REVISTA ESCRITAPub Date : 2020-12-02DOI: 10.17771/pucrio.escrita.50410
Valerie Osorio Restrepo
{"title":"CLARICE LISPECTOR Y LA TEORÍA DE LOS AFECTOS: UNA LECTURA SOBRE LA PASIÓN SEGÚN G.H.","authors":"Valerie Osorio Restrepo","doi":"10.17771/pucrio.escrita.50410","DOIUrl":"https://doi.org/10.17771/pucrio.escrita.50410","url":null,"abstract":"Resumen La novela La pasión según G.H. puede leerse como un antecedente de la teoría de los afectos en América Latina. Ya en los años 60, Clarice Lispector estaba planteando asuntos que la academia ha estudiado con el nombre de giro afectivo (affective turn): la cuestión de las emociones como indicadores históricos, la diferencia entre afecto y emoción, la materialidad y la vitalidad, la división entre emoción y razón, y la relación con lo no humano.","PeriodicalId":111288,"journal":{"name":"REVISTA ESCRITA","volume":"73 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116307556","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
REVISTA ESCRITAPub Date : 2020-12-02DOI: 10.17771/pucrio.escrita.50427
Amanda Angelozzi Silva
{"title":"PLENITUDE, REVOLTA E SÍNTESE: UMA ANÁLISE DO CONTO PERDOANDO DEUS, DE CLARICE LISPECTOR","authors":"Amanda Angelozzi Silva","doi":"10.17771/pucrio.escrita.50427","DOIUrl":"https://doi.org/10.17771/pucrio.escrita.50427","url":null,"abstract":"This article was written as a result of the undergraduate research developed at FFLCHUSP, funded by the Programa Unificado de Bolsas (PUB-USP). It deals with the presence of animals in Clarice Lispector’s short stories and proposes an interpretation of “Perdoando Deus”, taking as its starting point the fact that the short story is structured in three moments, in which the narration of the story follows the protagonist's subjective journey. In addition, this article reflects on the epiphany that occurs in the story and the importance the encounter with the animal’s grotesque alterity plays in the main character’s subjectivation process.","PeriodicalId":111288,"journal":{"name":"REVISTA ESCRITA","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123437025","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
REVISTA ESCRITAPub Date : 2020-12-02DOI: 10.17771/pucrio.escrita.50439
Mariana Silva Bijotti
{"title":"A DIMENSÃO DO VISUAL EM CLARICE LISPECTOR","authors":"Mariana Silva Bijotti","doi":"10.17771/pucrio.escrita.50439","DOIUrl":"https://doi.org/10.17771/pucrio.escrita.50439","url":null,"abstract":"This article aims to compare the visuality in two texts of Clarice Lispector: the crônica “Medo da libertação” and the novel The Passion According to G.H . – focusing specifically in Janair's wall painting. In both works, the artistic modalities that are presented seem to have an important role to the narrators, in how they understand not only themselves, but the Other and the bourgeois world that imprisons them, giving both narrators the necessary strength to follow the way of the (fearful) freedom.","PeriodicalId":111288,"journal":{"name":"REVISTA ESCRITA","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114456365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
REVISTA ESCRITAPub Date : 2020-12-02DOI: 10.17771/pucrio.escrita.50406
Constanza Penacini
{"title":"COMPROMISO Y PRECARIEDAD EN CLARICE LISPECTOR","authors":"Constanza Penacini","doi":"10.17771/pucrio.escrita.50406","DOIUrl":"https://doi.org/10.17771/pucrio.escrita.50406","url":null,"abstract":"In dialogue with the artistic and political debates of her time, Clarice Lispector's ethical and aesthetic proposal towards the end of her work seems to be looking to the future. Based on a contemporary literature that works with a porous material and a writing that is constructed as an affective map, the author's political commitment is defined by a precariousness of literature.","PeriodicalId":111288,"journal":{"name":"REVISTA ESCRITA","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114897189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
REVISTA ESCRITAPub Date : 2020-10-06DOI: 10.17771/pucrio.escrita.49776
Guilherme SIMOES REIS
{"title":"APRESENTAÇÃO","authors":"Guilherme SIMOES REIS","doi":"10.17771/pucrio.escrita.49776","DOIUrl":"https://doi.org/10.17771/pucrio.escrita.49776","url":null,"abstract":"[Damiens fora condenado, a 2 de março de 1757], a pedir perdão publicamente diante da porta principal da Igreja de Paris, aonde devia ser levado e acompanhado numa carroça, nu, de camisola, carregando uma tocha de cera acesa de duas libras; em seguida, na dita carroça, na praça de Grè ve, e sobre um patíbulo que aí será́ erguido, atenazado nos mamilos, braços, coxas e barrigas das pernas, sua mão direita segurando a faca com que cometeu o dito parricí dio, queimada com fogo de enxofre, e às partes em que será́ atenazado se aplicarão chumbo derretido, óleo fervente, piche em fogo, cera e enxofre derretidos conjuntamente, e a seguir seu corpo será́ puxado e desmembrado por quatro cavalos e seus membros e corpo consumidos ao fogo, reduzidos a cinzas, e suas cinzas lançadas ao vento. Finalmente foi esquartejado [relata a Gazette d’Amsterdam]. Essa ultima operação foi muito longa, porque os cavalos utilizados não estavam afeitos à tração; de modo que, em vez de quatro, foi preciso colocar seis; e como isso não bastasse, foi necessário, para desmembrar as coxas do infeliz, cortar-lhe os nervos e retalhar-lhe as juntas. (Foucault, 1987, p. 9).","PeriodicalId":111288,"journal":{"name":"REVISTA ESCRITA","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127279256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
REVISTA ESCRITAPub Date : 2020-02-14DOI: 10.17771/pucrio.escrita.46656
J. Teixeira
{"title":"GÊNERO E DISCURSO: CONSTRUÇÕES IDENTITÁRIAS DE UMA REFUGIADA","authors":"J. Teixeira","doi":"10.17771/pucrio.escrita.46656","DOIUrl":"https://doi.org/10.17771/pucrio.escrita.46656","url":null,"abstract":": This paper analyses an excerpt from an interview with a Venezuelan refugee who lives with her family in a shelter in Boa Vista - Roraima. The analysis of discursive strategies and resources used by her in the meeting set up a game of light and shadow. In this game, she projects the other (her husband, who is absent from the interaction) in the spotlight as an agent who refracts the stereotype of a refugee, while she herself is relegated to the shadows.","PeriodicalId":111288,"journal":{"name":"REVISTA ESCRITA","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124291306","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
REVISTA ESCRITAPub Date : 2020-02-14DOI: 10.17771/pucrio.escrita.46637
Breno Botelho Ribeiro
{"title":"ATUALIZAÇÃO DA GRAMÁTICA HABITACIONAL NO RIO DE JANEIRO: A ELEIÇÃO DE CRIVELLA E A SUPOSTA RETOMADA DO DISCURSO DE URBANIZAÇÃO","authors":"Breno Botelho Ribeiro","doi":"10.17771/pucrio.escrita.46637","DOIUrl":"https://doi.org/10.17771/pucrio.escrita.46637","url":null,"abstract":"In this article I compare the approaches between public housing policies in the city of Rio de Janeiro, under the government of Eduardo Paes (2009 to 2016) and Marcelo Crivella (2017 to 2019). The qualitative analysis undertaken follows Magalhães (2013) concept of “grammar of habitation”, using direct observation based on three years of fieldwork and documentary analysis. Results suggest that the municipality’s discourse of habitation is revised during the latter period.","PeriodicalId":111288,"journal":{"name":"REVISTA ESCRITA","volume":"95 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117310476","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
REVISTA ESCRITAPub Date : 2020-02-14DOI: 10.17771/pucrio.escrita.46651
Marcella Albaine Farias da Costa
{"title":"ESTUDO SOBRE A IDENTIDADE DO ESTRANGEIRO EM BRAGA, PORTUGAL, A PARTIR DO ACERVO DO MUSEU DO RECONHECIMENTO CULTURAL: O OLHAR DO OUTRO","authors":"Marcella Albaine Farias da Costa","doi":"10.17771/pucrio.escrita.46651","DOIUrl":"https://doi.org/10.17771/pucrio.escrita.46651","url":null,"abstract":"This paper discusses the preservation of identity of foreigners resident in Braga, Portugal, through an analysis of linguistic and cultural features in their testimonials to the Museu do Reconhecimento. In order to do so, it relies on a theoretical base which focuses on notions of identity (Hall, 1990; 1996, Canclini, 2003 & Laclau, 1996) and individual and collective memory (Liu; Hilton, 2005 & Macedo; Cabecinhas, 2014).","PeriodicalId":111288,"journal":{"name":"REVISTA ESCRITA","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123962548","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}