Contemporary Film Studies最新文献

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Korean Films in the 1970s(1972~1979) -Youth Culture, Yongsang Sidae(The Visual Age), New Interpretation on Sexuality, and Romantic Resistance- 20世纪70年代的韩国电影(1972~1979)——《青年文化》、《视觉时代》、《性的新诠释》、《浪漫主义抵抗
Contemporary Film Studies Pub Date : 2019-11-01 DOI: 10.15751/cofis.2019.15.4.145
T. Chung
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引用次数: 0
Pure-Salvational Women in Secular -Gender Representation of Korean Movies in 1970’s- 世俗中的纯粹救世女性——70年代韩国电影的性别表现
Contemporary Film Studies Pub Date : 2019-11-01 DOI: 10.15751/cofis.2019.15.4.195
한영현
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引用次数: 0
1960s Korean SF Monster Movies and the Aspects of Film Exchange and Relationship in Northeast Asia 20世纪60年代韩国科幻怪物电影与东北亚电影交流与关系的几个方面
Contemporary Film Studies Pub Date : 2019-11-01 DOI: 10.15751/cofis.2019.15.4.45
Chungbeom Ham
{"title":"1960s Korean SF Monster Movies and the Aspects of Film Exchange and Relationship in Northeast Asia","authors":"Chungbeom Ham","doi":"10.15751/cofis.2019.15.4.45","DOIUrl":"https://doi.org/10.15751/cofis.2019.15.4.45","url":null,"abstract":"1960s Korean SF Monster Movies and the Aspects of Film Exchange and Relationship in Northeast Asia Ham, Chung Beom Research Professor / Contemporary Cinema Research Institute, Hanyang University This article examines the aspects of Korean SF monster films and cinematic exchange and Relationship in Northeast Asia during the 1960s through three movies titled The Iron-eating Monster: Bulgasari (1962), Big Monster Wangmagwi (1967) and Yongary, Monster from the Deep (1967). The movies above feature a monster with a strange animal appearance, so all of them may be categorized as “monster movie”. And, the fact that its unusual attempt to introduce special effects during its planning and production in 1960s was influenced by a Japanese movie Godzilla (1954) cannot be ignored. On the other hand, “historical” monster films represented by The Iron-eating Monster: Bulgasari converged on SF monster films including Big Monster Wangmagwi and Yongary, Monster from the Deep, cinematic relationship and exchange between Korea and Japan got heated up. Moreover, the stories behind these films indicate the character of Korean society in the 1960s when the state-led anticommunist jingoism and nationalism were strengthened. In addition, in the case of The Iron-eating Monster: Bulgasari, after more than 20 years, again reveals international exchange and relationship.","PeriodicalId":123012,"journal":{"name":"Contemporary Film Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129731713","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Images that Accompany Human -A Study on the Mobility of Digital Cinema- 伴随人的影像——数字电影的移动性研究
Contemporary Film Studies Pub Date : 2019-11-01 DOI: 10.15751/cofis.2019.15.4.9
김금동, 남기웅
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引用次数: 0
An Aesthetic Study on the Material Traits of Digital Cinema 数字电影材料特征的美学研究
Contemporary Film Studies Pub Date : 2019-11-01 DOI: 10.15751/cofis.2019.15.4.29
정헌
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引用次数: 0
‘The Metonymic Expansion of Thought’ in the Visual Image of the Movie -Focused on the Film Snowpiercer- 电影视觉形象中的“思想转喻扩张”——以电影《雪国列车》为例
Contemporary Film Studies Pub Date : 2019-11-01 DOI: 10.15751/cofis.2019.15.4.71
J. Park, Dae-Geun Lim
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引用次数: 0
The Rhetoric of the Cold War and Fear of Nuclear War in German Films of the 1950s 冷战修辞与20世纪50年代德国电影对核战争的恐惧
Contemporary Film Studies Pub Date : 2019-08-01 DOI: 10.15751/cofis.2019.15.3.81
Jong-Ho Pih
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引用次数: 0
Ethnographic Films and Simplification of Visual Technology -The History and Possibility of Participatory Media- 民族志电影与视觉技术的简化——参与式媒体的历史与可能性
Contemporary Film Studies Pub Date : 2019-08-01 DOI: 10.15751/cofis.2019.15.3.55
Il-dong Joe
{"title":"Ethnographic Films and Simplification of Visual Technology -The History and Possibility of Participatory Media-","authors":"Il-dong Joe","doi":"10.15751/cofis.2019.15.3.55","DOIUrl":"https://doi.org/10.15751/cofis.2019.15.3.55","url":null,"abstract":"","PeriodicalId":123012,"journal":{"name":"Contemporary Film Studies","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132441492","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Study on the Movie Theater and the Cinematic Experience in The Early Cinema Era -Focussed on the Birth and the Development of Movie Theater in Germany- 早期电影时代的电影院与电影体验研究——以德国电影院的诞生与发展为中心
Contemporary Film Studies Pub Date : 2019-08-01 DOI: 10.15751/cofis.2019.15.3.27
Ju-Bong Lee
{"title":"A Study on the Movie Theater and the Cinematic Experience in The Early Cinema Era -Focussed on the Birth and the Development of Movie Theater in Germany-","authors":"Ju-Bong Lee","doi":"10.15751/cofis.2019.15.3.27","DOIUrl":"https://doi.org/10.15751/cofis.2019.15.3.27","url":null,"abstract":"","PeriodicalId":123012,"journal":{"name":"Contemporary Film Studies","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127166045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Implication of Traditional Culture and Transculturation Image Analysis in Jia Zhangke’s "Still Life" (2006) 贾樟柯《静物》(2006)中的传统文化意蕴与跨文化影像分析
Contemporary Film Studies Pub Date : 2019-08-01 DOI: 10.15751/cofis.2019.15.3.137
호미
{"title":"The Implication of Traditional Culture and Transculturation Image Analysis in Jia Zhangke’s \"Still Life\" (2006)","authors":"호미","doi":"10.15751/cofis.2019.15.3.137","DOIUrl":"https://doi.org/10.15751/cofis.2019.15.3.137","url":null,"abstract":"","PeriodicalId":123012,"journal":{"name":"Contemporary Film Studies","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126120349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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