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Contemporary Film Studies最新文献

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Inter-Korean Relations Remain Precarious in A Spy Gone North, Illang: The Wolf Brigade, Swing Kids and Take Point - trends in Korean Cinema in 2018 《间谍北上》、《狼之旅》、《摇摆孩子》和《抢点》——2018年韩国电影的趋势
Contemporary Film Studies Pub Date : 2019-08-01 DOI: 10.15751/cofis.2019.15.3.157
Jason Bechervaise
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引用次数: 0
Wandering Around Where Cinema Used to Be -On the Case of Tsai Ming-liang’s Works Since Goodbye, Dragon Inn (2003)- 徘徊在电影曾经的地方——以蔡明亮2003年以来的作品为例
Contemporary Film Studies Pub Date : 2019-08-01 DOI: 10.15751/cofis.2019.15.3.7
Jungkoo Kim
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引用次数: 0
Are Films Simply Cinematic Representations of Imaginary Scenarios? -Focusing on the First Judgment in the Action for Damages Resulting from Anti-Chosunjoks Hate Speech in Midnight Runners- 电影仅仅是虚构场景的电影表现吗?——关注“午夜跑者”反朝鲜民族仇恨言论损害赔偿诉讼的一审判决
Contemporary Film Studies Pub Date : 2019-08-01 DOI: 10.15751/cofis.2019.15.3.109
H. Han, Shin， Jung Ah
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引用次数: 0
Reconsideration of Kittler’s Concept of the filmic doppelgänger: -Focusing on the early film Frankenstein- 重新思考基特勒的电影概念doppelgänger——以早期电影《弗兰肯斯坦》为中心
Contemporary Film Studies Pub Date : 2019-05-01 DOI: 10.15751/COFIS.2019.15.2.63
Shim， Hyowon
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引用次数: 0
Contingent Reality in 'Ten'(2002) from View point of Dispositif 《十》(2002)中的偶然现实——从处置论的角度看
Contemporary Film Studies Pub Date : 2019-05-01 DOI: 10.15751/COFIS.2019.15.2.85
M. Jang, MoonJaecheol
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引用次数: 0
A Study on the Vectors and Topography of Armenian Genoside Films -Focusing on the politics of memory and the aesthetics of trauma healing- 亚美尼亚基诺内酯电影的载体和地形研究——聚焦于记忆的政治和创伤愈合的美学
Contemporary Film Studies Pub Date : 2019-05-01 DOI: 10.15751/COFIS.2019.15.2.35
Young Eun Park
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引用次数: 0
Space of the Interactive Film-Virtual Space, Cyberspace, Remmediation Space- 互动空间——虚拟空间、网络空间、修复空间
Contemporary Film Studies Pub Date : 2019-05-01 DOI: 10.15751/COFIS.2019.15.2.7
Woongyoung Ghe
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引用次数: 3
The Humanistic Ontological View of the Arts in the Film 电影艺术的人文本体论观
Contemporary Film Studies Pub Date : 2019-05-01 DOI: 10.15751/COFIS.2019.15.2.101
Jung Byungkee
{"title":"The Humanistic Ontological View of the Arts in the Film","authors":"Jung Byungkee","doi":"10.15751/COFIS.2019.15.2.101","DOIUrl":"https://doi.org/10.15751/COFIS.2019.15.2.101","url":null,"abstract":"","PeriodicalId":123012,"journal":{"name":"Contemporary Film Studies","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116941606","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rethinking the total cinema -Through the concept of Bazin and Barjavel- 重新思考整体电影——通过巴赞和巴贾维尔的概念
Contemporary Film Studies Pub Date : 2019-05-01 DOI: 10.15751/COFIS.2019.15.2.121
Jung In Sun, T. Chung
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引用次数: 0
A Genealogy between Ip Man and Bruce Lee -the Post-1997 Hong Kong Kung Fu Films and Chinese Nationalism*- 叶问与李小龙的宗谱——1997年后香港功夫电影与中国民族主义*
Contemporary Film Studies Pub Date : 2019-02-01 DOI: 10.15751/COFIS.2019.15.1.173
Guk-jo Jeon
{"title":"A Genealogy between Ip Man and Bruce Lee -the Post-1997 Hong Kong Kung Fu Films and Chinese Nationalism*-","authors":"Guk-jo Jeon","doi":"10.15751/COFIS.2019.15.1.173","DOIUrl":"https://doi.org/10.15751/COFIS.2019.15.1.173","url":null,"abstract":"","PeriodicalId":123012,"journal":{"name":"Contemporary Film Studies","volume":"126 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116166581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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