{"title":"2. Relocations: Mapping the non-theatrical field in Scotland","authors":"","doi":"10.1515/9789048537822-004","DOIUrl":"https://doi.org/10.1515/9789048537822-004","url":null,"abstract":"","PeriodicalId":142415,"journal":{"name":"Ephemeral Cinema Spaces","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122417862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Coda","authors":"Maria A. Vélez-Serna","doi":"10.5117/9789462986541_coda","DOIUrl":"https://doi.org/10.5117/9789462986541_coda","url":null,"abstract":"This brief chapter offers a final reflection on the future of film exhibition\u0000 as a social practice, and returns to the ambiguous value of the ephemeral\u0000 as a site of precarity but also of possibility and freedom.","PeriodicalId":142415,"journal":{"name":"Ephemeral Cinema Spaces","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127012703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A desire for the civic:","authors":"","doi":"10.2307/j.ctv12sdvk3.7","DOIUrl":"https://doi.org/10.2307/j.ctv12sdvk3.7","url":null,"abstract":"","PeriodicalId":142415,"journal":{"name":"Ephemeral Cinema Spaces","volume":"148 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116545986","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Film clubs and subcultural cinephile spaces","authors":"Maria A. Vélez-Serna","doi":"10.2307/j.ctv12sdvk3.8","DOIUrl":"https://doi.org/10.2307/j.ctv12sdvk3.8","url":null,"abstract":"This chapter focuses on cine-clubs and film societies as forms of independent\u0000 exhibition practice founded on cinephilia and offering alternative\u0000 currencies of cultural value. The discussion of historical trajectories within\u0000 subcultural exhibition is grounded in examples from Glasgow ranging\u0000 from the 1920s to the present. This long-term view of cinephile presence in\u0000 Scotland’s largest city is contextualized in relation to urban transformation\u0000 and the music and visual art scenes. The chapter considers institutional\u0000 support, venues, and intermediality in these forms of non-theatrical\u0000 programming and screening.","PeriodicalId":142415,"journal":{"name":"Ephemeral Cinema Spaces","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125589587","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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