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The Dostoevsky Journal最新文献

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Introduction by Guest Editor 特邀编辑介绍
The Dostoevsky Journal Pub Date : 2022-12-22 DOI: 10.1163/23752122-02301001
O. Shalygina
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引用次数: 0
Russian Orthodoxy is a Terrible Force 俄罗斯东正教是一股可怕的力量
The Dostoevsky Journal Pub Date : 2022-12-22 DOI: 10.1163/23752122-02301009
Elena-Olga Ryygas
{"title":"Russian Orthodoxy is a Terrible Force","authors":"Elena-Olga Ryygas","doi":"10.1163/23752122-02301009","DOIUrl":"https://doi.org/10.1163/23752122-02301009","url":null,"abstract":"\u0000The invasion of Ukraine by Russian troops in February 2022 calls into question the legal status of the Russian Orthodox Church (headed by Patriarch Kirill) as a religious organization claiming Eastern Christian heritage. While the Russian Orthodox Church appropriates the history of Kievan Rus, the top hierarchs of the roc are guided by the ideology of servility and Bolshevism. At the same time, the Catacombers who survived the Bolshevik persecution also consider themselves part of Russian Orthodoxy. They are like the inhabitants of Kitezh-Town, the legendary sunken city hidden under water. The Catacombers are silent participants in the anti-war protest and oppose the ideas of the Russian World and nuclear Orthodoxy. They run a partisan movement of volunteers helping Ukrainian refugees. If one wonders whether Russian Orthodoxy is possible after the Russian invasion of Ukraine, then the answer is seen in the prophecy of the political scientist, V. Kramnik, about the inevitable collapse of the Russian Federation and the appearance of the Republic of Rus instead of it. Citizens of the provisional Kitezh-Town in the Republic of Rus will be the real descendants of Kievan Rus and elective affinities of the Ukrainians.","PeriodicalId":125221,"journal":{"name":"The Dostoevsky Journal","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132023523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Julia Kristeva, Dostoyevsky, or The Flood of Language. Translated by Jody Gladding. Foreword by Rowan Williams.Columbia University Press, 2022 茱莉亚·克里斯蒂娃，陀思妥耶夫斯基，或者《语言的洪流》。乔迪·格莱丁翻译。罗文·威廉姆斯作序。哥伦比亚大学出版社，2022
The Dostoevsky Journal Pub Date : 2022-12-22 DOI: 10.1163/23752122-02301011
H. Buchanan
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引用次数: 0
New Perspectives on Dostoevsky: Notes, Queries, Translations 陀思妥耶夫斯基的新视角:笔记、质疑与翻译
The Dostoevsky Journal Pub Date : 2022-12-22 DOI: 10.1163/23752122-02301012
Irene Zohrab
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引用次数: 0
Reception of Literature through the Prism of War: Testimony of a Teacher at the University in Ukraine 透过战争的棱镜接受文学:一位乌克兰大学教师的证词
The Dostoevsky Journal Pub Date : 2022-12-22 DOI: 10.1163/23752122-02301007
Elena Bystrova
{"title":"Reception of Literature through the Prism of War: Testimony of a Teacher at the University in Ukraine","authors":"Elena Bystrova","doi":"10.1163/23752122-02301007","DOIUrl":"https://doi.org/10.1163/23752122-02301007","url":null,"abstract":"\u0000This is a personal testimony of the experience of a teacher of literature, who was facing a class of frightened students on February 24, 2022. The young people wanted an explanation for what was happening. The teacher did not have one and is trying to come to terms with the Russian invasion of her country by reviewing some aspects of Russia culture which have been a guiding light to her in her career as a literature teacher. Obstructing any form of dissemination of Russian culture amongst student in Ukraine is the knowledge that the Russian Federation’s aim is the total negation of Ukrainian culture and nationhood.","PeriodicalId":125221,"journal":{"name":"The Dostoevsky Journal","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128530030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Roundtable Discussion on “War, Literature and History” Sponsored by the Australian Dostoevsky Society Hegel Reading Group Hosted by School of Critical Arts (Perth) 25 July 2022, 2-4 awst, 4-6 aest (virtual) 澳大利亚陀思妥耶夫斯基学会黑格尔读书会“战争、文学与历史”圆桌讨论会(珀斯)2022年7月25日，西经2-4日，西经4-6日(虚拟)
The Dostoevsky Journal Pub Date : 2022-12-22 DOI: 10.1163/23752122-02301006
Millicent Vladiv-Glover
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引用次数: 0
Three Levs Nikolaevich: Tolstoy, Myshkin, Odoevtsev: Dostoevsky’s The Idiot in Light of Andrei Bitov’s Pushkin House 尼古拉耶维奇:托尔斯泰、梅什金、奥多耶夫采夫:陀思妥耶夫斯基的《白痴》与安德烈·比托夫的《普希金之家》对比
The Dostoevsky Journal Pub Date : 2021-07-30 DOI: 10.1163/23752122-02201006
Maxwell Parlin
{"title":"Three Levs Nikolaevich: Tolstoy, Myshkin, Odoevtsev: Dostoevsky’s The Idiot in Light of Andrei Bitov’s Pushkin House","authors":"Maxwell Parlin","doi":"10.1163/23752122-02201006","DOIUrl":"https://doi.org/10.1163/23752122-02201006","url":null,"abstract":"\u0000 Exploring the connection between Dostoevsky’s Lev Nikolaevich Myshkin, Bitov’s Lev Nikolaevich Odoevtsev, and Lev Nikolaevich Tolstoy, this article interprets The Idiot through the prism of Pushkin House. The overarching claim is that Bitov’s novel and hero provide deep insight into Dostoevsky’s. Specifically, Pushkin House illuminates a dynamic left cryptic in The Idiot: how sentimental scripting (narratology) interrelates with humanism (theology), and how sentimental humanism, despite the good intentions of its practitioners, is counterproductive. In brief, sensitivity, a positive trait, unchecked by the sobering notion of sin, easily tips into sentimentality, prone to idolize the other. Idolatry of other, paradoxically, turns out to be idolatry of self. Apparently innocuous and sympathetic, sentimental scripting nevertheless contains the seeds of tragedy and tyranny, as Bitov’s novel makes explicit, linking this dynamic ultimately with Stalinism. The antidote to endless fear and manipulation of others, Pushkin House suggests, is a personal relationship with God.","PeriodicalId":125221,"journal":{"name":"The Dostoevsky Journal","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122217336","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Dostoevskian Dialogue Structure for the Presentation of the Unconscious 无意识呈现的陀思妥耶夫斯基式对话结构
The Dostoevsky Journal Pub Date : 2021-07-30 DOI: 10.1163/23752122-02201004
Y. Greenberg
{"title":"A Dostoevskian Dialogue Structure for the Presentation of the Unconscious","authors":"Y. Greenberg","doi":"10.1163/23752122-02201004","DOIUrl":"https://doi.org/10.1163/23752122-02201004","url":null,"abstract":"\u0000 In this article, I demonstrate that in Crime and Punishment (1866) and Demons (1872), Dostoevsky uses a specific type of dialogue—which I term “the about-face dialogue”—to present the displacement of a young man’s unconscious rage against his mother on to society while hiding it from the awareness of both protagonist and reader. In this type of dialogue, the protagonist interprets his interlocutor’s unwittingly ambiguous word or phrase as a scathing rebuke of his rage against his mother, and his reaction constitutes a displacement of this rage on to the outside world. Our awareness of the interplay between the unconscious and the outside world in this type of dialogue enables us to understand the protagonist’s sudden about-face from compassion to apathy, or even animosity, which is incomprehensible on the purely rational level.","PeriodicalId":125221,"journal":{"name":"The Dostoevsky Journal","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116005781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
200 Years since the Birth of Dostoevsky 1821–1881 陀思妥耶夫斯基诞辰200周年1821-1881
The Dostoevsky Journal Pub Date : 2021-07-30 DOI: 10.1163/23752122-02201012
S. Vladiv-Glover
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引用次数: 0
The Symbolism of Oak Leaves in Dostoevsky’s Notebooks (Drafts) to Crime and Punishment (with illustrations) 陀思妥耶夫斯基《罪与罚笔记(草稿)》中橡树叶的象征意义(附插图)
The Dostoevsky Journal Pub Date : 2021-07-30 DOI: 10.1163/23752122-02201001
K. Barsht
{"title":"The Symbolism of Oak Leaves in Dostoevsky’s Notebooks (Drafts) to Crime and Punishment (with illustrations)","authors":"K. Barsht","doi":"10.1163/23752122-02201001","DOIUrl":"https://doi.org/10.1163/23752122-02201001","url":null,"abstract":"\u0000 The article offers a new interpretation of the various expressions of the motif or sign of oak leaves, contained in the manuscript drafts of the novel Crime and Punishment. The expressions of the motif are decoded in the style of 3D letters, pointing to the key words of the third draft of the novel: “Dostoevsky”, “Journal”, “Routine”. These signs, which are part of Dostoevsky’s ideographic language, belong to the period of work on the novel from October to December 1865. It is the period in which the hero’s ideology was radically transformed, and the philanthropic motivation of the murders (to help the mother and the sister) was substituted by the “Napoleonic idea” (“am I a trembling worm or do I have the right”). The examination of these signs in conjunction with the writer’s notes contiguous with them, leads to the inference that these signs are genetically connected with the heraldry of the Dostoevsky clan, as well as with the symbolism of the 19th century “mundir” (uniform) attributions: the oak leaves were embroidery adorning a general’s “mundir”, and were a sign of recognition “for outstanding service”. Napoleon’s uniform, at the time of the Battle of Marengo, also had oak leaves embroidery; the battle is mentioned twice by Dostoevsky in the course of work on Crime and Punishment.","PeriodicalId":125221,"journal":{"name":"The Dostoevsky Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129357100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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