{"title":"Das war nicht nett von Dir!","authors":"Dietmar Elflein","doi":"10.1515/9783839438565-004","DOIUrl":"https://doi.org/10.1515/9783839438565-004","url":null,"abstract":"","PeriodicalId":148707,"journal":{"name":"Aneignungsformen populärer Musik","volume":"107 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116367623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Pop im Kiez – oder: Von Anwohnern und Fans. Ergebnisse einer Untersuchung in Berlin","authors":"Ulrich Wünsch, Dietmar Elflein, B. Weber","doi":"10.14361/9783839438565-008","DOIUrl":"https://doi.org/10.14361/9783839438565-008","url":null,"abstract":"Auf den folgenden Seiten werden die Ergebnisse einer Forschung im Förderbereich Pop im Kiez für das Musicboard Berlin vorgestellt. Das Projekt aus dem Jahr 2013 trug den Titel: Musik erleben – Konflikte kennen – Probleme lösen. Der theoretische Hintergrund der Studie wie der Forschungsansätze fehlt in diesem Text aus Platzgründen, kann aber in der online erhältlichen Studie nachgesehen werden. Kurz seien zunächst die Hauptlinien und Fragestellungen des Forschungsprojekts skizziert, bevor es an die Auswertung und Diskussion der Ergebnisse geht.","PeriodicalId":148707,"journal":{"name":"Aneignungsformen populärer Musik","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116483247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Was heißt schon neu? Moderne Effektsounds in populärer Musik – Tape Slow-Down, Stutter und Sidechain Compression als Teil aktueller Produktionsästhetik","authors":"Immanuel Brockhaus, Dietmar Elflein, B. Weber","doi":"10.14361/9783839438565-011","DOIUrl":"https://doi.org/10.14361/9783839438565-011","url":null,"abstract":"","PeriodicalId":148707,"journal":{"name":"Aneignungsformen populärer Musik","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123919717","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Italia. Rekonstruktion einer Plattenmarke anhand ihrer Produkte","authors":"Dietmar Elflein, B. Weber","doi":"10.14361/9783839438565-005","DOIUrl":"https://doi.org/10.14361/9783839438565-005","url":null,"abstract":"","PeriodicalId":148707,"journal":{"name":"Aneignungsformen populärer Musik","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128455231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Nils Kirschlager, Stefan Jäger, C. Jacke, Dietmar Elflein, B. Weber
{"title":"Trucker, Line Dance und Wildwest-Klischees. Eventisierung und Weiterverarbeitung von Countrymusik in Deutschland. Explorative Beobachtungen","authors":"Nils Kirschlager, Stefan Jäger, C. Jacke, Dietmar Elflein, B. Weber","doi":"10.14361/9783839438565-007","DOIUrl":"https://doi.org/10.14361/9783839438565-007","url":null,"abstract":"","PeriodicalId":148707,"journal":{"name":"Aneignungsformen populärer Musik","volume":"118 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124208681","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Thinking About Musicians as Workers. Notes on 123 years of the British Musicians’ Union","authors":"M. Cloonan, Dietmar Elflein, Bernhard Weber","doi":"10.14361/9783839438565-009","DOIUrl":"https://doi.org/10.14361/9783839438565-009","url":null,"abstract":"This article emerges from a four year research project on the history of the British Musicians’ Union (MU – www.muhistory.com) and falls in to four parts. The first section briefly details the history of the MU, while the second outlines the research project. The third section describes the model used throughout the work – that of musicians as workers, while the final section looks at some of the key issues which arise during the Union’s history. A concluding section attempts to bring things together.","PeriodicalId":148707,"journal":{"name":"Aneignungsformen populärer Musik","volume":"105 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122428520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Aneignung populärer Musik aus Sicht einer reflexionslogisch konzipierten Handlungstheorie","authors":"Stefan Orgass, Dietmar Elflein, B. Weber","doi":"10.14361/9783839438565-012","DOIUrl":"https://doi.org/10.14361/9783839438565-012","url":null,"abstract":"","PeriodicalId":148707,"journal":{"name":"Aneignungsformen populärer Musik","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128961889","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}