Migration and the French Colonial Atlantic as Imagined by the Periodical Press, 1740–61

F. Laramée
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引用次数: 2

Abstract

Why did the French show so little enthusiasm for emigration to their early modern colonies, compared to other European peoples? In 2006, historian Yves Landry proposed that the image of America communicated to the French reading public by print media might have played a role in this phenomenon. This article examines this question by showing how America in general, and French colonies in particular, were represented in the Ancien Régime's three most prominent periodicals: the weekly news Gazette, the literary Mercure de France and the learned Journal des Savants. Through a combination of distant reading methods, the article builds a three-layered portrait of the New World as displayed to French readers. The first layer, made up of references to America in theater, games and other cultural artefacts built upon common knowledge, shows an unchanging, alien land filled with riches and glory for the few, mortal threats for the many, and the best, perhaps, set aside for foreigners. A second layer, made up of the periodicals' coverage of the slow production of knowledge through science and exploration, edulcorates this picture to some extent by showing that the New World is in the process of being domesticated, but that this process is very much still in its infancy. Finally, the top layer, represented by the Gazette's news coverage, shows a French colonial world that is dominated by Britain, virtually invisible in peacetime, and fraught with chaos at every moment. This top layer is especially important since it was the only one visible to the majority of readers, as the Gazette reached an audience perhaps ten times larger than the other periodicals. Therefore, the article largely supports the original hypothesis.
期刊出版社想象中的移民和法国殖民大西洋,1740-61年
与其他欧洲人相比,为什么法国人对移民到他们早期的现代殖民地表现出如此少的热情?2006年,历史学家伊夫·兰德里(Yves Landry)提出,通过印刷媒体向法国读者传达的美国形象可能在这一现象中发挥了作用。这篇文章通过展示美国,特别是法国殖民地是如何在古代的三种最重要的期刊上表现出来的来研究这个问题:每周新闻公报,文学的法国信使和学术的学者杂志。通过对远距阅读方法的结合,文章构建了一幅展现给法国读者的新世界的三层画像。第一层,由戏剧、游戏和其他建立在常识基础上的文化文物构成,展示了一个不变的、陌生的土地,对少数人来说,这里充满了财富和荣耀,对大多数人来说,这里充满了致命的威胁,而最好的东西,也许是留给外国人的。第二层,由期刊对通过科学和探索缓慢产生知识的报道组成,在某种程度上通过显示新世界正在被驯化的过程来美化这幅图景,但这一过程在很大程度上仍处于起步阶段。最后,顶层以《公报》的新闻报道为代表,展示了一个由英国主导的法国殖民世界,在和平时期几乎看不见,每时每刻都充满混乱。这一层特别重要,因为它是大多数读者唯一能看到的,因为《公报》的读者可能是其他期刊的十倍。因此,文章在很大程度上支持了原来的假设。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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