Amplify: A Journal of Writing-as-Activism最新文献

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People and Power: Person-First Language Usage and the Criminal Justice System 人与权力:以人为本的语言使用与刑事司法系统
Amplify: A Journal of Writing-as-Activism Pub Date : 2023-07-20 DOI: 10.15760/amplify.2023.2.1.3
C. Orr
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引用次数: 0
A Message from the Editors 编辑们的留言
Amplify: A Journal of Writing-as-Activism Pub Date : 2023-07-20 DOI: 10.15760/amplify.2023.2.1.1
Rhiannon M. Cates, Vicki Reitenauer
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引用次数: 0
Using Queer of Color Theory to Analyze Latinidad 用色彩酷儿理论分析拉丁裔
Amplify: A Journal of Writing-as-Activism Pub Date : 2023-07-20 DOI: 10.15760/amplify.2023.2.1.2
Maria Castro-Mendoza
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引用次数: 0
A Student Bill of Rights 学生权利法案
Amplify: A Journal of Writing-as-Activism Pub Date : 2023-07-20 DOI: 10.15760/amplify.2023.2.1.5
Balkhiis Noor, Olivia Monestime, Julia Hines, David Peterson del Mar
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引用次数: 0
"Where is Your Accent From?": The Voice of My Identity “你的口音来自哪里?”:我的身份之声
Amplify: A Journal of Writing-as-Activism Pub Date : 2023-07-20 DOI: 10.15760/amplify.2023.2.1.4
Robert Northman
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引用次数: 0
Language Was My Home: I had it in my mind - but not on my tongue (Grappling with Aphasia) 语言是我的家:我有它在我的脑海里——但不是在我的舌头上(与失语症的斗争)
Amplify: A Journal of Writing-as-Activism Pub Date : 2023-07-20 DOI: 10.15760/amplify.2023.2.1.6
Corinne Othenin-Girard
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引用次数: 0
“Tradish-ish”: Call Me By My Name: The Language of Calls for Native Artists “用我的名字呼唤我:呼唤本土艺术家的语言”
Amplify: A Journal of Writing-as-Activism Pub Date : 2023-07-01 DOI: 10.15760/amplify.2023.2.1.7
Jessica Mehta
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引用次数: 0
Writing New Lives, Writing New Worlds 书写新生活,书写新世界
Amplify: A Journal of Writing-as-Activism Pub Date : 2022-07-13 DOI: 10.15760/amplify.2022.1.1.5
A. Zed
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引用次数: 0
A Message from the Editors 编辑们的留言
Amplify: A Journal of Writing-as-Activism Pub Date : 2022-07-13 DOI: 10.15760/amplify.2022.1.1.1
Vicki Reitenour, Rhiannon M. Cates
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引用次数: 0
3 Selections from "Upon the Body: Poems of/to a Black Social Epi, PT.II--LOVE//Resistance in the Time of COVID" 3选自《在身体之上:一首黑人社会史诗的诗歌,PT.II——COVID时代的爱//抵抗》
Amplify: A Journal of Writing-as-Activism Pub Date : 2022-07-13 DOI: 10.15760/amplify.2022.1.1.4
Ryan J. Petteway
{"title":"3 Selections from \"Upon the Body: Poems of/to a Black Social Epi, PT.II--LOVE//Resistance in the Time of COVID\"","authors":"Ryan J. Petteway","doi":"10.15760/amplify.2022.1.1.4","DOIUrl":"https://doi.org/10.15760/amplify.2022.1.1.4","url":null,"abstract":"The 3 poems included here are from a collection written between January and August 2020. The full collection—27 poems total—examines intersections of structural racism, racialized police violence, and COVID-19, drawing from generations of creative resistance produced and embodied by Black artists, activists, and scholars like Nina Simone, Langston Hughes, Paul Laurence Dunbar, Audre Lorde, Ida B. Wells, James Baldwin, and W.E.B. DuBois. The collection as a whole is crafted as counternarrative to public health’s ahistoric, apolitical, racist, and homophobic proclivities in times of crisis. The 3 poems here are from Part II, \"LOVE//Resistance in the Time of COVID.” These selections make connections between social justice, structural racism, economic inequality, and public health history, weaving public health themes together with Black music, poetry, literature, and history to (re)frame/analyze the dual pandemics confronting Black, Indigenous, and other people of color, and to nuance narratives of our presence/resistance. “MASKS//Exposed” and “IMAGINATION//Immunity” do so in relation to COVID-19, while “BLACK//Gold” (written/recorded as a hip-hop track) sits at the intersection of COVID-19 and racialized police violence. “MASKS//Exposed” offers a critical analysis of the public health and political discourse during the early stages of COVID-19, drawing from public health literature, critical theory, and news media to interrogate dominant narratives of being “all in this together”, social distance(ing), and COVID-19 being an “equal opportunity infection.” “IMAGINATION//Immunity” offers a personal reflection on how COVID-19 has shaped daily life for those with young children, anchored in a theme of imagination as escape/immunity, and taking my childhood nostalgia of Nas’ (1996) “If I Ruled the Ruled (Imagine That)” as the narrative architecture/pulse. “BLACK//Gold” offers a lyrical analysis of intersections between dual pandemics of COVID-19 and racialized police violence, integrating critical social commentary of each as rooted in broader forms/norms of structural racism, racial capitalism, and epistemic and symbolic violence. Written in the tradition of Black protest music, the lyrics evoke the words/writings of James Baldwin, Frantz Fanon, Assata Shakur, and Nina Simone—using vocal and piano samples from the latter’s renditions of “Black is the Color of My True Love’s Hair” and “Strange Fruit.”","PeriodicalId":113313,"journal":{"name":"Amplify: A Journal of Writing-as-Activism","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130828788","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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