{"title":"Mowa nienawiści w naukowym tyglu — Jacek Makowski (Hrsg.)-, Hassrede – ein multidimensionales Phänomen im interdisziplinären Vergleich, Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2020, ss. 253 (rec. Joanna Pędzisz)","authors":"Joanna Pędzisz","doi":"10.26485/zrl/2019/62.4/11","DOIUrl":"https://doi.org/10.26485/zrl/2019/62.4/11","url":null,"abstract":"","PeriodicalId":128361,"journal":{"name":"Zagadnienia Rodzajów Literackich","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132569489","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"José Aburto Zolezzi: el autor en busca de la interfaz literaria ideal","authors":"Agnieszka Przybyszewska","doi":"10.26485/zrl/2019/62.4/8","DOIUrl":"https://doi.org/10.26485/zrl/2019/62.4/8","url":null,"abstract":"","PeriodicalId":128361,"journal":{"name":"Zagadnienia Rodzajów Literackich","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114989152","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Historia „przepisana w tym samym języku, ale od prawej strony do lewej”. O Sprawie Meursaulta Camela Daouda","authors":"Danuta Szajnert","doi":"10.26485/zrl/2019/62.4/10","DOIUrl":"https://doi.org/10.26485/zrl/2019/62.4/10","url":null,"abstract":"","PeriodicalId":128361,"journal":{"name":"Zagadnienia Rodzajów Literackich","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115401347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Claire Beauchamp Randall Fraser (Outlander): postać a kody kulturowe","authors":"Ewa Kujawska-Lis","doi":"10.26485/zrl/2019/62.4/9","DOIUrl":"https://doi.org/10.26485/zrl/2019/62.4/9","url":null,"abstract":"","PeriodicalId":128361,"journal":{"name":"Zagadnienia Rodzajów Literackich","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126802066","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"„Słowa są jak bezrobotni”. Kilka wstępnych uwag na temat ekonomicznych paradoksów języka awangardy","authors":"Jakub Skurtys","doi":"10.26485/zrl/2019/62.2/5","DOIUrl":"https://doi.org/10.26485/zrl/2019/62.2/5","url":null,"abstract":"The paper is an attempt to outline a few problems connected with economic modes of reading the historic avant-garde, mainly its poetry. The author recapitulates a short history of its studies based on symbolic economies in order to consider possible semantic differences, resulting in the various uses of economic analogy in the discourse of the first avant-garde. The article focuses on Futurist and Constructivists movements, trying to sketch conflicts between political commitment and artistic autonomy, possible economies of sign and some sources of the “economic imagination”.","PeriodicalId":128361,"journal":{"name":"Zagadnienia Rodzajów Literackich","volume":"104 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122869424","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Pisanie automatyczne, czyli o trudnych związkach awangardy z nowoczesnością","authors":"Marta Rakoczy","doi":"10.26485/zrl/2019/62.2/7","DOIUrl":"https://doi.org/10.26485/zrl/2019/62.2/7","url":null,"abstract":"The text refers to the surrealist invention of automatic writing examined in the anthropological and historical perspective. The aim of the article is to show the relationships of automatic writing with other non-literary cultural practices, especially graphological and spiritualistic. These practices explore the unconscious, strictly individual components of writing, aimed at revealing the social and psychological truth about the subject. They are also to show the domain of what is rejected by modern rationalism. In this article I want to show that the link between modernity, the avant-garde and the subconsciousness or superconsciousness is a complex epistemic fight with modern political and social administration that goes beyond the field of art to the field of broadly understood culture.","PeriodicalId":128361,"journal":{"name":"Zagadnienia Rodzajów Literackich","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130123476","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Resztki awangardy. Powojenne pisma filmowe Tadeusza Peipera","authors":"A. Wójtowicz","doi":"10.26485/zrl/2019/62.2/6","DOIUrl":"https://doi.org/10.26485/zrl/2019/62.2/6","url":null,"abstract":"Postwar film writings of Tadeusz Peiper are the protest against “the policics of the voice” (M. Dolar) of the Polish social realist and propaganda films. Escaping from be-ing involved in communist ideology, the author creates a cinematic theory concentrated on nonverbal elements. An important role is played by categories extremely far from the constructivist discourse of art (nostalgia, community, non-human).","PeriodicalId":128361,"journal":{"name":"Zagadnienia Rodzajów Literackich","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114208935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Paradoksy awangardowego zaangażowania. Ideologia (artystycznej) zmiany w powieści „Palę Paryż” Brunona Jasieńskiego","authors":"Iwona Boruszkowska","doi":"10.26485/zrl/2019/62.2/3","DOIUrl":"https://doi.org/10.26485/zrl/2019/62.2/3","url":null,"abstract":"The article contains considerations about the political and ideological engagement of the avantgarde writer that were developing in the inter war period and which have their origins amongst, for example, avant-garde ideas. The paper analyses Bruno Jasienski’s text “Pale Paryz” (I burn Paris) (1931), while the context for the novel is a critical revision of the relationship between politics and literature.","PeriodicalId":128361,"journal":{"name":"Zagadnienia Rodzajów Literackich","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116196621","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Co słychać w manifestach?","authors":"A. Karpowicz","doi":"10.26485/zrl/2019/62.2/2","DOIUrl":"https://doi.org/10.26485/zrl/2019/62.2/2","url":null,"abstract":"The text proposes an experimental reading of the manifestos of the first Polish futurists in line with the “listening to literature” project (Andrzej Hejmej). I look for traces of the audiosphere associated with the human voice in the manifestos and ephemeral prints in which they were published in 1921. I try to reconstruct them using the recontextual method, by outlining the discursive field of the era in which they were created. Asking about the possibility of reconstructing the audiosphere on the basis of historical texts, I point to screaming and shouting as the main voice practices of the interwar period and I make a connection between them and the language of the press and politics as well as subversive communication strategies.","PeriodicalId":128361,"journal":{"name":"Zagadnienia Rodzajów Literackich","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116749776","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Paradoksy awangardowego zaangażowania. Milczenie artysty i rewolucja. Przypadek Aleksandra Wata","authors":"M. Kmiecik","doi":"10.26485/zrl/2019/62.2/4","DOIUrl":"https://doi.org/10.26485/zrl/2019/62.2/4","url":null,"abstract":"At the end of the 1920s Aleksander Wat quits publishing his literary texts and focuses on editorial and journalistic activity thus developing the model of a romantic \"rigorist of action\" created by Adam Mickiewicz. The purpose of this article is, first of all, to compare the ideological postulates of Mickiewicz and Wat regarding the relationship between language and action, as well as to demonstrate the convergence of their social and political background. Secondly — I will examine the journalistic activity of Wat from the period of “Miesiecznik Literacki” (1929–1930): analyze his critique of Futurism (as too “literary” and only apparently engaged) and a new formula of non-fiction (presented in essays devoted to the social role of reportage).","PeriodicalId":128361,"journal":{"name":"Zagadnienia Rodzajów Literackich","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133123761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}