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Ernst Jünger and his Reception of Fyodor Dostoevsky 恩斯特·约恩格尔及其对陀思妥耶夫斯基的接受
The Dostoevsky Journal Pub Date : 2021-07-30 DOI: 10.1163/23752122-02201007
Siegfried Ulbrecht
{"title":"Ernst Jünger and his Reception of Fyodor Dostoevsky","authors":"Siegfried Ulbrecht","doi":"10.1163/23752122-02201007","DOIUrl":"https://doi.org/10.1163/23752122-02201007","url":null,"abstract":"\u0000 This contribution aims to present those aspects of the literary and intellectual legacy of F. M. Dostoevsky (1821–1881) that motivated Ernst Jünger (1895–1998) in formulating his own literary and essayistic work. Dostoevsky’s impact on Jünger has so far been researched only fragmentarily and sporadically. This builds on previous research and complements it with new findings. Ernst Jünger inquired into Dostoevsky’s works throughout his life. He perceived Dostoevsky as a foreteller of crises and disasters. Many of Jünger’s motifs, literary images, characters, and symbols were either influenced by or borrowed from Dostoevsky and developed further. Of great importance to Jünger are such phenomena as power, evil or misery, and pain. Dostoevsky also shaped Jünger’s approach to nihilism.","PeriodicalId":125221,"journal":{"name":"The Dostoevsky Journal","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128411584","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Slobodanka M. Vladiv-Glover. Dostoevsky and the Realists. Dickens, Flaubert, Tolstoy 斯洛博丹卡M.弗拉迪夫-格洛弗。陀思妥耶夫斯基和现实主义者。狄更斯，福楼拜，托尔斯泰
The Dostoevsky Journal Pub Date : 2021-07-30 DOI: 10.1163/23752122-02201008
K. Barsht
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引用次数: 1
Radicalizing Life after Death: Dostoevskii’s ‘Bobok: Zapiski odnogo litsa’ (‘Bobok: Notes of a Certain Person’) and Petrushevskaia’s Nomer Odin, ili V sadakh drugikh vozmozhnostei (Number One, or in the Gardens of Other Opportunities) 死后生活的激进化:陀思妥耶夫斯基的《书:某个人的笔记》和彼得鲁舍夫斯卡娅的《第一，或在其他机会的花园》
The Dostoevsky Journal Pub Date : 2021-07-30 DOI: 10.1163/23752122-02201005
Inna Tigountsova
{"title":"Radicalizing Life after Death: Dostoevskii’s ‘Bobok: Zapiski odnogo litsa’ (‘Bobok: Notes of a Certain Person’) and Petrushevskaia’s Nomer Odin, ili V sadakh drugikh vozmozhnostei (Number One, or in the Gardens of Other Opportunities)","authors":"Inna Tigountsova","doi":"10.1163/23752122-02201005","DOIUrl":"https://doi.org/10.1163/23752122-02201005","url":null,"abstract":"\u0000 The focus of this article is on Dostoevskii’s story “Bobok” [“Bobok,” 1873] and Petrushevskaia’s novel Nomer Odin, ili V sadakh drugikh vozmozhnostei [Number One, or In the Gardens of Other Opportunities, 2004]. These dialogical narratives explore the theme of life after death; they portray death as a transition to life that includes several stages, and focus on the process of dying, living in a different form, and dying again. I discuss how these radical views on death are expressed in “Bobok” and Nomer Odin (with some reference to Dostoevskii’s Zapiski iz podpol’ia [Notes from Underground, 1864] and Petrushevskaia’s Vremia: Noch’ [Time: Night, 1992]): from the “getting naked” (“zagolimsia,” “obnazhimsia”) preached and practised by the decaying corpses in Dostoevskii’s text, to transitions between different stages after death in Petrushevskaia’s novel, such as metempsychosis, as well as tropes used to denote these transitions.","PeriodicalId":125221,"journal":{"name":"The Dostoevsky Journal","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130196878","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Significance of N. N. Strakhov’s Ideas in the Context of Dostoevsky’s Novel The Idiot 论斯特拉霍夫思想在陀思妥耶夫斯基小说《白痴》中的意义
The Dostoevsky Journal Pub Date : 2021-07-30 DOI: 10.1163/23752122-02201002
A. V. Toichkina
{"title":"The Significance of N. N. Strakhov’s Ideas in the Context of Dostoevsky’s Novel The Idiot","authors":"A. V. Toichkina","doi":"10.1163/23752122-02201002","DOIUrl":"https://doi.org/10.1163/23752122-02201002","url":null,"abstract":"\u0000 The article deals with the question of the significance of N.N.Strakhov’s works for Dostoevsky’s novel The Idiot. In particular, excerpts from the History of New Philosophy by Kuno Fischer are analyzed. Passages from this work were published by Strakhov in the journals “Vremia” and “Svetoch” for 1861. Parts of Fischer’s History are important for understanding the philosophical ideas of Strakhov, and their significance for Dostoevsky’s novel The Idiot. Research shows that in terms of ideological content, Dostoevsky’s novel is polemically directed against Strakhov’s “idea of God”.","PeriodicalId":125221,"journal":{"name":"The Dostoevsky Journal","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121069061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Slobodanka M. Vladiv-Glover. Dostoevsky and the Realists: Dickens, Flaubert, Tolstoy 斯洛博丹卡M.弗拉迪夫-格洛弗。陀思妥耶夫斯基和现实主义者:狄更斯，福楼拜，托尔斯泰
The Dostoevsky Journal Pub Date : 2021-07-30 DOI: 10.1163/23752122-02201011
Alexandra Smith
{"title":"Slobodanka M. Vladiv-Glover. Dostoevsky and the Realists: Dickens, Flaubert, Tolstoy","authors":"Alexandra Smith","doi":"10.1163/23752122-02201011","DOIUrl":"https://doi.org/10.1163/23752122-02201011","url":null,"abstract":"","PeriodicalId":125221,"journal":{"name":"The Dostoevsky Journal","volume":"96 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133277756","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Ghost of the Nephew: Napoleon iii in “The Demons” by F. M. Dostoevsky 侄子的幽灵:陀思妥耶夫斯基《恶魔》中的拿破仑三世
The Dostoevsky Journal Pub Date : 2021-07-30 DOI: 10.1163/23752122-02201003
I. A. Kravchuk
{"title":"The Ghost of the Nephew: Napoleon iii in “The Demons” by F. M. Dostoevsky","authors":"I. A. Kravchuk","doi":"10.1163/23752122-02201003","DOIUrl":"https://doi.org/10.1163/23752122-02201003","url":null,"abstract":"\u0000 The article contains an analysis of one of the references to Emperor Napoleon iii in the preparatory materials of F. M. Dostoevsky for The Demons. In addition, the hypothesis of Louis Bonaparte as one of the prototypes of Peter Verkhovensky is considered. This assumption is based on the material of Dostoevsky’s notebooks and has already been expressed by V. A. Tunimanov and A. Pekurovskaya, although it has not yet received complete development. The article shows what are the details of Napoleon iii’s biography, what are the elements of his political tactics and individual myth that could be known to Dostoevsky and used by him in creating such a character as younger Verkhovensky. In line with the “black legend” about Louis Bonaparte, Verkhovensky relies on people who are deprived of a stable social position. He goes for a hoax willingly and hopes that demoralization and panic in society will allow him to come to power. Just as Napoleon iii stands hostage for the myth of his great uncle, Verkhovensky is slavishly dependent on his “idol,” his “Ivan Tsarevitch”—Stavrogin. Both pairs can be considered from the point of view of the phenomenon of mimetic desire as it was described by R. Girard. The article also shows how historical and literary prototypes of the same character interact with each other, revealing certain functional features of the new hero. In this case, the relationship between the figures of Napoleon iii and Gogol’s Khlestakov in the general design of the image of Verkhovensky is briefly addressed.","PeriodicalId":125221,"journal":{"name":"The Dostoevsky Journal","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121132218","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Christopher Columbus and the «Great River Orinoko» in the Genesis of Dostoevsky’s Crime and Punishment 陀思妥耶夫斯基《罪与罚》的起源中的克里斯托弗·哥伦布和“奥里诺科河”
The Dostoevsky Journal Pub Date : 2020-09-05 DOI: 10.1163/23752122-02101001
K. Barsht
{"title":"Christopher Columbus and the «Great River Orinoko» in the Genesis of Dostoevsky’s Crime and Punishment","authors":"K. Barsht","doi":"10.1163/23752122-02101001","DOIUrl":"https://doi.org/10.1163/23752122-02101001","url":null,"abstract":"\u0000In the Notebooks to Crime and Punishment, kept by Dostoevsky during 1864–1865, we find a calligraphic annotation «Orenoko»\u00001\u0000 and one abbreviated variant «Oren». While these two caligraphic entries appear to be accidental and without much bearing on the genesis of Crime and Punishment, in actual fact these entries are traces of an alternative conception of the novel with which Dostoevsky was working, which is connected with the question of the meaning of life and the philosophical journey of his heroes. The theme of South America figured prominently in these deliberations, represented by the River Orinoko (the second largest river of the South American continent, called the «Big River» by the Indians), by the figure and destiny of Christopher Columbus and by Daniel Defoes’s novel Robinson Crusoe. Dostoevsky’s letters and works testify to his abiding interest in the discovery of America, the slave trade, and the attempts of the followers of Fourierism to establish there a society along new just principles. This article investigates the traces of the theme of Orenoko, the discovery of America and Defoe’s novel in Dostoevsky’s works, with special emphasis on the Notebooks to Crime and Punishment The semantic nexus “Robinson Crusoe — Christopher Columbus” in its portrayal of one of the incarnations of a “positively beautiful man”, ready to pronounce his “new word” and advance the history of mankind, forms an expanded paradigm that includes the appearance of “uninhabited island” as the last refuge for a talented person not recognized and rejected by the crowd. Simultaneously, it depicts the genesis of Dostoevsky’s “artistic Word”.","PeriodicalId":125221,"journal":{"name":"The Dostoevsky Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125506071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dostoevsky’s Drawings: a New Perspective on his Literary Creation (Presentation of Konstantin Barsht’s Book The Drawings and Calligraphy of Fyodor Dostoevsky) 陀思妥耶夫斯基的绘画:文学创作的新视角(介绍康斯坦丁·巴什特的《陀思妥耶夫斯基的绘画与书法》)
The Dostoevsky Journal Pub Date : 2020-09-05 DOI: 10.1163/23752122-02101003
W. Schmid
{"title":"Dostoevsky’s Drawings: a New Perspective on his Literary Creation (Presentation of Konstantin Barsht’s Book The Drawings and Calligraphy of Fyodor Dostoevsky)","authors":"W. Schmid","doi":"10.1163/23752122-02101003","DOIUrl":"https://doi.org/10.1163/23752122-02101003","url":null,"abstract":"\u0000More than 200 sheets of Dostoevsky’s manuscripts contain drawings, among them mainly portraits, sketches of Gothic windows and arches and calligrams. Dostoevsky’s graphic work is basically auto-communicative, not intended for a public. The graphics are not an illustration of the corresponding novels but express associations often of a highly private nature and have a meaning for the work that is often only very indirect and difficult to grasp. Dostoevsky’s graphics thus require hermeneutic effort, which has been achieved by Professor Konstantin Barsht of St. Petersburg in an impressive book, published in three separate editions in Russian, English and Italian. The decoding of Dostoevsky’s drawings is a most valuable contribution to Dostoevsky scholarship. It will serve to support new readings of Dostoevsky’s works or readings already in existence which have not received a favorable reception because of existing preconceptions about Dostoevsky’s system of beliefs relevant to his aesthetic production.","PeriodicalId":125221,"journal":{"name":"The Dostoevsky Journal","volume":"78 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130619871","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From Graphics to Calligraphy: textological Study of the Semantics and Poetcis of F. M. Dostoevsky’s The Idiot 从图形到书法:陀思妥耶夫斯基《白痴》语义学与诗学的考据研究
The Dostoevsky Journal Pub Date : 2020-09-05 DOI: 10.1163/23752122-02101002
N. Tarasova
{"title":"From Graphics to Calligraphy: textological Study of the Semantics and Poetcis of F. M. Dostoevsky’s The Idiot","authors":"N. Tarasova","doi":"10.1163/23752122-02101002","DOIUrl":"https://doi.org/10.1163/23752122-02101002","url":null,"abstract":"\u0000The article contains an analysis of the manuscript materials to the novel The Idiot, comprised in three of Dostoevsky’s notebooks, dated bewteen 1867 and 1868. The article examines the probelms of the creative conception of the novel, the establishment of the text and the sequence of notes, as well as the study of Dostoevsky’s caligraphy. As a result of a critical evaluation of the scholarly publications of The Idiot, a revision of the Soviet tradition of establishing «versions» of the novel in the drafts to the novel is proposed. Comparing the published draft texts with the original, we were able to correct and give textological commentary to many previous readings of the drafts. We paid particular attention to the interpretation of Dostoevsky’s use of capital and small letters in the drafts, including the designation of the main hero by Dostoevsy as «idiot»/«Idiot». We examined the functional and semantic significance of the caligraphic writing found among the drafts to the novel. Our analysis shows that caligraphy had an artistic meaning not only in connection with the drafts to which it related but in the formation of the total conception of the novel and its problem statement, while it also determined Dostoevsky’s creative process. It is not an accident that Dostoevsky’s most intense experimentation with caligraphy coincides with the period of the writing of The Idiot, whose hero is an expert in caligraphy.","PeriodicalId":125221,"journal":{"name":"The Dostoevsky Journal","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132966626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fragmentation vs. Integration in Dostoevsky’s Crime and Punishment 陀思妥耶夫斯基《罪与罚》中的分裂与整合
The Dostoevsky Journal Pub Date : 2020-09-05 DOI: 10.1163/23752122-02101004
Željka Matijašević
{"title":"Fragmentation vs. Integration in Dostoevsky’s Crime and Punishment","authors":"Željka Matijašević","doi":"10.1163/23752122-02101004","DOIUrl":"https://doi.org/10.1163/23752122-02101004","url":null,"abstract":"In this paper I analyse the internal splitting in Raskolnikov’s character, and the path which leads him from fragmentation to integration. The splitting of the character is explained as complemented by the split in the novel through the ‘surprising’ end of the novel, both in its style and brevity, i.e. the resolution of the internal conflict via Raskolnikov’s mystical turn to faith. The splitting comprises the fact that Raskolnikov must alienate himself in radical alterity in order to come to his authentic self; the split between the fictitious, false self of the extraordinary man and the realistic and true self of the ordinary man at the end of the novel tells the story of how the fragmented self, paradoxically, opens up the way to the integrated self. For this purpose I have relied mostly on Lacanian concepts, as Lacan’s idea of the integrated ‘I’ is closely related to the ethical act by which the Symbolic is transgressed, and which represents a radical alienation in the Real concomitant with the temporary suspension of the Symbolic.","PeriodicalId":125221,"journal":{"name":"The Dostoevsky Journal","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130856045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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