{"title":"Deborah Willis with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 8–9 June 2022","authors":"","doi":"10.1080/03087298.2024.2326350","DOIUrl":"https://doi.org/10.1080/03087298.2024.2326350","url":null,"abstract":"Published in History of Photography (Vol. 47, No. 2, 2023)","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"46 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141945600","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Lexicon for Positioning ‘The Idea Photography’ in Our Nation’s Art Museum","authors":"Audrey Sands","doi":"10.1080/03087298.2024.2356420","DOIUrl":"https://doi.org/10.1080/03087298.2024.2356420","url":null,"abstract":"Between the 1930s and the 1990s, as art museums across the USA began contending with what place photography might hold within their programmes, key individuals framed photography’s value in languag...","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"6 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142219536","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Enfolding History: Identities, Performances and Contexts in an Early Ethnographic Album from Natal, South Africa","authors":"Christopher Morton","doi":"10.1080/03087298.2024.2366048","DOIUrl":"https://doi.org/10.1080/03087298.2024.2366048","url":null,"abstract":"The histories of anthropology and photography are closely entwined, and nowhere more so than in southern Africa, where new European settler colonies emerged at around the same time as technology tr...","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"36 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141501103","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Photography and Early Motor Touring in Britain","authors":"Sara Dominici","doi":"10.1080/03087298.2024.2338610","DOIUrl":"https://doi.org/10.1080/03087298.2024.2338610","url":null,"abstract":"This article explores the arrival of the motorcar in Britain as it polarised photographers’ opinions like no other means of transport before. The article asks, more specifically, why those photogra...","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"18 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-05-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141501104","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"An African Looks at America: Picturing Racial Integration for Africa, 1956–68","authors":"Darren Newbury","doi":"10.1080/03087298.2024.2323310","DOIUrl":"https://doi.org/10.1080/03087298.2024.2323310","url":null,"abstract":"The global tour of Edward Steichen’s 1955 photographic exhibition The Family of Man, sponsored by the United States Information Agency (USIA), has long been viewed as the defining moment for the me...","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"24 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140171913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Contact Zones: Photography, Migration, and Cultural Encounters in the United States","authors":"Erica Toffoli","doi":"10.1080/03087298.2024.2312701","DOIUrl":"https://doi.org/10.1080/03087298.2024.2312701","url":null,"abstract":"Published in History of Photography (Ahead of Print, 2024)","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"273 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-03-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140055118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Warring Visions: Photography and Vietnam","authors":"Kimberly Schreiber","doi":"10.1080/03087298.2024.2307262","DOIUrl":"https://doi.org/10.1080/03087298.2024.2307262","url":null,"abstract":"Published in History of Photography (Ahead of Print, 2024)","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"10 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-02-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139750936","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Naomi Savage: Stretching the Limits of Photography","authors":"Adam Monohon","doi":"10.1080/03087298.2024.2307253","DOIUrl":"https://doi.org/10.1080/03087298.2024.2307253","url":null,"abstract":"Published in History of Photography (Ahead of Print, 2024)","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"38 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-02-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139750916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Contributors","authors":"Patrizia Di Bello","doi":"10.1080/03087298.2023.2295174","DOIUrl":"https://doi.org/10.1080/03087298.2023.2295174","url":null,"abstract":"Published in History of Photography (Vol. 47, No. 1, 2023)","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"150 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139750909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Slide Lecture: Introduction to a Special Issue of History of Photography","authors":"Tal-Or Ben-Choreen, Karla McManus","doi":"10.1080/03087298.2023.2293408","DOIUrl":"https://doi.org/10.1080/03087298.2023.2293408","url":null,"abstract":"Published in History of Photography (Vol. 47, No. 1, 2023)","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"146 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139902572","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}