{"title":"Coda","authors":"Maria A. Vélez-Serna","doi":"10.5117/9789462986541_coda","DOIUrl":null,"url":null,"abstract":"This brief chapter offers a final reflection on the future of film exhibition\n as a social practice, and returns to the ambiguous value of the ephemeral\n as a site of precarity but also of possibility and freedom.","PeriodicalId":142415,"journal":{"name":"Ephemeral Cinema Spaces","volume":"52 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ephemeral Cinema Spaces","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5117/9789462986541_coda","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This brief chapter offers a final reflection on the future of film exhibition
as a social practice, and returns to the ambiguous value of the ephemeral
as a site of precarity but also of possibility and freedom.