{"title":"“这是我的角色，我想哭就哭”:一个全女性的哈姆雷特要求无性别的制作空间","authors":"Brooke Johnson","doi":"10.18357/SREMD01201819052","DOIUrl":null,"url":null,"abstract":"A review of the East Tennessee State University Department of Theatre & Dance production of Hamlet.","PeriodicalId":153386,"journal":{"name":"Scene: Reviews of Early Modern Drama","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“It’s My Role and I’ll Cry if I Want To”: An All-Female Hamlet Claims Non-Gender Production Space\",\"authors\":\"Brooke Johnson\",\"doi\":\"10.18357/SREMD01201819052\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"A review of the East Tennessee State University Department of Theatre & Dance production of Hamlet.\",\"PeriodicalId\":153386,\"journal\":{\"name\":\"Scene: Reviews of Early Modern Drama\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-07-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Scene: Reviews of Early Modern Drama\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18357/SREMD01201819052\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Scene: Reviews of Early Modern Drama","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18357/SREMD01201819052","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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