Proceedings of the 4th International Workshop on Digital Libraries for Musicology最新文献

Modeling the Complexity of Music Metadata in Semantic Graphs for Exploration and Discovery 基于语义图的音乐元数据复杂性建模研究

Proceedings of the 4th International Workshop on Digital Libraries for Musicology Pub Date : 2017-10-28 DOI: 10.1145/3144749.3144754

Pasquale Lisena, Raphael Troncy, Konstantin Todorov, Manel Achichi

{"title":"Modeling the Complexity of Music Metadata in Semantic Graphs for Exploration and Discovery","authors":"Pasquale Lisena, Raphael Troncy, Konstantin Todorov, Manel Achichi","doi":"10.1145/3144749.3144754","DOIUrl":"https://doi.org/10.1145/3144749.3144754","url":null,"abstract":"Representing and retrieving fine-grained information related to something as complex as music composition, recording and performance is a challenging activity. This complexity requires that the data model enables to describe different outcomes of the creative process, from the writing of the score, to its performance and publishing. In this paper, we show how we design the DOREMUS ontology as an extension of the FRBRoo model in order to represent music metadata coming from different libraries and cultural institutions and how we publish this data as RDF graphs. We designed and re-used several controlled vocabularies that provide common identifiers that overcome the differences in language and alternative forms of needed concepts. These graphs are interlinked to each other and to external resources on the Web of Data. We show how these graphs can be walked through for designing a web-based application providing an exploratory search engine for presenting complex music metadata to the end-user. Finally, we demonstrate how this model and this exploratory application is suitable for answering non-trivial questions collected from experts and is a first step towards a fully fledged recommendation engine.","PeriodicalId":134943,"journal":{"name":"Proceedings of the 4th International Workshop on Digital Libraries for Musicology","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127216271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 9

Non-chord Tone Identification Using Deep Neural Networks 基于深度神经网络的非和弦音识别

Proceedings of the 4th International Workshop on Digital Libraries for Musicology Pub Date : 2017-10-28 DOI: 10.1145/3144749.3144753

Yaolong Ju, Nathaniel Condit-Schultz, Claire Arthur, Ichiro Fujinaga

引用次数: 12

MIRchiving: Challenges and opportunities of connecting MIR research and digital music archives MIRchiving: MIR研究与数位音乐档案连结的挑战与机遇

Proceedings of the 4th International Workshop on Digital Libraries for Musicology Pub Date : 2017-10-28 DOI: 10.1145/3144749.3144755

R. Valk, A. Volk, A. Holzapfel, A. Pikrakis, N. Kroher, Joren Six

{"title":"MIRchiving: Challenges and opportunities of connecting MIR research and digital music archives","authors":"R. Valk, A. Volk, A. Holzapfel, A. Pikrakis, N. Kroher, Joren Six","doi":"10.1145/3144749.3144755","DOIUrl":"https://doi.org/10.1145/3144749.3144755","url":null,"abstract":"This study is a call for action for the music information retrieval (MIR) community to pay more attention to collaboration with digital music archives. The study, which resulted from an interdisciplinary workshop and subsequent discussion, matches the demand for MIR technologies from various archives with what is already supplied by the MIR community. We conclude that the expressed demands can only be served sustainably through closer collaborations. Whereas MIR systems are described in scientific publications, usable implementations are often absent. If there is a runnable system, user documentation is often sparse---posing a huge hurdle for archivists to employ it. This study sheds light on the current limitations and opportunities of MIR research in the context of music archives by means of examples, and highlights available tools. As a basic guideline for collaboration, we propose to interpret MIR research as part of a value chain. We identify the following benefits of collaboration between MIR researchers and music archives: new perspectives for content access in archives, more diverse evaluation data and methods, and a more application-oriented MIR research workflow.","PeriodicalId":134943,"journal":{"name":"Proceedings of the 4th International Workshop on Digital Libraries for Musicology","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127624843","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 11

Tools for Music Bibliographic Network Analysis 音乐书目网络分析工具

Proceedings of the 4th International Workshop on Digital Libraries for Musicology Pub Date : 2017-10-28 DOI: 10.1145/3144749.3144761

Andrew Horwitz, Yun Fan, Richard Brown

引用次数: 0

Applications of duplicate detection: linking meta-data and merging music archives: The experience of the IPEM historical archive of electronic music 重复检测的应用:链接元数据和合并音乐档案:电子音乐IPEM历史档案的经验

Proceedings of the 4th International Workshop on Digital Libraries for Musicology Pub Date : 2017-10-28 DOI: 10.1145/3144749.3144759

F. Bressan, Joren Six, M. Leman

引用次数: 1

Quantitative analysis of the relationship between linguistic tones and melody in jingju using music scores 用乐谱定量分析景剧语言声调与旋律的关系

Proceedings of the 4th International Workshop on Digital Libraries for Musicology Pub Date : 2017-10-28 DOI: 10.1145/3144749.3144758

Rafael Caro Repetto, Shuo Zhang, Xavier Serra

引用次数: 2

The Comprehensive Application of Vmus.net for Musical Performance Studies Vmus.net在音乐表演研究中的综合应用

Proceedings of the 4th International Workshop on Digital Libraries for Musicology Pub Date : 2017-10-28 DOI: 10.1145/3144749.3144750

Jian Yang

引用次数: 1

PatternFinder: Content-Based Music Retrieval with music21 PatternFinder:基于内容的音乐检索

Proceedings of the 4th International Workshop on Digital Libraries for Musicology Pub Date : 2017-10-28 DOI: 10.1145/3144749.3144751

David Garfinkle, Claire Arthur, Peter Schubert, Julie Cumming, Ichiro Fujinaga

{"title":"PatternFinder: Content-Based Music Retrieval with music21","authors":"David Garfinkle, Claire Arthur, Peter Schubert, Julie Cumming, Ichiro Fujinaga","doi":"10.1145/3144749.3144751","DOIUrl":"https://doi.org/10.1145/3144749.3144751","url":null,"abstract":"Content-Based Music Retrieval (CBMR) for symbolic music aims to find all similar occurrences of a musical pattern within a larger database of symbolic music. To the best of our knowledge there does not currently exist a distributable CBMR software package integrated with a music analysis toolkit that facilitates extendability with new CBMR methods. This project presents a new MIR tool called \"PatternFinder\" satisfying these goals. PatternFinder is built with the computational musicology Python package music21, which provides a flexible platform capable of working with many music notation formats. To achieve polyphonic CBMR, we implement seven geometric algorithms developed at the University of Helsinki---four of which are being implemented and released publicly for the first time. The application of our MIR tool is then demonstrated through a musicological investigation of Renaissance imitation masses, which borrow melodic or contrapuntal material from a pre-existing musical work. In addition, we show Pattern-Finder's ability to find a contrapuntal pattern over a large dataset, Palestrina's 104 masses. Our investigations demonstrate the relevance of our tool for musicological research as well as its potential application for locating music within digital music libraries.","PeriodicalId":134943,"journal":{"name":"Proceedings of the 4th International Workshop on Digital Libraries for Musicology","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130861634","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

GRAIL: Database Linking Music Metadata Across Artist, Release, and Track 圣杯:数据库链接音乐元数据跨越艺术家，发行，和轨道

Proceedings of the 4th International Workshop on Digital Libraries for Musicology Pub Date : 2017-10-28 DOI: 10.1145/3144749.3144760

Michael D. Barone, Kurt Dacosta, Gabriel Vigliensoni, M. Woolhouse

{"title":"GRAIL: Database Linking Music Metadata Across Artist, Release, and Track","authors":"Michael D. Barone, Kurt Dacosta, Gabriel Vigliensoni, M. Woolhouse","doi":"10.1145/3144749.3144760","DOIUrl":"https://doi.org/10.1145/3144749.3144760","url":null,"abstract":"Linking information from multiple music databases is important for MIR because it provides a means to determine consistency of metadata between resources/services, which can help facilitate innovative product development and research. However, as yet, no open access tools exist that persistently link and validate metadata resources at the three main entities of music data: artist, release, and track. This paper introduces an open access resource which attempts to address the issue of linking information from multiple music databases. The General Recorded Audio Identity Linker (GRAIL - api.digitalmusiclab.org) is a music metadata ID-linking API that: i) connects International Standard Recording Codes (ISRCs) to music metadata IDs from services such as MusicBrainz, Spotify, and Last.FM; ii) provides these ID linkages as a publicly available resource; iii) confirms linkage accuracy using continuous metadata crawling from music-service APIs; and iv) derives consistency values (CV) for linkages by means of a set of quantifiable criteria. To date, more than 35M tracks, 8M releases, and 900K artists from 16 services have been ingested into GRAIL. We discuss the challenges faced in past attempts to link music metadata, the methods and rationale which we adopted in order to construct GRAIL and to ensure it remains updated with validated information.","PeriodicalId":134943,"journal":{"name":"Proceedings of the 4th International Workshop on Digital Libraries for Musicology","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131306546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Perception of Emotion in the Singing Voice: The Understanding of Music Mood for Music Organisation 歌唱声音中的情感感知:音乐组织对音乐情绪的理解

Proceedings of the 4th International Workshop on Digital Libraries for Musicology Pub Date : 2017-10-28 DOI: 10.1145/3144749.3144756

Emilia Parada-Cabaleiro, Alice Baird, A. Batliner, N. Cummins, Simone Hantke, Björn Schuller

{"title":"The Perception of Emotion in the Singing Voice: The Understanding of Music Mood for Music Organisation","authors":"Emilia Parada-Cabaleiro, Alice Baird, A. Batliner, N. Cummins, Simone Hantke, Björn Schuller","doi":"10.1145/3144749.3144756","DOIUrl":"https://doi.org/10.1145/3144749.3144756","url":null,"abstract":"With the increased usage of internet based services and the mass of digital content now available online, the organisation of such content has become a major topic of interest both commercially and within academic research. The addition of emotional understanding for the content is a relevant parameter not only for music classification within digital libraries but also for improving users experiences, via services including automated music recommendation. Despite the singing voice being well-known for the natural communication of emotion, it is still unclear which specific musical characteristics of this signal are involved such affective expressions. The presented study investigates which musical parameters of singing relate to the emotional content, by evaluating the perception of emotion in electronically manipulated a cappella audio samples. A group of 24 individuals participated in a perception test evaluating the emotional dimensions of arousal and valence of 104 sung instances. Key results presented indicate that the rhythmic-melodic contour is potentially related to the perception of arousal whereas musical syntax and tempo can alter the perception of valence.","PeriodicalId":134943,"journal":{"name":"Proceedings of the 4th International Workshop on Digital Libraries for Musicology","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125281553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2