Nineteenth-Century Settler Emigration in British Literature and Art最新文献

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Emigration Aesthetics: Elizabeth Gaskell, Charles Dickens and Catherine Helen Spence 移民美学:伊丽莎白·盖斯凯尔、查尔斯·狄更斯和凯瑟琳·海伦·斯宾塞
Nineteenth-Century Settler Emigration in British Literature and Art Pub Date : 2018-09-01 DOI: 10.3366/edinburgh/9781474433693.003.0006
Fariha Shaikh
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引用次数: 0
Emigrant Shipboard Newspapers: Provisional Settlement at Sea 移民船报:海上临时定居
Nineteenth-Century Settler Emigration in British Literature and Art Pub Date : 2018-09-01 DOI: 10.3366/edinburgh/9781474433693.003.0003
Fariha Shaikh
{"title":"Emigrant Shipboard Newspapers: Provisional Settlement at Sea","authors":"Fariha Shaikh","doi":"10.3366/edinburgh/9781474433693.003.0003","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474433693.003.0003","url":null,"abstract":"Chapter Two takes up the concerns of the first chapter regarding the grey areas between public and private spheres and the binaries of manuscript and print in the context of two manuscript shipboard periodicals, the Alfred (1839) and the Open Sea (1868). These were periodicals that emigrants had made themselves during the voyage to Australia. Whereas success is the inevitable conclusion of printed emigrants’ letters (and other propaganda), shipboard periodicals remain distinct from these genres because of their ostensible lack of participation in these narratives. Manuscript shipboard periodicals aim to invest themselves with the qualities of printed, land-based periodicals through their mimicry of them. Thus, rather than focussing on the colony as a place of settlement, these periodicals produce a culture of settlement on board the ship. In constructing the voyage out as a preparatory stage to the actual task of settlement in the colonies, these periodicals participate in the colonial push to turn emigrants into successful settlers.","PeriodicalId":115547,"journal":{"name":"Nineteenth-Century Settler Emigration in British Literature and Art","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132325319","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Printed Emigrants’ Letters: Networks of Affect and Authenticity 印刷移民信件:情感网络与真实性
Nineteenth-Century Settler Emigration in British Literature and Art Pub Date : 2018-09-01 DOI: 10.3366/edinburgh/9781474433693.003.0002
Fariha Shaikh
{"title":"Printed Emigrants’ Letters: Networks of Affect and Authenticity","authors":"Fariha Shaikh","doi":"10.3366/edinburgh/9781474433693.003.0002","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474433693.003.0002","url":null,"abstract":"Chapter One looks at printed emigrants’ letters, a genre that has hitherto been neglected in both literary and historical studies of emigration on account of their dubious authenticity. Nineteenth-century publishers saw emigrants’ letters written to friends, family, emigration societies and philanthropists as a valuable source of information on emigration. Letters were often printed and circulated in a wide array of places, from periodicals to emigration society reports, pamphlets to edited collections. This chapter explores the ways in which printed emigrants’ letters manage the text’s transition from manuscript to print. It focusses on collections of edited letters which were published by an emigration scheme or society, such as the New Zealand Company, Thomas Sockett’s Petworth Emigration Scheme, and Caroline Chisholm’s Family Colonisation Loan Society. These letters provide first-hand accounts of emigration, of the colonies and of settling. They exude an intimate, personal tone and provide readers with a vicarious experience of emigration. At the same time, however, printed letters have been taken out of the context of small, personal networks of circulation and placed in the larger, and more public circulation, of print. Editors were keen to impress upon a suspicious reading public that the letter’s mobility, as it travelled from the colonies back to Britain and into print, had not compromised its authenticity. Producing the effect of being authentic was an integral part of these letters’ commodity status: potential emigrants had to be convinced that the tales of the colonies in the letters really were true if they were going to buy them.","PeriodicalId":115547,"journal":{"name":"Nineteenth-Century Settler Emigration in British Literature and Art","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115064781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fragmentary Aesthetics: Susanna Moodie and Catharine Parr Traill in the Canadian Bush 片断美学:苏珊娜·穆迪和凯瑟琳·帕尔·特雷尔在加拿大丛林
Nineteenth-Century Settler Emigration in British Literature and Art Pub Date : 2018-09-01 DOI: 10.3366/edinburgh/9781474433693.003.0004
Fariha Shaikh
{"title":"Fragmentary Aesthetics: Susanna Moodie and Catharine Parr Traill in the Canadian Bush","authors":"Fariha Shaikh","doi":"10.3366/edinburgh/9781474433693.003.0004","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474433693.003.0004","url":null,"abstract":"Chapter Three focusses on the semi-autobiographical accounts of settlement by Susanna Moodie and her sister, Catharine Parr Traill. It argues that the sketch form as practised by Moodie in Roughing it in the Bush (1852) and by Parr Traill in The Backwoods of Canada (1836), is an attempt to counter the tall tales of success circulating in booster literature. In this way, it takes on the concerns raised in the second chapter of what form is suitable for expressing the experiences of settlement. It argues that the sketch is intimately linked to the female experience of settlement: they could be written in the small hours of the night when the day-time chores were finished and children were in bed. Sketches thus capture a sense of these snatched fragments of time and simultaneously evoke the fragmented sensibility which comes when faced with such new surroundings.","PeriodicalId":115547,"journal":{"name":"Nineteenth-Century Settler Emigration in British Literature and Art","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128074640","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Conclusion: Structures of Mobility 结论:流动性结构
Nineteenth-Century Settler Emigration in British Literature and Art Pub Date : 2018-09-01 DOI: 10.3366/edinburgh/9781474433693.003.0007
Fariha Shaikh
{"title":"Conclusion: Structures of Mobility","authors":"Fariha Shaikh","doi":"10.3366/edinburgh/9781474433693.003.0007","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474433693.003.0007","url":null,"abstract":"The conclusion recounts the key themes of emigration literature. Although the purposes, audiences and contexts of production and consumption of the genres and media explored in Imaginary Distance differ hugely, in their own ways they all influenced how British people thought about their place in the world and their extending kinship ties across time and space. Emigration literature engages with issues of mobility, flow and circulation of texts, peoples, ideas and things, but crucially, it is also defined by its emphasis on settlement, place and stability.","PeriodicalId":115547,"journal":{"name":"Nineteenth-Century Settler Emigration in British Literature and Art","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126879578","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Emigration Paintings: Visual Texts and Mobility 移民绘画:视觉文本和流动性
Nineteenth-Century Settler Emigration in British Literature and Art Pub Date : 2018-09-01 DOI: 10.3366/edinburgh/9781474433693.003.0005
Fariha Shaikh
{"title":"Emigration Paintings: Visual Texts and Mobility","authors":"Fariha Shaikh","doi":"10.3366/edinburgh/9781474433693.003.0005","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474433693.003.0005","url":null,"abstract":"Chapter Four looks at representations of emigration in narrative paintings. The chapter explores how even in the visual realm, emigration is rendered into its textual components. It focusses in particular on five paintings of the mid-century: Ford Madox Brown’s The Last of England (1855), Richard Redgrave’s The Emigrant’s Last Sight of Home (1858), Thomas Webster’s A Letter from the Colonies (1852), James Collinson’s Answering the Emigrant’s Letter (1850) and Abraham Solomon’s Second Class–the Parting (1854). In each of the paintings, emigration manifests itself through the texts of emigration literature, be it an emigrant’s letter, a map, a shipping advertisement or the name of the ship. However, the chapter argues that these emigration paintings eschewed the standard emigrant success story that circulated in print. Instead, these paintings construct a dynamic between image and text in order to emphasise the pain and uncertainty of emigration.","PeriodicalId":115547,"journal":{"name":"Nineteenth-Century Settler Emigration in British Literature and Art","volume":"388 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116523005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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