{"title":"把音乐家当作工人看待。英国音乐家联盟成立123周年纪念","authors":"M. Cloonan, Dietmar Elflein, Bernhard Weber","doi":"10.14361/9783839438565-009","DOIUrl":null,"url":null,"abstract":"This article emerges from a four year research project on the history of the British Musicians’ Union (MU – www.muhistory.com) and falls in to four parts. The first section briefly details the history of the MU, while the second outlines the research project. The third section describes the model used throughout the work – that of musicians as workers, while the final section looks at some of the key issues which arise during the Union’s history. A concluding section attempts to bring things together.","PeriodicalId":148707,"journal":{"name":"Aneignungsformen populärer Musik","volume":"105 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2017-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Thinking About Musicians as Workers. Notes on 123 years of the British Musicians’ Union\",\"authors\":\"M. Cloonan, Dietmar Elflein, Bernhard Weber\",\"doi\":\"10.14361/9783839438565-009\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article emerges from a four year research project on the history of the British Musicians’ Union (MU – www.muhistory.com) and falls in to four parts. The first section briefly details the history of the MU, while the second outlines the research project. The third section describes the model used throughout the work – that of musicians as workers, while the final section looks at some of the key issues which arise during the Union’s history. A concluding section attempts to bring things together.\",\"PeriodicalId\":148707,\"journal\":{\"name\":\"Aneignungsformen populärer Musik\",\"volume\":\"105 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-01-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Aneignungsformen populärer Musik\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14361/9783839438565-009\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Aneignungsformen populärer Musik","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14361/9783839438565-009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Thinking About Musicians as Workers. Notes on 123 years of the British Musicians’ Union
This article emerges from a four year research project on the history of the British Musicians’ Union (MU – www.muhistory.com) and falls in to four parts. The first section briefly details the history of the MU, while the second outlines the research project. The third section describes the model used throughout the work – that of musicians as workers, while the final section looks at some of the key issues which arise during the Union’s history. A concluding section attempts to bring things together.