Journal of European Periodical Studies最新文献_第8页

Journal of European Periodical Studies Pub Date : 2019-12-31 DOI: 10.21825/jeps.v4i2.15756

Évanghélia Stead

{"title":"Les Périodiques comme médiateurs","authors":"Évanghélia Stead","doi":"10.21825/jeps.v4i2.15756","DOIUrl":"https://doi.org/10.21825/jeps.v4i2.15756","url":null,"abstract":"Ce numéro spécial émane du 7e colloque annuel de la European Society for Periodical Research (ESPRit), qui portait sur ‘Les Périodiques comme médiateurs: les périodiques dans l’écosystème de la culture imprimée et visuelle’. L’événement, dont l’organisation à Paris m’a été confiée, s’est tenu à la Bibliothèque nationale de France, à l’Inalco et à l’université Paris-Sorbonne en juin 2018. Cette manifestation bilingue, qui a réuni des chercheurs jeunes et confirmés, a analysé les rôles complexes des périodiques dans un riche éventail de contextes et milieux culturels et scientifiques, sous plusieurs angles: histoire de la littérature, histoire de l’art, presse et médias, études visuelles, littérature comparée, études théâtrales, cultures scientifiques, études de traduction et de réception. Une large palette de publications en série a été examinée: revues, magazines, gazettes, cahiers, suppléments, annales, anthologies, collections, quotidiens, voire une émission radiophonique. Ce numéro spécial propose un choix de contributions, développées en articles de recherche. En les présentant et en rappelant les arguments et thèmes du colloque, l’introduction offre un aperçu des enquêtes, et met en valeur quelques hypothèses signifiantes pour les études sur les périodiques aujourd’hui.","PeriodicalId":142850,"journal":{"name":"Journal of European Periodical Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124810671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Le Jeudi de la revue libanaise Shi‘r (1957–70): Un canal de médiologie du projet moderniste de Yûsuf al-Khâl (1917–87) 黎巴嫩什叶派杂志的星期四(1957 - 70):yusuf al- khal现代主义项目的媒介学渠道(1917 - 87)

Journal of European Periodical Studies Pub Date : 2019-12-31 DOI: 10.21825/jeps.v4i2.10903

D. Badini

{"title":"Le Jeudi de la revue libanaise Shi‘r (1957–70): Un canal de médiologie du projet moderniste de Yûsuf al-Khâl (1917–87)","authors":"D. Badini","doi":"10.21825/jeps.v4i2.10903","DOIUrl":"https://doi.org/10.21825/jeps.v4i2.10903","url":null,"abstract":"Shi‘r (Poésie) a été fondée à Beyrouth en 1957 par Yûsuf al-Khâl (1917–87) qui l’entendait comme la première revue arabe entièrement consacrée à la poésie, avec un credo: la liberté comme condition préalable à l’épanouissement personnel et donc à l’établissement d’une société moderne. Pendant plus d’une décennie (1957–64 et 1967–70), Shi‘r fut un espace d’innovation et de circulation de poèmes inédits, d’études critiques et de traductions au plus près de la production contemporaine, et d’essais théoriques promouvant le modernisme naissant. Associée à la trépidante Beyrouth des années 1950–60, Shi‘r fut au centre d’un écosystème culturel qu’elle contribua à enrichir et à dynamiser grâce à ses jeudis, le prix Shi‘r, la maison d’édition Shi‘r, le magazine Adab et la galerie d’art Gallery One. Les séances de jeudi constituèrent pendant plus de sept ans (1957–64) unespace de réception ouvert aux poèmes inédits (lus, commentés, promus). La plateforme médiatique offerte aux jeudis par al-Nahar, parmi d’autres journaux libanais, permit au mouvement Shi‘r de clarifier davantage son message révolutionnaire et ses orientations modernistes, et de se défendre contre les attaques répétées d’intellectuels panarabes vigoureusement attachés aux conventions héritées de la tradition poétique arabe. Cetarticle met en évidence ces aspects médiatiques.","PeriodicalId":142850,"journal":{"name":"Journal of European Periodical Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121452264","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

L’esprit Gallimard: Stratégies médiatiques et dispositifs éditoriaux de Détective, Voilà et Marianne (1928–40) Gallimard精神:侦探的媒体策略和编辑手段，voila和Marianne (1928 - 40)

Journal of European Periodical Studies Pub Date : 2019-12-31 DOI: 10.21825/jeps.v4i2.10772

Marie-Eve Therenty

引用次数: 0

Review of Catherine Clay, Time and Tide: The Feminist and Cultural Politics of a Modern Magazine (2018) 《时间与潮流:一本现代杂志的女性主义与文化政治》(2018)

Journal of European Periodical Studies Pub Date : 2019-12-31 DOI: 10.21825/jeps.v4i2.12585

R. Matchett

引用次数: 0

Review of Catherine Clay, Maria DiCenzo, Barbara Green, and Fiona Hackney, eds, Women’s Periodicals and Print Culture, 1918–1939: The Interwar Period (2018) 对凯瑟琳·克莱、玛丽亚·迪森佐、芭芭拉·格林和菲奥娜·哈克尼的评论，编辑，《女性期刊与印刷文化，1918-1939:两次世界大战之间的时期》(2018)

Journal of European Periodical Studies Pub Date : 2019-06-30 DOI: 10.21825/jeps.v4i1.11797

P. Collier

引用次数: 0

A Computational Approach to Authorship Verification of Johann Wolfgang Goethe’s Contributions to the Frankfurter gelehrte Anzeigen (1772–73) 约翰·沃尔夫冈·歌德对《法兰克福汇报》(1772 - 1773)的署名验证的计算方法

Journal of European Periodical Studies Pub Date : 2019-06-30 DOI: 10.21825/JEPS.V4I1.10188

M. Kestemont, Gunther Martens, Thorsten Ries

引用次数: 4

Images of Medieval Art in the French Surrealist Periodicals Documents (1929–31) and Minotaure (1933–39) 法国超现实主义期刊文献中的中世纪艺术形象(1929-31)和牛头画(1933-39)

Journal of European Periodical Studies Pub Date : 2019-06-30 DOI: 10.21825/jeps.v4i1.8843

T. Bauduin, Julia W. Krikke

{"title":"Images of Medieval Art in the French Surrealist Periodicals Documents (1929–31) and Minotaure (1933–39)","authors":"T. Bauduin, Julia W. Krikke","doi":"10.21825/jeps.v4i1.8843","DOIUrl":"https://doi.org/10.21825/jeps.v4i1.8843","url":null,"abstract":"The avant-garde movement Surrealism claimed historical figures as supposed ancesters, as is well known, but also interacted with the past, and especially art of the past, in other ways. This article explores the reception of the European Middle Ages in French Surrealism, in particular medieval art, by means of a case study: illustrations of medieval and early-modern Western art in the surrealist periodicals Documents (1929-1931) and Minotaure (1933-1939). The cerebral and contrary Documents challenged the canon of art by actively looking at the margins of European art, reproducing medieval art from a wide variety of periods and geographic locations, and in very differing media, including jewelry and vessels, murals, bronze church doors, and manuscript illuminations. The glossy art review Minotaure, which came with coloured inserts, was more conventional in its selection, reproducing primarily late-medieval and renaissance art works, mainly (panel) paintings. However, the intention is just as contrary, as late-medieval and renaissance art in Minotaure is framed in terms of surrealist aesthetics in a manner undermining the conventional canon. In Documents medieval art primarily serves to makes points about style and iconography, which is often posited as primitive or exotic. In Minotaure, medieval art serves to make points about Surrealism, about the oneiric qualities of form or iconography. Both periodicals offered an interesting array of medieval and renaissance art and introduced this art into the surrealist discours.","PeriodicalId":142850,"journal":{"name":"Journal of European Periodical Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125788065","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Review of Koenraad Claes, The Late-Victorian Little Magazine (2018) 评科恩拉德·克莱斯《维多利亚晚期小杂志》(2018)

Journal of European Periodical Studies Pub Date : 2019-06-30 DOI: 10.21825/jeps.v4i1.11800

Mark W. Turner

引用次数: 0

Migration and the French Colonial Atlantic as Imagined by the Periodical Press, 1740–61 期刊出版社想象中的移民和法国殖民大西洋，1740-61年

Journal of European Periodical Studies Pub Date : 2019-06-30 DOI: 10.21825/jeps.v4i1.10119

F. Laramée

{"title":"Migration and the French Colonial Atlantic as Imagined by the Periodical Press, 1740–61","authors":"F. Laramée","doi":"10.21825/jeps.v4i1.10119","DOIUrl":"https://doi.org/10.21825/jeps.v4i1.10119","url":null,"abstract":"Why did the French show so little enthusiasm for emigration to their early modern colonies, compared to other European peoples? In 2006, historian Yves Landry proposed that the image of America communicated to the French reading public by print media might have played a role in this phenomenon. This article examines this question by showing how America in general, and French colonies in particular, were represented in the Ancien Régime's three most prominent periodicals: the weekly news Gazette, the literary Mercure de France and the learned Journal des Savants. Through a combination of distant reading methods, the article builds a three-layered portrait of the New World as displayed to French readers. The first layer, made up of references to America in theater, games and other cultural artefacts built upon common knowledge, shows an unchanging, alien land filled with riches and glory for the few, mortal threats for the many, and the best, perhaps, set aside for foreigners. A second layer, made up of the periodicals' coverage of the slow production of knowledge through science and exploration, edulcorates this picture to some extent by showing that the New World is in the process of being domesticated, but that this process is very much still in its infancy. Finally, the top layer, represented by the Gazette's news coverage, shows a French colonial world that is dominated by Britain, virtually invisible in peacetime, and fraught with chaos at every moment. This top layer is especially important since it was the only one visible to the majority of readers, as the Gazette reached an audience perhaps ten times larger than the other periodicals. Therefore, the article largely supports the original hypothesis.","PeriodicalId":142850,"journal":{"name":"Journal of European Periodical Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131507819","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Review of Evanghelia Stead and Hélène Védrine, eds, L’Europe des revues II (1860–1930): Réseaux et circulations des modèles (2018) Evanghelia Stead和helene vedrine的评论，编辑，欧洲评论II(1860 - 1930):模型的网络和流通(2018)

Journal of European Periodical Studies Pub Date : 2019-06-30 DOI: 10.21825/jeps.v4i1.11798

Catherine Delyfer

引用次数: 0