{"title":"Til Debt Do Us Part: Reality TV and the Financial Literacy Regulatory Project","authors":"Freya Kodar","doi":"10.5040/9781509955718.ch-010","DOIUrl":"https://doi.org/10.5040/9781509955718.ch-010","url":null,"abstract":"This chapter critically assesses the Canadian reality television show Til Debt Do Us Part. The programme follows couples and families as they receive financial “makeovers” and learn to manage their finances “responsibly.\" The chapter begins with an overview of the series and provides an overview of the series, describes the format of a typical episode, and discusses the mechanisms it uses to encourage audience participation and investment in the programme. The second section situates the television series within the reality TV genre, and looks specifically at the ways in which it fits within the reality TV subgenres of game shows and lifestyle programming, particularly shows that focus on self-improvement and transformation through consumerism and consumption. The third part of the chapter analyses Til Debt Do Us Part both empirically and textually. It looks first at the socio-economic location of participants, who it turns out generally have the means to become debt-free in a relatively short period of time provided they make ‘appropriate’ choices. Second, it looks at the messages about spending, savings, debt and responsibility that thread through the episodes, and reflects on the kinds of expectations and beliefs about financial management and responsibility that are constituted in the programme’s audience. I draw on the literature analysing financial literacy programmes as ‘regulatory projects’, and ask whether the financial literacy education in Til Debt Do Us Part can be understood as empowering — providing participants and viewers with tools to assist them as they participate in the market. Or alternatively, whether it is better understood as (1) reinforcing and normalising individual responsibility for managing risk and financial security; and (2) providing cultural support for the regulatory shift under neoliberalism that has been characterised by, among other things, a focus on decentralised governance, limited regulation of the market, and responsibilisation. I conclude that despite some of the empowering financial literacy features of Til Debt Do Us Part, the programme is best understood as cultural support for the responsibilisation that underpins the neoliberal regulatory project.","PeriodicalId":152813,"journal":{"name":"Law and Justice on the Small Screen","volume":"83 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2012-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130899380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Prosecutors and Psychics on the Air: Does a ‘Psychic Detective Effect’ Exist?","authors":"C. Corcos","doi":"10.5040/9781509955718.ch-008","DOIUrl":"https://doi.org/10.5040/9781509955718.ch-008","url":null,"abstract":"With this essay I begin an examination of the effect and influence of psychics and psychic detectives on the legal system and popular culture. Scripted shows such as the popular Medium and the recently cancelled Ghost Whisperer enhance the personal accounts of the psychic detectives on whom they are based, adapting interesting characteristics and stories, and creating entertainment for viewers. Psychic detective shows such as the reality shows Psychic Detectives, Psychic Witness, and the new series Paranormal Cops provide an alternative to the popular crime scene investigation (CSI) shows as a way to provide a window into the legal system for America’s TV audience. The CSI shows rely on experts and an exciting array of scientific tools, suggesting that scientific evidence often can be so conclusive that the prosecutor in criminal cases can satisfy the “reasonable doubt” standard with no problem. Psychic detective shows seem to present investigative television that appeals to those interested in the spiritual and the unknown and offer a contrast to the certain outcomes of CSI shows by posing questions that seem closer to the realities with which many viewers are more likely to be familiar through their newspaper and tv experiences. Sometimes juries or judges acquit defendants even though they seem to be guilty or convict them though they seem innocent. Some members of the public think they have paranormal experiences and regularly go to psychics. Many people read newspaper horoscopes, even if only for entertainment, and love the inserts in their Chinese fortune cookies. Further, such shows emphasize what many viewers may consider to be the fallible side of the legal system, playing on existing viewer fears that defense attorneys with their “tricks” can overwhelm prosecutors and juries. These fears include those that arise out of the impression that constitutional guarantees such as those embedded in the Fifth, Sixth, and Fourteenth Amendments are “loopholes” or “technicalities,” which function solely to give the accused far too many rights at the expense of the victim and his or her family. Linked to that fear is the idea that the police may arrest the wrong person or fail to solve crimes altogether. In conjunction with a news media which deluges viewers with stories about cold cases are horror stories about criminals inexplicably allowed to go free who then commit additional crimes, killers never caught and the suspicion that innocent persons may spend years in prison or may well be executed, such “psychic detective” shows present a convenient solution to what seems to some to be an insoluble and horrific dilemma.","PeriodicalId":152813,"journal":{"name":"Law and Justice on the Small Screen","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126712321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Stranger Danger?: Sadistic Serial Killers on the Small Screen","authors":"Annette Houlihan","doi":"10.5040/9781509955718.ch-021","DOIUrl":"https://doi.org/10.5040/9781509955718.ch-021","url":null,"abstract":"","PeriodicalId":152813,"journal":{"name":"Law and Justice on the Small Screen","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123614951","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Television Judges in Germany","authors":"S. Machura, P. Robson, Jessica M. Silbey","doi":"10.5040/9781509955718.ch-012","DOIUrl":"https://doi.org/10.5040/9781509955718.ch-012","url":null,"abstract":"","PeriodicalId":152813,"journal":{"name":"Law and Justice on the Small Screen","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128897682","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dark Justice: Women Legal Actors on Basic Cable","authors":"T. L. Banks","doi":"10.5040/9781509955718.ch-006","DOIUrl":"https://doi.org/10.5040/9781509955718.ch-006","url":null,"abstract":"","PeriodicalId":152813,"journal":{"name":"Law and Justice on the Small Screen","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121378322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Judging Reality Television Judges","authors":"Nancy S. Marder","doi":"10.5040/9781509955718.ch-011","DOIUrl":"https://doi.org/10.5040/9781509955718.ch-011","url":null,"abstract":"","PeriodicalId":152813,"journal":{"name":"Law and Justice on the Small Screen","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129619423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bordering on Identity: How English Canadian Television Differentiates American and Canadian Styles of Justice","authors":"Ummni Khan","doi":"10.5040/9781509955718.ch-015","DOIUrl":"https://doi.org/10.5040/9781509955718.ch-015","url":null,"abstract":"While the boundary between Canada and the United States has rhetorically been dubbed ‘the longest undefended border in the world’, Canadian narratives have vigorously sought to defend the border in symbolic terms. In 1972, Margaret Atwood suggested this nationalist project to withstand American cultural hegemony reflected the recurring theme of survival in Canadian fiction. Similarly, theorists of Canadian television have found that discerning Canadian identity, separate from that of its southern neighbor, is a frequent (and anxious) theme in its programming. This chapter examines this symbolic border-defending through a discursive analysis of two successful English Canadian television shows, Due South and The Border, with particular emphasis on the ways in which they differentiate Canadian and American styles of justice. Although the shows represent different genres, occupy different settings, and take place in different time periods, both articulate Canadian national pride in terms of law enforcement. Both plots devote a substantial amount of time dramatising the tension, and often the conflict, between Canadian and American approaches to justice. While the Canadian approach is usually vindicated in the storyline, both shows also offer the promise of productive collaboration between the nations.In the 1990s show Due South, this fraught collaboration is comically portrayed when an upstanding Royal Canadian Mounted Police (RCMP) member teams up with a cynical American cop to solve crimes in Chicago. Debuting in 2008, The Border takes Toronto as its setting, and the outsider is Bianca LaGarda (Sofia Milos), a brash American agent sent by the United States Department of Homeland Security (Homeland Security) to represent its interests on Canadian soil. Both shows feature a fish-out-of-water, albeit two very different kinds of fish. The Canadian fish is hyper- bolically polite in the midst of American obnoxiousness, while the American fish is hyperbolically pugnacious in the midst of Canadian diplomacy. Other important distinguishing features of Canadian law enforcement officers in these programmes include their intelligence, temperance, tolerance, heroism, connection to nature, Aboriginal ties, and commitment to the rule of law. While these values and characteristics often aggrandise Canadian law enforcement characters, the shows also suggest that sometimes Canadians must rely on American strong-arm tactics to secure justice. Indeed, the last season of The Border finds the two national security agencies in sync as they battle inside corruption and cross-border criminality...... As will become evident, the events of September 11th serve as a significant landmark that divides the imaginaries of the two shows under examination. I argue that a comparison of the televised shift from ‘self-othering’ a Canadian against an American backdrop in Due South, to ‘othering’ an American against a Canadian backdrop in The Border, reflects both the political climate","PeriodicalId":152813,"journal":{"name":"Law and Justice on the Small Screen","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130020179","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reality TV and the Entrapment of Predators","authors":"M. Tunick","doi":"10.5040/9781509955718.ch-014","DOIUrl":"https://doi.org/10.5040/9781509955718.ch-014","url":null,"abstract":"","PeriodicalId":152813,"journal":{"name":"Law and Justice on the Small Screen","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122019880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Let’s See How Far We’ve Come: The Role of Empirical Methodology in Exploring Television Audiences","authors":"Cassandra Sharp","doi":"10.5040/9781509955718.ch-005","DOIUrl":"https://doi.org/10.5040/9781509955718.ch-005","url":null,"abstract":"","PeriodicalId":152813,"journal":{"name":"Law and Justice on the Small Screen","volume":"184 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116354503","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘McNutty’ on the Small Screen: Improvised Legality and the Irish-American Cop in HBO’s The Wire","authors":"S. Ramshaw","doi":"10.5040/9781509955718.ch-017","DOIUrl":"https://doi.org/10.5040/9781509955718.ch-017","url":null,"abstract":"","PeriodicalId":152813,"journal":{"name":"Law and Justice on the Small Screen","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115857493","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}