Gutiérrez García","doi":"10.24310/eviternare.v0i4.8185","DOIUrl":"https://doi.org/10.24310/eviternare.v0i4.8185","url":null,"abstract":"The Exhibition Society of Traveling Art, also called \"The Travelers\" or \"The Wanderers\" was formed in Moscow in 1870 as a group of artists seeking to deny the academic standards of the School of Fine Arts of St. Petersburg, claiming social freedom to the detriment of artistic freedom. The present study analyzes the artistic transgression exercised by different painters in the social context of prerevolutionary Russia and what was its repercussion on the aesthetic theory of the moment.","PeriodicalId":155872,"journal":{"name":"Revista Eviterna","volume":"100 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124965448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Rediseño del Mercado de Salamanca: una pieza emblemática del estilo Neomudéjar","authors":"Miriam Martínez Mármol","doi":"10.24310/eviternare.v0i0.8224","DOIUrl":"https://doi.org/10.24310/eviternare.v0i0.8224","url":null,"abstract":"In the city of Malaga there are several emblematic buildings, in which it can be observed many different architectural styles.This is caused by the crossin of cultures that have been happening over the centuries. Among them, is the Mercado de Salamanca, located in the neighborhood of Molinillo, built at the beginning of the 20th century in Neomudejar style. In addition to its historical and social value, it has a great artistic value, although nowadays it can be seen a great deterioration caused by the passage of time. For this reason, a total remodeling is necessary to provide a new added value, combining the historic part of the building with the needs of the new times. Reinforcing simultaneously its civil functionality and tourist attraction.","PeriodicalId":155872,"journal":{"name":"Revista Eviterna","volume":"73 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130911577","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Cartografía del paisaje audiovisual a comienzos del siglo XXI. Disney, un imperio mediático global","authors":"","doi":"10.24310/eviternare.v0i0.8225","DOIUrl":"https://doi.org/10.24310/eviternare.v0i0.8225","url":null,"abstract":"","PeriodicalId":155872,"journal":{"name":"Revista Eviterna","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122380021","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Mudanzas boleras, la escuela bolera en el arte del siglo XIX","authors":"Carmen Manuela Rocamora Jiménez","doi":"10.24310/eviternare.v0i0.8229","DOIUrl":"https://doi.org/10.24310/eviternare.v0i0.8229","url":null,"abstract":"espanolLa escuela bolera actualmente es un estilo englobado dentro de la danza espanola que surgio en el siglo XVIII cuando los bailes populares espanoles comenzaron a profesionalizarse debido en parte a la influencia del ballet clasico que habia llegado a nuestro pais procedente de Italia en ese mismo siglo. Este estilo dancistico propiamente espanol tuvo su auge en el siglo XIX, momento en el que fueron muchos los artistas plasticos que dejaron testimonio de ello en grabados y pinturas, ya fueran retratos de los interpretes mas destacados o escenas de costumbres. Este trabajo tiene como finalidad recoger una serie de pinturas, grabados y esculturas del siglo XIX que reflejan la escuela bolera, la cual ha pasado siempre desapercibida a la sombra del flamenco, o incluso ha sido confundida con este estilo, muy en boga en los ultimos tiempos. EnglishThe escuela bolera is currently a style encompassed within the Spanish dance that emerged in the eighteenth century when Spanish popular dances began to professionalize due in part to the influence of classical ballet that had come to our country from Italy in that same century. This Spanish dance style had its culmination in the 19th century, when many plastic artists left their testimony in engravings and paintings, whether they were protraits of the most outstanding interpreters or scenes of customs. This work aims to collect a series of 19th century paintings, engravings and sculptures that reflect the escuela bolera, which has always gone unnoticed in the shadow of flamenco, ore ven has been confused with this style, much in vogue in the last time.","PeriodicalId":155872,"journal":{"name":"Revista Eviterna","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128238796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La presencia del coche francés en colecciones museísticas españolas. Un caso concreto: el Museo del Automóvil de Málaga","authors":"","doi":"10.24310/eviternare.v0i0.8222","DOIUrl":"https://doi.org/10.24310/eviternare.v0i0.8222","url":null,"abstract":"","PeriodicalId":155872,"journal":{"name":"Revista Eviterna","volume":"149 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122555396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El dibujo proyectual y publicista. La joyería femenina europea y su proceso creativo durante el siglo XVIII","authors":"J. Vaquero","doi":"10.24310/eviternare.v0i0.8231","DOIUrl":"https://doi.org/10.24310/eviternare.v0i0.8231","url":null,"abstract":"espanolA comienzos del siglo XVIII puede observarse en las principales capitales europeas un proceso de modernizacion caracterizado por el continuo refinamiento de las formas y las costumbres vernaculas en cuestiones de apariencia; entiendanse estas como el aparato vestimentario, mobiliario y las diferentes pautas de conducta. Paris, reconocido referente de buen gusto entre las cortes europeas, exporta desde finales del siglo XVII sus modelos. Sin embargo, es a partir de 1750 cuando se percibe una destacada aceleracion del proceso de difusion de la moda francesa mediante estampas, dibujos, tratados y a las ya por entonces populares poupe de mode 1 [1] [2]. Observamos, por lo tanto, a partir de la segunda mitad de la centuria, una destacada tendencia hacia la homogenizacion de la moda europea. En este sentido, analizar el traje y la joyeria del XVIII significa “asistir al proceso de aculturacion de unos colectivos cuya conducta marcara la pauta para el resto de la poblacion” (Molina y Vega, 2004, p. 10). El objetivo del presente estudio es la presentacion de los diferentes vehiculos conductores de las tendencias vigentes en materia de joyeria femenina, asi como el analisis de los diferentes factores, sociales y tecnicos, que intervienen en la produccion creativa de los mismos. EnglishAt the beginning of the 18th century, a modernization process characterized by the continuous refinement of vernacular forms and customs in matters of appearance can be observed in the main European capitals; understand these as the clothing apparatus, furniture and the different patterns of behavior. Paris, recognized as a reference point for good taste among European courts, exports its models since the end of the 17th century. However, it is from 1750 when a remarkable acceleration of the process of diffusion of French fashion is perceived through prints, drawings, treaties and the already popular poupe de mode1 [1] [2]. We observe, therefore, from the second half of the century, an outstanding tendency towards the homogenization of European fashion. In this sense, analyzing the costume and jewelry of the eighteenth century means assisting the process of acculturation of some groups whose behavior will set the tone for the rest of the population (Molina and Vega, 2004, p.10). The objective of this study is the presentation of the different sistems of current trends in women's jewelery, as well as the analysis of the different social and technical factors that intervene in their creative production.","PeriodicalId":155872,"journal":{"name":"Revista Eviterna","volume":"128 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129378403","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"(Re)visitando la Florencia del Renacimiento","authors":"","doi":"10.24310/eviternare.v0i0.8223","DOIUrl":"https://doi.org/10.24310/eviternare.v0i0.8223","url":null,"abstract":"","PeriodicalId":155872,"journal":{"name":"Revista Eviterna","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126079877","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}