{"title":"牺牲的自由。革命前俄国的街头绘画","authors":"Rosa Gutiérrez García","doi":"10.24310/eviternare.v0i4.8185","DOIUrl":null,"url":null,"abstract":"The Exhibition Society of Traveling Art, also called \"The Travelers\" or \"The Wanderers\" was formed in Moscow in 1870 as a group of artists seeking to deny the academic standards of the School of Fine Arts of St. Petersburg, claiming social freedom to the detriment of artistic freedom. The present study analyzes the artistic transgression exercised by different painters in the social context of prerevolutionary Russia and what was its repercussion on the aesthetic theory of the moment.","PeriodicalId":155872,"journal":{"name":"Revista Eviterna","volume":"100 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"La libertad sacrificada. La pintura de los Ambulantes en la Rusia prerrevolucionaria\",\"authors\":\"Rosa Gutiérrez García\",\"doi\":\"10.24310/eviternare.v0i4.8185\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Exhibition Society of Traveling Art, also called \\\"The Travelers\\\" or \\\"The Wanderers\\\" was formed in Moscow in 1870 as a group of artists seeking to deny the academic standards of the School of Fine Arts of St. Petersburg, claiming social freedom to the detriment of artistic freedom. The present study analyzes the artistic transgression exercised by different painters in the social context of prerevolutionary Russia and what was its repercussion on the aesthetic theory of the moment.\",\"PeriodicalId\":155872,\"journal\":{\"name\":\"Revista Eviterna\",\"volume\":\"100 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista Eviterna\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24310/eviternare.v0i4.8185\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista Eviterna","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24310/eviternare.v0i4.8185","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
La libertad sacrificada. La pintura de los Ambulantes en la Rusia prerrevolucionaria
The Exhibition Society of Traveling Art, also called "The Travelers" or "The Wanderers" was formed in Moscow in 1870 as a group of artists seeking to deny the academic standards of the School of Fine Arts of St. Petersburg, claiming social freedom to the detriment of artistic freedom. The present study analyzes the artistic transgression exercised by different painters in the social context of prerevolutionary Russia and what was its repercussion on the aesthetic theory of the moment.