Eighteenth Century Music最新文献_第9页

In Search of the ‘Oriental Origin’: Rameau, Rousseau and Chinese Music in Eighteenth-Century France 寻找“东方起源”:拉莫、卢梭与十八世纪法国的中国音乐

IF 0.1 2区艺术学

Eighteenth Century Music Pub Date : 2022-08-04 DOI: 10.1017/S1478570622000173

Qingfan Jiang

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引用次数: 0

Diogenio Bigaglia and His Dixit Dominus

IF 0.1 2区艺术学

Eighteenth Century Music Pub Date : 2022-08-04 DOI: 10.1017/S1478570622000045

M. Talbot

引用次数: 0

Opera Pasticcio in Eighteenth-Century Opera: Work Concept, Performance Practice, Digital Humanities Warsaw, 13–14 May 2021 18世纪歌剧中的小调:工作理念、表演实践，数字人文，华沙，2021年5月13-14日

IF 0.1 2区艺术学

Eighteenth Century Music Pub Date : 2022-08-04 DOI: 10.1017/S1478570622000148

Szymon Paczkowski

引用次数: 0

Music, Pantomime & Freedom in Enlightenment France Hedy Law Woodbridge: Boydell, 2020 pp. xx + 265, ISBN 978 1 783 2756 01 音乐、哑剧与启蒙法国的自由Hedy Law Woodbridge: Boydell, 2020 pp. xx + 265, ISBN 978 1 783 2756 01

IF 0.1 2区艺术学

Eighteenth Century Music Pub Date : 2022-08-04 DOI: 10.1017/S1478570622000057

R. Geoffroy-Schwinden

{"title":"Music, Pantomime & Freedom in Enlightenment France Hedy Law Woodbridge: Boydell, 2020 pp. xx + 265, ISBN 978 1 783 2756 01","authors":"R. Geoffroy-Schwinden","doi":"10.1017/S1478570622000057","DOIUrl":"https://doi.org/10.1017/S1478570622000057","url":null,"abstract":"Music, Pantomime & Freedom in Enlightenment France follows the trajectory of pantomime from the commedia dell ’ arte tradition on Parisian foire stages to its integration into the reform operas of Christoph Willibald Gluck and Antonio Salieri. The status of pantomime rose from the 1730s to the 1750s, particularly through Jean-Jacques Rousseau ’ s Le devin du village (1752 – 1754), and it came to be accepted as a more articulate form of gesture than ‘ decorative ’ dance ( la belle danse ). At times, it was even believed to communicate more effectively than language. As the demand for operatic veri-similitude grew through the 1770s, Gluck drew on both pantomime and pantomime-inspired musical gestures to propel dramatic action forward. By the 1780s, Salieri was using gesture and motion within music not only to articulate conflicting or unspoken thoughts, as Gluck had done, but also to dramatize inaction. Hedy Law emphasizes that pantomime falls within a genealogy of dance as well as an archaeology of communication: through a comprehensive study of pantomime in Paris, she narrates how the significance of physical and musical gesture was honed and refined over the course of the eighteenth century.","PeriodicalId":11521,"journal":{"name":"Eighteenth Century Music","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78304557","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Handel: Interactions and Influences The Foundling Museum, London, and the Bridewell Centre, London, 19–21 November 2021 韩德尔:互动和影响育婴堂博物馆，伦敦，和布莱德韦尔中心，伦敦，2021年11月19日至21日

IF 0.1 2区艺术学

Eighteenth Century Music Pub Date : 2022-08-04 DOI: 10.1017/s147857062200001x

A. Woolley

{"title":"Handel: Interactions and Influences The Foundling Museum, London, and the Bridewell Centre, London, 19–21 November 2021","authors":"A. Woolley","doi":"10.1017/s147857062200001x","DOIUrl":"https://doi.org/10.1017/s147857062200001x","url":null,"abstract":"The 2021 Handel Institute Conference went ahead as an in-person event despite continuing diffi-culties for international travel. Some speakers had to withdraw very late in the day, to be replaced by members of the Institute ’ s council, who gave papers that either had been presented at other recent events or had had to be withdrawn. A small conference in plenary sessions grouping papers into pairs in generous slots of forty minutes each – making for a very welcome convivial atmosphere – it was a triumph in the circumstances. This year ’ s theme, Interactions and Influences, was prompted by the anniversary of Royal Academy opera Muzio Scevola (1721), composed jointly by Amadei, Bononcini and Handel. In the end, only five of the sixteen papers addressed it directly. Nevertheless, many of them, presented by emerging and established scholars based in the UK, Europe and the US, were of extremely high quality. The stimulating tone was set from the beginning by a refreshing and imaginative harpsichord recital by Bridget Cunningham after an evening reception at the Foundling Museum. It interspersed selected movements from Handel ’ s ground-breaking 1720 Suites de Pieces with little-performed contemporary arrangements of arias from Muzio Scevola and Floridante . Fittingly enough, the first paper the following morning, my Woolley, Nova was concerned with the keyboard music Handel composed before his Italian period. I proposed on the basis of the ritornello-like structures in some these pieces that Handel perhaps the first German composer to explore the Italian instrumental-concerto style and that through it he developed skills as a virtuoso keyboard player. This presentation was paired with a wide-ranging paper North Texas) on the eighteenth-century reception of Handel ’ s Water Music and Music for the Royal Fireworks . the role of these suites in framing the monarchy ’ s public image and highlighted their historical significance, they heard in concert-like settings that, for","PeriodicalId":11521,"journal":{"name":"Eighteenth Century Music","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87267533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Cayetano Brunetti: Complete Oboe Sextets Gaetano (Cayetano) Brunetti (1744–1798) Il Maniatico Ensemble / Robert Silla (oboe) IBS Classical IBS92021; two discs, 130 minutes 卡耶塔诺·布鲁内蒂:完成双簧管六重奏盖耶塔诺(卡耶塔诺)布鲁内蒂(1744-1798)Il Maniatico合奏/罗伯特·西拉(双簧管)IBS古典IBS92021;两盘，130分钟

IF 0.1 2区艺术学

Eighteenth Century Music Pub Date : 2022-08-04 DOI: 10.1017/s1478570622000033

W. D. Sutcliffe

引用次数: 0

Beethoven Exhibition at the British Library 大英图书馆的贝多芬展览

IF 0.1 2区艺术学

Eighteenth Century Music Pub Date : 2022-08-04 DOI: 10.1017/s147857062200015x

Rupert Ridgewell

引用次数: 0

Yet Another Galant Schema: The Dominant Pedal Accompanied by a Chromatic Descent 另一个伟大的图式:属音踏板伴随着半音下降

IF 0.1 2区艺术学

Eighteenth Century Music Pub Date : 2022-08-04 DOI: 10.1017/S1478570622000124

Ewald Demeyere

引用次数: 0

The Figured Bass Accompaniment in Europe Lucca, 9–12 September 2021 欧洲低音伴奏展，卢卡，2021年9月9-12日

IF 0.1 2区艺术学

Eighteenth Century Music Pub Date : 2022-08-04 DOI: 10.1017/S1478570622000070

Eric Boaro

{"title":"The Figured Bass Accompaniment in Europe Lucca, 9–12 September 2021","authors":"Eric Boaro","doi":"10.1017/S1478570622000070","DOIUrl":"https://doi.org/10.1017/S1478570622000070","url":null,"abstract":"This conference, presented online by the Centro Studi Opera Omnia Luigi Boccherini of Lucca, the Palma Choralis Research Group & Early Music Ensemble and the Dipartimento di Musica Antica ‘ Città di Brescia ’ came as manna from heaven for scholars of music theory. Organized during our Covid-scarred times, it allowed numerous academics and musicians from around the world to con-vene and shed new light on a variety of topics related to basso continuo. How might we achieve a historically informed basso-continuo practice? To what extent does basso-continuo practice manifest geographical and regional differences? What was the role of basso continuo in the reworking of pre-existing music? What is the relationship between basso continuo, partimenti and music education? And between basso continuo and other instruments? Answers to these questions were offered by the large gathering of scholars and musicians, both emerging and experienced, who took part in the four-day event. In this report I will emphasize only the main issues that emerged. I apologize, both to the readers of this report and to the conference ’ s speakers, for not including all forty papers: the high quality and quantity of the presentations forced me to select only those that expanded on the conference ’ s main themes as listed above. these issues: we basso-continuo :","PeriodicalId":11521,"journal":{"name":"Eighteenth Century Music","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87037200","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Musical Discourse of Servitude: Authority, Autonomy, and the Work-Concept in Fux, Bach, and Handel Harry White New York: Oxford University Press, 2020 pp. xvi + 307, ISBN 978 0 190 90387 9 奴役的音乐话语:权力，自治，和工作概念在福克斯，巴赫和亨德尔哈里怀特纽约:牛津大学出版社，2020年第16 + 307页，ISBN 978 0 190 90387 9

IF 0.1 2区艺术学

Eighteenth Century Music Pub Date : 2022-08-04 DOI: 10.1017/S1478570622000112

Jen-yen Chen

引用次数: 1