{"title":"Observe a strange event: Timon of Athens, Seattle","authors":"Seán Henry","doi":"10.18357/sremd01201819216","DOIUrl":"https://doi.org/10.18357/sremd01201819216","url":null,"abstract":"A review of Seattle Shakespeare Company's 2018 all-female production of Timon of Athens.","PeriodicalId":153386,"journal":{"name":"Scene: Reviews of Early Modern Drama","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121339326","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Theatre of Blood: The RSC Duchess of Malfi","authors":"E. Kelly, Janelle Jenstad","doi":"10.18357/SREMD01201819086","DOIUrl":"https://doi.org/10.18357/SREMD01201819086","url":null,"abstract":"A review of the Royal Shakespeare Company 2018 production of The Duchess of Malfi.","PeriodicalId":153386,"journal":{"name":"Scene: Reviews of Early Modern Drama","volume":"121 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125279369","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“It’s My Role and I’ll Cry if I Want To”: An All-Female Hamlet Claims Non-Gender Production Space","authors":"Brooke Johnson","doi":"10.18357/SREMD01201819052","DOIUrl":"https://doi.org/10.18357/SREMD01201819052","url":null,"abstract":"A review of the East Tennessee State University Department of Theatre & Dance production of Hamlet.","PeriodicalId":153386,"journal":{"name":"Scene: Reviews of Early Modern Drama","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124272268","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Intimate Without Intimacy: A Dramatic Reading of Galatea at the BMO Theatre Centre","authors":"J. Paris","doi":"10.18357/SREMD01201818877","DOIUrl":"https://doi.org/10.18357/SREMD01201818877","url":null,"abstract":"Jamie Paris reviews the November 10, 2018 semi-staged reading of John Lyly's Galatea on the Goldcorp Stage at the new BMO Theatre Centre in Vancouver, BC. The venture was a collaboration between the University of British Columbia, Bard on the Beach, and the Oecologies project. Paris describes the production, locates Lyly's politics, and reflects on the production's lessons about potential early stagings. Paris concludes with questions about the production's sexual politics and its potential engagement with environmental issues.","PeriodicalId":153386,"journal":{"name":"Scene: Reviews of Early Modern Drama","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130588074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Politics and People at the Bridge Theatre's Julius Caesar","authors":"E. Kelly","doi":"10.18357/SREMD01201818795","DOIUrl":"https://doi.org/10.18357/SREMD01201818795","url":null,"abstract":"Review of Julius Caesar (2018, Bridge Theatre, London, UK).","PeriodicalId":153386,"journal":{"name":"Scene: Reviews of Early Modern Drama","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115927354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Merchant of Venice at the Utah Shakespeare Festival","authors":"Jim Volz","doi":"10.18357/SREMD01201818731","DOIUrl":"https://doi.org/10.18357/SREMD01201818731","url":null,"abstract":"","PeriodicalId":153386,"journal":{"name":"Scene: Reviews of Early Modern Drama","volume":"118 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116362596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Henry V at the Oregon Shakespeare Festival","authors":"Gretchen E. Minton","doi":"10.18357/SCENE012018MINTONH5","DOIUrl":"https://doi.org/10.18357/SCENE012018MINTONH5","url":null,"abstract":"A review of the 2018 Oregon Shakespeare Festival production of Henry V.","PeriodicalId":153386,"journal":{"name":"Scene: Reviews of Early Modern Drama","volume":"257 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123290546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Editorial: Is there a (North-)West Coast Shakespeare?","authors":"Kevin A. Quarmby, M. Walter","doi":"10.18357/scene02201718376","DOIUrl":"https://doi.org/10.18357/scene02201718376","url":null,"abstract":"Editorial: Is there a (North-)West Coast Shakespeare?","PeriodicalId":153386,"journal":{"name":"Scene: Reviews of Early Modern Drama","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125027752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"Like an old tale still\": The Winter’s Tale and Bard on the Beach","authors":"Paul Budra","doi":"10.18357/SCENE02201718360","DOIUrl":"https://doi.org/10.18357/SCENE02201718360","url":null,"abstract":"For the production: The Winter's Tale (2017, Bard on the Beach, Canada).","PeriodicalId":153386,"journal":{"name":"Scene: Reviews of Early Modern Drama","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129337995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"An Intersectional Feminist Two Gentlemen of Verona: The Women Choose the Forest","authors":"J. Paris","doi":"10.18357/scene02201718368","DOIUrl":"https://doi.org/10.18357/scene02201718368","url":null,"abstract":"For the production: Two Gentlemen of Verona (2017, Bard on the Beach, Canada).","PeriodicalId":153386,"journal":{"name":"Scene: Reviews of Early Modern Drama","volume":"85 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124683488","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}