{"title":"The ‘Chok’ of Image ‘Constellations in Themselves’: Reframing Walter Benjamin’s ‘Little History of Photography’ (1931)","authors":"Gerd Hurm","doi":"10.1080/03087298.2024.2384777","DOIUrl":"https://doi.org/10.1080/03087298.2024.2384777","url":null,"abstract":"This article revisits some of the principal documents and guiding assumptions that have shaped the debate about the significance of Walter Benjamin’s landmark essay ‘Little History of Photography’ ...","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"18 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-09-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142251021","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Learning to Collect Photographs in the 1970s","authors":"Molly Kalkstein","doi":"10.1080/03087298.2024.2350315","DOIUrl":"https://doi.org/10.1080/03087298.2024.2350315","url":null,"abstract":"In 1976, Anne Wilkes Tucker became the founding curator of the Photography Department at the Museum of Fine Arts, Houston, going on to organise more than forty exhibitions, publish dozens of articl...","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"306 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142219535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sandra S. Phillips with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 21–23 March 2022","authors":"","doi":"10.1080/03087298.2024.2318146","DOIUrl":"https://doi.org/10.1080/03087298.2024.2318146","url":null,"abstract":"Published in History of Photography (Vol. 47, No. 2, 2023)","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"10 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141945599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Anne Wilkes Tucker with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 4–6 April 2022","authors":"","doi":"10.1080/03087298.2024.2332132","DOIUrl":"https://doi.org/10.1080/03087298.2024.2332132","url":null,"abstract":"Published in History of Photography (Vol. 47, No. 2, 2023)","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"58 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141945648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Maria Morris Hambourg: A Curator Lighthouse for Photography","authors":"Delphine Sims","doi":"10.1080/03087298.2024.2363111","DOIUrl":"https://doi.org/10.1080/03087298.2024.2363111","url":null,"abstract":"Founding curator of the Metropolitan Museum of Art’s Department of Photographs, Maria Morris Hambourg’s impact on the field of photography is incalculable. Across a multi-decade career, Hambourg in...","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"8 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141945598","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Letting the pictures […] do the job’: Sandy Phillips at SFMOMA","authors":"Emilia Mickevicius","doi":"10.1080/03087298.2024.2352260","DOIUrl":"https://doi.org/10.1080/03087298.2024.2352260","url":null,"abstract":"Across three decades at the San Francisco Museum of Modern Art (SFMOMA), curator Sandra S. Phillips (American, born 1945) built a distinctive photography collection and exhibition programme driven ...","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"27 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141945602","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sarah Greenough with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 7–9 March 2022","authors":"","doi":"10.1080/03087298.2024.2326348","DOIUrl":"https://doi.org/10.1080/03087298.2024.2326348","url":null,"abstract":"Published in History of Photography (Vol. 47, No. 2, 2023)","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"81 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141945604","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Maria Morris Hambourg with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 2–4 May 2022","authors":"","doi":"10.1080/03087298.2024.2315865","DOIUrl":"https://doi.org/10.1080/03087298.2024.2315865","url":null,"abstract":"Published in History of Photography (Vol. 47, No. 2, 2023)","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"20 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142219538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"After the Flood: Notes on Photography and the Archive","authors":"Anni A. Pullagura","doi":"10.1080/03087298.2023.2335786","DOIUrl":"https://doi.org/10.1080/03087298.2023.2335786","url":null,"abstract":"The often-theorised relationship between the photograph as a democratic object and medium for knowledge production and the archive continues to influence the making of the photographic collection. ...","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"25 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141945601","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Contributors","authors":"","doi":"10.1080/03087298.2023.2359284","DOIUrl":"https://doi.org/10.1080/03087298.2023.2359284","url":null,"abstract":"Published in History of Photography (Vol. 47, No. 2, 2023)","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"75 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141945603","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}